Download Free Strange Music Book in PDF and EPUB Free Download. You can read online Strange Music and write the review.

In Laura Fish's ambitious and captivating novel, three very different women struggle for freedom. While Elizabeth Barrett Browning is confined to bed, chafing against the restriction of her doctors and writing poetry and fretful letters, at her family's Jamaican estate Kaydia, the Creole housekeeper, tries to protect her daughter from their predatory master; and a recently freed black slave, Sheba, mourns the loss of her lover. As Elizabeth, a passionate abolitionist, struggles to come to terms with the source of her wealth and privilege both Sheba and Kydia fight to escape a tragic past which seems ever-present. The resulting novel is an extraordinary evocation of the dark side of the nineteenth-century that is both horrifying and ultimately redeeming.
A Hugo Award-winning author and music journalist explores the weird and wild story of when rock ’n’ roll met the sci-fi world of the 1970s As the 1960s drew to a close, and mankind trained its telescopes on other worlds, old conventions gave way to a new kind of hedonistic freedom that celebrated sex, drugs, and rock ’n’ roll. Derided as nerdy or dismissed as fluff, science fiction rarely gets credit for its catalyzing effect on this revolution. In Strange Stars, Jason Heller recasts sci-fi and pop music as parallel cultural forces that depended on one another to expand the horizons of books, music, and out-of-this-world imagery. In doing so, he presents a whole generation of revered musicians as the sci-fi-obsessed conjurers they really were: from Sun Ra lecturing on the black man in the cosmos, to Pink Floyd jamming live over the broadcast of the Apollo 11 moon landing; from a wave of Star Wars disco chart toppers and synthesiser-wielding post-punks, to Jimi Hendrix distilling the “purplish haze” he discovered in a pulp novel into psychedelic song. Of course, the whole scene was led by David Bowie, who hid in the balcony of a movie theater to watch 2001: A Space Odyssey, and came out a changed man… If today’s culture of Comic Con fanatics, superhero blockbusters, and classic sci-fi reboots has us thinking that the nerds have won at last, Strange Stars brings to life an era of unparalleled and unearthly creativity—in magazines, novels, films, records, and concerts—to point out that the nerds have been winning all along.
Go behind the scenes with the musician The New York Times called "a guitar God!" Oft-hailed as the Jimi Hendrix of his generation, living guitar legend Joe Satriani has long transcended stylistic boundaries with a sound that raises the bar like a new horizon for the broader genre of instrumental guitar rock. Joe's 6-string secrets have astounded listeners around the world for nearly 30 years. In Strange Beautiful Music: A Musical Memoir, Satriani and coauthor, music biographer Jake Brown, take fans on their first authorized tour of the story behind his climb to stardom and the creative odyssey involved in writing and recording a storied catalog of classics including "Surfing with the Alien," "Summer Song," "Satch Boogie," "Always With Me, Always With You," "The Extremist," "Flying in a Blue Dream," "Crowd Chant," and more. Featuring previously unpublished photos and hours of exclusive, firsthand interviews with Satriani, Strange Beautiful Music offers a unique look inside the studio with Joe, giving fans a chance to get up close and personal like never before. With insider details about his collaboration with multi-platinum supergroup Chickenfoot, exclusive interviews with Sammy Hagar and Michael Anthony of Van Halen and Chad Smith of the Red Hot Chili Peppers, commentary from fellow guitar legends such as Steve Vai, Metallica's Kirk Hammett, Primus's Larry LaLonde, and legendary music producers including Glynn Johns and the late Andy Johns, this memoir offers a rare inside look for die-hard Satriani fans, guitar enthusiasts, and anyone who loves to rock.
Most readers acknowledge Brian Lumley as the superstar of British horror writers. With the great popularity of his Necroscope series, he is one of the best known horror authors in the world. Devoted fans know that his roots are deep in the Cthulhu Mythos, with which most of his early work deals. This volume contains eleven new tales in that vein, as well as three reprints of excellent but little-known stories by Mr. Lumley.
Elizabeth Barrett Browning evokes several figures as muses for her poetry, and one recurring type is the music master. While her writing has always been recognized as highly experimental, the influence and use of music in her work have not been fully examined. Fresh Strange Music defines the exact nature of Browning's experiments and innovations in rhythm, which she called the "animal life" of poetry, and in sound repetition, which she labelled her "rhymatology." Donald Hair approaches Elizabeth Barrett Browning's art with a focus on the power that shapes it - the technical music of her poetry and the recurring beat at the beginning of units of equal time that requires a different system of scansion than conventional metres and syllable counting. Music for Barrett Browning, Hair explains, has momentous implications. In her early poetry, it is the promoter of kindly and loving relations in families and in society. Later in her career, she makes it the basis of nation-building, in her support for the unification of Italy and, more problematically, in her championing of French emperor Napoleon III. Fresh Strange Music traces the development of Barrett Browning's poetics through all her works - from the early An Essay on Mind to Last Poems - showcasing her as a major poet, independently minded, and highly innovative in her rhythms and rhymes.
In Strange Sounds, Timothy D. Taylor explains the wonder and anxiety provoked by a technological revolution that began in the 1940s and gathers steam daily. Taylor discusses the ultural role of technology, its use in making music, and the inevitable concerns about "authenticity" that arise from electronic music. Informative and highly entertaining for both music fans and scholars, Strange Sounds is a provocative look at how we perform, listen to, and understand music today.
Sent to the prestigious Dunhammond Conservatory, Sing da Navelli must work with the mysterious Apprentice Nathan Daysmoor as her vocal coach, who is both her harshest critic and staunchest advocate. But Nathan has secrets of his own, secrets that are entwined with the myths and legends surrounding Dunhammond, and the great creature they say lives there.
The Strange Music of Social Life presents a dialogue on dialogic sociology, explored through the medium of music. Sociologist and composer Michael Mayerfeld Bell presents an argument that both sociology and classical music remain largely in the grip of a nineteenth-century totalizing ambition of prediction and control. He provides the refreshing approach of "strangency" to explain a sociology that tries to understand not only the regularities of social life but also the social conditions in which people do what we do not expect. Nine important sociologists and musicians respond-often vigorously-to the conversation Bell initiates by raising pivotal questions. The Strange Music of Social Life concludes with Bell's reply to those responses and offers new insight into sociology and music sociology.
HOUSE OF STRANGE MUSIC is a modern ghost story. As a musical child prodigy, Lynn has led a stressful life; motherless, dominated by a harsh father, she's been prodded into achievement. When her father dies, seventeen-year-old Lynn looks forward to more freedom; instead, in accordance with her father's will, she finds herself under the strict guardianship of a great musician whom she has never before met, Anton Varrig. Not long after her arrival at his mansion on Lake Michigan, Lynn discovers that the house is haunted and Varrig himself, although a powerful personality, is a man of uncertain disposition. Lynn struggles to survive in a threatening atmosphere, aided only by Dan, a young man who befriends her and with whom she falls in love. When separated from him, Lynn faces an ever-darkening scene, alone.
"Stew brings us the story of a young bohemian who charts a course for 'the real' through sex, drugs and rock 'n' roll."--Page 4 of cover.