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In 1886, Robert Louis Stevenson published one of the best-known stories in the English language: DR. JEKYLL & MR. HYDE, a dark fantasy in which a kindly doctor concocts a potion that transforms him into the living embodiment of pure evil. Now, over a century later, comes the other side of Jekyll & Hyde: a companion novel that tells the tale of ruthless banker Geoffrey Bodkin quaffing the potion and unleashing his saintly counterpart, Father Whitechapel. "What's intriguing about Jekyll & Hyde is that Stevenson clearly states that the drug itself is neither diabolical nor divine," Keller says. "It simply brings forth the repressed side of one's personality: fiend or angel. So I wondered what would happen if a wealthy but conflicted businessman took the potion and became the living, giving saint he's always longed to be?" Yet MR. BODKIN & FATHER WHITECHAPEL is no sweet fantasy, but an unsettling story of greed and charity, of embezzlement, scandal and murder. For if Father Whitechapel is beloved by the paupers of the East End, he is the stuff of nightmares for Victorian London's upper classes, who seek to stop him by any means: even branding him the city's most notorious criminal: Jack the Ripper. Integrating Stevenson's original prose, in all its Victorian splendor, as well as true events from nineteenth-century East End London, MR. BODKIN & FATHER WHITECHAPEL is a suspenseful adaptation of DR. JEKYLL & MR. HYDE that takes literary mash-ups to a new level of sophistication while exploring the catastrophic consequences of unhindered goodness.
This is a unique work by the king of thrillers. It is a story of Van Heerden, an ambitious doctor who takes over the world and brings corrosive destruction. It is interesting as the mysterious, one-dimensional, anomalous circumstances and colourful language spell-bind the reader. Moreover it is full of intrigues and excited actions that successfully beguile the one who reads it. Fascinating!
Between the Acts is the final novel by Virginia Woolf, published in 1941 shortly after her suicide. This is a book laden with hidden meaning and allusion. It describes the mounting, performance, and audience of a festival play (hence the title) in a small English village just before the outbreak of the Second World War. Much of it looks forward to the war, with veiled allusions to connection with the continent by flight, swallows representing aircraft, and plunging into darkness. The pageant is a play within a play, representing a rather cynical view of English history. Woolf links together many different threads and ideas - a particularly interesting technique being the use of rhyme words to suggest hidden meanings. Relationships between the characters and aspects of their personalities are explored. The English village bonds throughout the play through their differences and similarities. Adeline Virginia Woolf (1882–1941) was an English writer who is considered one of the foremost modernists of the twentieth century and a pioneer in the use of stream of consciousness as a narrative device.
“Their love story ended many years ago. He still writes her name as a solution to crossword puzzle clues of suitable length.” Alex Epstein’s miniature stories are indeed love stories, puzzles, stray clues to puzzles he never finishes, the beginnings or ends of philosophical treatises, parables, jokes, modernized legends, or perhaps a vivid handful of images thrown together, then allowed to disperse. This is a form of which he has been hailed as a master, a form as singular and intricate as a collection of fingerprints. His stories are populated by angels, chess players, mythical figures, Walter Benjamin, Franz Kafka, lovers young and old, writers of disappearing languages; they are set in airports, trains, the sites of legends, hotels, bookstores in countries that no longer exist, dreams. In each, Epstein draws precisely the smallest possible world, and revels in the great possibilities of a single sentence.
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The Condition of the Working Class in England is one of the best-known works of Friedrich Engels. Originally written in German as Die Lage der arbeitenden Klasse in England, it is a study of the working class in Victorian England. It was also Engels' first book, written during his stay in Manchester from 1842 to 1844. Manchester was then at the very heart of the Industrial Revolution, and Engels compiled his study from his own observations and detailed contemporary reports. Engels argues that the Industrial Revolution made workers worse off. He shows, for example, that in large industrial cities mortality from disease, as well as death-rates for workers were higher than in the countryside. In cities like Manchester and Liverpool mortality from smallpox, measles, scarlet fever and whooping cough was four times as high as in the surrounding countryside, and mortality from convulsions was ten times as high as in the countryside. The overall death-rate in Manchester and Liverpool was significantly higher than the national average (one in 32.72 and one in 31.90 and even one in 29.90, compared with one in 45 or one in 46). An interesting example shows the increase in the overall death-rates in the industrial town of Carlisle where before the introduction of mills (1779–1787), 4,408 out of 10,000 children died before reaching the age of five, and after their introduction the figure rose to 4,738. Before the introduction of mills, 1,006 out of 10,000 adults died before reaching 39 years old, and after their introduction the death rate rose to 1,261 out of 10,000.