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The minimal and well-designed composition notebook perfect for writing notes and jotting down thoughts,this one is just for you. Size 6 x 9 inches , 114 pages
How do you land a sweet six-figure marketing gig at the hallowed record label known for having signed everyone from Led Zeppelin to Stone Temple Pilots? You start with a resume like Dan Kennedy's: • Dressed up as a member of Kiss every Halloween • Memorized Led Zeppelin IV at age ten • Fronted a lip-sync band in junior high • Worked as a college DJ while he was a college drop-out In his outrageous memoir, McSweeney's contributor Kennedy chronicles his misadventures at a major record label. Whether he's directing a gangsta rapper's commercial or battling his punk roots to create an ad campaign celebrating the love songs of Phil Collins, Kennedy's in way over his head. And from the looks of those sitting around the boardroom, he's not alone. Egomaniacs, wackos, incompetents, and executive assistants who know more than their seven-figure bosses round out this power-ballad to office life and rock and roll.
Autobiographical accounts of former slaves compiled in the 1930s by the Federal Writers Project of the Works Progress Administration.
The first history of the efforts and fates of white Republicans during Reconstruction South Carolina Scalawags tells the familiar story of Reconstruction from a mostly unfamiliar vantage point, that of white southerners who broke ranks and supported the newly recognized rights and freedoms of their black neighbors. The end of the Civil War turned South Carolina's political hierarchy upside down by calling into existence what had not existed before, a South Carolina Republican Party, and putting its members at the helm of state government from 1868 to 1876. Composed primarily of former slaves, the burgeoning party also attracted the membership of newly arrived northern "carpetbaggers" and of white South Carolinians who had lived in the state prior to secession. Known as "scalawags," these South Carolinians numbered as many as ten thousand—fifteen percent of the state's white population—but have remained a maligned and largely misunderstood component of post-Civil War politics. In this first book-length exploration of their egalitarian objectives and short-lived ambitions, Hyman Rubin III resurrects the lives and careers of these individuals who took a leading role during Reconstruction. South Carolina Scalawags delves into the lives of representative white Republicans, exploring their backgrounds, political attitudes and actions, and post-Reconstruction fates. The Republicans succeeded in creating a much more representative and responsive government than the state had seen before or would see for generations. During its heyday the party began to attract wealthier white citizens, many of whom were moderates favoring cooperation between open-minded Democrats and responsible Republicans. In assessing the eventual Republican collapse, Rubin does not gloss over disturbing trends toward factionalism and corruption that increasingly characterized the party's governance. Rather he points to these failings in explaining the federal government's abandonment of the party in 1876 and the Democrats' reassertion of white supremacy.
The Federal Writers Project creates an image of South Carolina of years past All of us, at one time or another, have had a strong desire to be able to get into a time machine and be transported magically to an earlier place and time. Science has not yet produced for us such a time machine, but the Federal Writers Project (FWP), a division of the Works Progress Administration, did produce for prosperity guides to all of the old 48 states. Using talented local researchers and writers the FWP created an image of America fifty plus years ago. A reprint of the original, South Carolina: The WPA Guide to the Palmetto State is divided into three sections: 19 essays on a variety of topics ranging from history to cookery; detailed descriptions of the 11 towns in the state that had populations of more than 10,000; and 21 remarkably detailed guided tours to all sections of the state. In addition to the original chapters, there are two appendices—updated highway numbers for each tour and a guide to getting off the present Interstate Highway System and picking up the guided tours. South Carolina's Guide is very much a product of its times. The essays and tours mince no words in describing the state's poverty or the reality of a world in which class and race played major roles. For those who have studied and taught South Carolina history, the old Guide has been an indispensable reference work. Parts of it may be dated to some jaded modern eyes; some phrases may be jarring to the post-1954 generation. However, the original South Carolina: The WPA Guide to the Palmetto State was what its cover claimed it to be. It accurately described the state as it was—not as romantics wanted it to be.
Straight Talk about South Carolina Divorce Law is a clear and detailed guide to how divorce and family law cases are actually handled and resolved in South Carolina. It is a practical and realistic overview of how lawyers, experts and mediators operate, and how Family Court judges decide what happens in divorce, custody and matrimonial cases. Includes: Descriptions--written in layman's language--of the laws governing divorce; Key points to consider for anyone involved in a matrimonial dispute in South Carolina; Essential information for people getting divorced or those involved in custody, separation or marital litigation.
As one of the most influential and popular genres of the last three decades, rap has cultivated a mainstream audience and become a multimillion-dollar industry by promoting highly visible and often controversial representations of blackness. Sounding Race in Rap Songs argues that rap music allows us not only to see but also to hear how mass-mediated culture engenders new understandings of race. The book traces the changing sounds of race across some of the best-known rap songs of the past thirty-five years, combining song-level analysis with historical contextualization to show how these representations of identity depend on specific artistic decisions, such as those related to how producers make beats. Each chapter explores the process behind the production of hit songs by musicians including Grandmaster Flash and the Furious Five, The Sugarhill Gang, Run-D.M.C., Public Enemy, N.W.A., Dr. Dre, and Eminem. This series of case studies highlights stylistic differences in sound, lyrics, and imagery, with musical examples and illustrations that help answer the core question: can we hear race in rap songs? Integrating theory from interdisciplinary areas, this book will resonate with students and scholars of popular music, race relations, urban culture, ethnomusicology, sound studies, and beyond.