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Strange Itineraries takes you on an unforgettable excursion into the strange and dangerous worlds of Tim Powers. Vengeful and cooperative spirits, mutant tomatoes, and the ever-mysterious Ether Bunnies roam these pages, treading paths both frightening and droll. This fully retrospective Powers collection also features three collaborations with James Blaylock, author of The Paper Grail and The Last Coin.
For a brief period in the late Elizabethan Era an innovative company of players dominated the London stage. A fellowship of dedicated thespians, Lord Strange’s Men established their reputation by concentrating on “modern matter” performed in a spectacular style, exploring new modes of impersonation, and deliberately courting controversy. Supported by their equally controversial patron, theater connoisseur and potential claimant to the English throne Ferdinando Stanley, the company included Edward Alleyn, considered the greatest actor of the age, as well as George Bryan, Thomas Pope, Augustine Phillips, William Kemp, and John Hemings, who later joined William Shakespeare and Richard Burbage in the Lord Chamberlain’s Men. Though their theatrical reign was relatively short lived, Lord Strange’s Men helped to define the dramaturgy of the period, performing the plays of Shakespeare, Christopher Marlowe, Thomas Kyd, and others with their own distinctive flourish. Lawrence Manley and Sally-Beth MacLean offer the first complete account of the troupe and its enormous influence on Elizabethan theater. Seamlessly blending theater history and literary criticism, the authors paint a lively portrait of a unique community of performing artists, their intellectual ambitions and theatrical innovations, their business practices, and their fearless engagements with the politics and religion of their time.
Focusing on a period (c.1577-1594) that is often neglected in Elizabethan theater histories, this study considers Shakespeare's involvement with the various London acting companies before his membership in the Lord Chamberlain's Men in 1594. Locating Shakespeare in the confusing records of the early London theater scene has long been one of the many unresolved problems in Shakespeare studies and is a key issue in theatre history, Shakespeare biography, and historiography. The aim in this book is to explain, analyze, and assess the competing claims about Shakespeare's pre-1594 acting company affiliations. Schoone-Jongen does not demonstrate that one particular claim is correct but provides a possible framework for Shakespeare's activities in the 1570s and 1580s, an overview of both London and provincial playing, and then offers a detailed analysis of the historical plausibility and probability of the warring claims made by biographers, ranging from the earliest sixteenth-century references to contemporary arguments. Full chapters are devoted to four specific acting companies, their activities, and a summary and critique of the arguments for Shakespeare's involvement in them (The Queen's Men, Strange's Men, Pembroke's Men, and Sussex's Men), a further chapter is dedicated to the proposition Shakespeare's first theatrical involvement was in a recusant Lancashire household, and a final chapter focuses on arguments for Shakespeare's membership in a half dozen other companies (most prominently Leicester's Men). Shakespeare's Companies simultaneously opens up twenty years of theatrical activity to inquiry and investigation while providing a critique of Shakespearean biographers and their historical methodologies.
In the fall of 1886, Boston philanthropist Mary Tileston Hemenway sponsored an archaeological expedition to the American Southwest. Directed by anthropologist Frank Hamilton Cushing, the Hemenway Expedition sought to trace the ancestors of the Zuñis with an eye toward establishing a museum for the study of American Indians. In the third year of fieldwork, Hemenway's overseeing board fired Cushing based on doubts concerning his physical health and mental stability, and much of the expedition's work went unpublished. Today, however, it is recognized as a critical base for research into southwestern prehistory. This second installment of a multivolume work on the Hemenway Expedition focuses on a report written by Cushing—at the request of the expedition's board of directors—to serve as vindication for the expedition, the worst personal and professional failure of his life. Reconstructed between 1891 and 1893 by Cushing from field notes, diaries, jottings, and memories, it provides an account of the origins and early months of the expedition. Hidden in several archives for a century, the Itinerary is assembled and presented here for the first time. A vivid account of the first attempt at scientific excavatons in the Southwest, Cushing's Itinerary is both an exciting tale of travel through the region and an intellectual adventure story that sheds important light on the human past at Hohokam sites in Arizona's Salt River Valley, where Cushing sought to prove his hypothesis concerning the ancestral "Lost Ones" of the Zuñis. It initiates the construction of an ethnological approach to archaeology, which drew upon an unprecedented knowledge of a southwestern Pueblo tribe and use of that knowledge in the interpretation of archaeological sites.
An exiled professor’s journey from inside and beyond academe In the summer of 2014, Steven Salaita was fired from a tenured position in American Indian Studies at the University of Illinois for his unwavering stance on Palestinian human rights and other political controversies. A year later, he landed a job in Lebanon, but that, too, ended badly. With no other recourse, Salaita found himself trading his successful academic career for an hourly salaried job. Told primarily from behind the wheel of a school bus—a vantage point from which Salaita explores social anxiety, suburban architecture, political alienation, racial oppression, working-class solidarity, professional malfeasance, and the joy of chauffeuring children to and from school—An Honest Living describes the author’s decade of turbulent post-professorial life and his recent return to the lectern. Steven Salaita was practically born to a life in academia. His father taught physics at an HBCU in southern West Virginia and his earliest memories are of life on campus and the cinder walls of the classroom. It was no surprise that he ended up in the classroom straight after graduate school. Yet three of his university jobs—Virginia Tech, the University of Illinois, and the American University of Beirut [AUB] —ended in public controversy. Shaken by his sudden notoriety and false claims of antisemitism, Salaita found himself driving a school bus to make ends meet. While some considered this just punishment for his anti-Zionist beliefs, Steven found that driving a bus provided him with not just a means to pay the bills but a path toward freedom of thought. Now ten years later, with a job at American University at Cairo, Salaita reconciles his past with his future. His restlessness has found a home, yet his return to academe is met with the same condition of fugitivity from whence he was expelled: an occasion for defiance, not conciliation. An Honest Living presents an intimate personal narrative of the author’s decade of professional joys and travails.
"Powers: Secret Histories is a unique book charting the career of one of the genre's most revered and gifted authors. As well as a complete, illustrated bibliography of every Tim Powers book published to date, Secret Histories offers an extraordinary insight into the stories behind the stories, collecting together in a single volume Powers ephemera previously seen only in private collections. Here - in print for the very first time - you'll find poetry, drawings, research and plotting notes, novel outlines, early drafts, out-takes and an excerpt from the author's unpublished 1974 novel, To Serve in Hell. An essential resource for collectors and fans alike, Powers: Secret Histories contains a treasure trove of exclusive material, including story notes and commentary by the author himself. You'll also find articles and essays from collaborators, friends and renowned Powers aficionados including Dean Koontz, James P. Blaylock, China Miéville, Karen Joy Fowler, John Bierer, John Berlyne and William Ashbless. Lavishly produced in full colour, Powers: Secret Histories is an unprecedented bibliographic tribute celebrating the work of a truly extraordinary writer" --