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Eli is a young stowaway on a ship bound for North America. A strange birthmark on his arm, in the shape of a dragon, begins to sting. Then he meets a sailor on the ship with a dragon tattoo. The tattoo, and a weird cargo hidden on the ship, hold the secret to Eli's real identity.
Eli is a young stowaway on a ship bound for North America. A strange birthmark on his arm, in the shape of a dragon, begins to sting. Then he meets a sailor on the ship with a dragon tattoo. The tattoo, and a weird cargo hidden on the ship, hold the secret to Eli’s read identity.
Eli is a young stowaway on a ship bound for North America. A strange birthmark on his arm, in the shape of a dragon, begins to sting. Then he meets a sailor on the ship with a dragon tattoo. The tattoo, and a weird cargo hidden on the ship, hold the secret to Eli's real identity.
Paul Blaisdell was the man behind the monsters in such movies as The She Creature, Invasion of the Saucer Men, Not of This Earth, It! Terror from Beyond Space and many others. Working in primarily low-budget films, Blaisdell was forced to rely on greasepaint, guts and, most importantly, an unbounded imagination for his creations. From his inauspicious beginning through The Ghost of Dragstrip Hollow (1959), the construction of Blaisdell's monsters and the making of the movies in which they appeared are fully detailed here. Blaisdell's work in the early monster magazines of the 1960s is also covered.
A gorgeously imaginative fantasy in the spirit of Hayao Miyazaki and Guillermo del Toro. “The Naming Song understands the fundamental magic of language, and breathes that magic onto every page.” —Holly Black, #1 New York Times bestseller There's nothing more dangerous than an unnamed thing When the words went away, the world changed. All meaning was lost, and every border fell. Monsters slipped from dreams to haunt the waking while ghosts wandered the land in futile reveries. Only with the rise of the committees of the named—Maps, Ghosts, Dreams, and Names—could the people stand against the terrors of the nameless wilds. They built borders around their world and within their minds, shackled ghosts and hunted monsters, and went to war against the unknown. For one unnamed courier of the Names Committee, the task of delivering new words preserves her place in a world that fears her. But after a series of monstrous attacks on the named, she is forced to flee her committee and seek her long-lost sister. Accompanied by a patchwork ghost, a fretful monster, and a nameless animal who prowls the shadows, her search for the truth of her past opens the door to a revolutionary future—for the words she carries will reshape the world. The Naming Song is a book of deep secrets and marvelous discoveries, strange adventures and dangerous truths. It's the story of a world locked in a battle over meaning. Most of all, it's the perfect fantasy for anyone who's ever dreamed of a stranger, freer, more magical world. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Rory Stowaway's family tradition of adventure hunting comes to an end when his grampa comes up missing. That is, until he discovers his Gran knows what really happened to his Grampa.
"From internationally bestselling authors James Murray and Darren Wearmouth comes The Stowaway, a suspenseful masterpiece that leaves a cruise ship stranded at sea with a serial killer hiding aboard... Two years ago, Maria Fontana was the deciding vote on a jury that set alleged serial killer Wyatt Butler free. Now, she and her family are enjoying vacation on a two week long transatlantic cruise. But when passengers are discovered brutally murdered in a similar way to Butler's ritualistic MO, the ship goes on lockdown. Maria, one of only twelve people in the world with intimate knowledge of the case, faces a perilous ticking clock. Is it a copycat? Or is she trapped on board with the bloodthirsty maniac she chose to set free?"--
The reader determines what happens in a story about a character who sneaks aboard pirate Captain Rockhopper's ship and is discovered, in a text where a choice can be made between being sent back to the safety of Club Penguin or becoming a part of the crew on the expeditions of the ship.
Want to identify fiction books that boys in grades three through nine will find irresistible? This guide reveals dozens of worthwhile recommendations in categories ranging from adventure stories and sports novels to horror, humorous, and science fiction books. In Get Those Guys Reading!: Fiction and Series Books that Boys Will Love, authors Kathleen A. Baxter and Marcia A. Kochel provide compelling and current reading suggestions for younger boys—information that educators, librarians, and parents alike are desperate for. Comprising titles that are almost all well-reviewed in at least one major professional journal, or that are such big hits with kids that they've received the "stamp of approval" from the most important reviewers, this book will be invaluable to anyone whose goal is to help boys develop a healthy enthusiasm for reading. It includes chapters on adventure books; animal stories; graphic novels; historical fiction; humorous books; mystery, horror, and suspense titles; science fiction and fantasy; and sports novels. Within each chapter, the selections are further divided into books for younger readers (grades 3–6) and titles for older boys in grades 5–8. Elementary and middle school librarians and teachers, public librarians, Title One teachers, and parents of boys in grades 3–9 will all benefit greatly from having this book at hand.
Harry Dean Stanton (1926–2017) got his start in Hollywood in TV productions such as Zane Grey Theater and Gunsmoke. After a series of minor parts in forgettable westerns, he gradually began to get film roles that showcased his laid-back acting style, appearing in Cool Hand Luke (1967), Kelly's Heroes (1970), The Godfather: Part II (1974), and Alien (1979). He became a headliner in the eighties—starring in Wim Wenders's moving Paris, Texas (1984) and Alex Cox's Repo Man (1984)—but it was his extraordinary skill as a character actor that established him as a revered cult figure and kept him in demand throughout his career. Joseph B. Atkins unwinds Stanton's enigmatic persona in the first biography of the man Vanity Fair memorialized as "the philosopher poet of character acting." He sheds light on Stanton's early life in West Irvine, Kentucky, exploring his difficult relationship with his Baptist parents, his service in the Navy, and the events that inspired him to drop out of college and pursue acting. Atkins also chronicles Stanton's early years in California, describing how he honed his craft at the renowned Pasadena Playhouse before breaking into television and movies. In addition to examining the actor's acclaimed body of work, Atkins also explores Harry Dean Stanton as a Hollywood legend, following his years rooming with Jack Nicholson, partying with David Crosby and Mama Cass, jogging with Bob Dylan, and playing poker with John Huston. "HD Stanton" was scratched onto the wall of a jail cell in Easy Rider (1969) and painted on an exterior concrete wall in Drive, He Said (1971). Critic Roger Ebert so admired the actor that he suggested the "Stanton-Walsh Rule," which states that "no movie featuring either Harry Dean Stanton or M. Emmet Walsh in a supporting role can be altogether bad." Harry Dean Stanton is often remembered for his crowd-pleasing roles in movies like Pretty in Pink (1986) or Escape from New York (1981), but this impassioned biography illuminates the entirety of his incredible sixty-year career. Drawing on interviews with the actor's friends, family, and colleagues, this much-needed book offers an unprecedented look at a beloved figure.