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This electrifying and heart-pounding sequel to Without Warning combines a profound understanding of a broken world with realistic portrayals of how Christ can still make a difference in our age of terror. Held hostage by radical Islamic terrorists in Israel, Jessica Cain's survival hangs on a chance encounter with a total stranger and the possibility that her father can save her. Guaranteed fiction!
The Stowaway is at once a thrilling maritime adventure and a thought-provoking morality tale based on real-life events. The novel begins in the spring of 1996 when Rodolfo Miguel, a bosun on the Taiwanese container ship Maersk Dubai, discovers a hungry and frightened pair of Romanian stowaways. He presents them to his officers, fully expecting that they’ll be put to work or else dropped off at the nearest port. Instead, he and his fellow Filipino crewmen watch in silent horror as the Romanians are cast overboard in a flimsy raft only to disappear beneath the ship’s wake. The Stowaway moves seamlessly between two storylines. Aboard the Maersk Dubai, Rodolfo and his crewmen must deal with the emotional trauma of what they’ve seen – as well as grapple with how to act on what they know. The atmosphere on the ship grows increasingly tense as fear, anxiety and paranoia grip the Filipino sailors. Trapped witnesses to a crime, they wonder whom they can trust and whether they themselves will meet with the same fate as the stowaways. Meanwhile, a nineteen-year-old Romanian named Daniel Pacepa heads out on a nail-biting adventure from Bucharest to Algeciras. Poor, brave and full of youthful indiscretion, Daniel is desperate to stow away on a ship and head to a better life in America. Along the way, he meets another Romanian named Gheorghe and together they perform cheap labour, pose as evangelical Christians and do whatever it takes to find their way to the Spanish port of Algeciras. Eventually the two stories merge when Daniel and Gheorghe sneak onto the ill-fated Maersk Dubai. One man is killed, the other discovered by Rodolfo. Once again, the Filipino crewmen find themselves faced with an excruciating moral dilemma. Do they risk their own personal safety to save the life of a complete stranger? All of the scenes involving the Filipino sailors are as close to the truth as Robert Hough could manage based on exhaustive interviews with the crewmen as well as on their letters and journals. Though Hough invented the Romanians’ land adventure, he based the story on considerable research, including interviews with Romanian-Canadians who had lived under the Ceausescu regime. Hough was widely praised for the deft way in which he mixes fact and fiction in The Stowaway. The critics were also unanimous in their admiration for the novel’s ability to seduce with suspense while at the same time posing profound issues for the reader to ponder. “This is a powerful novel that artfully combines the vivid, breathless pacing of the best adventure stories with the moral and metaphysical depth of the best literary fiction,” said Quill & Quire. And from the Vancouver Sun: “Harnessing the force of fiction and the weight of history, Hough has created a powerful, deeply human masterpiece out of tragedy and inhumanity.”
In the early 1930s, George Raft, an actor and dancer from New York City's Hell's Kitchen, gained a name for himself playing stylish and charismatic gangsters in films like 1932's original Scarface. Raft's own real-life connection to the New York mob added frightening authenticity to his portrayals, and his star quality coincided with the peak years of the Hollywood factory to produce a remarkable track record of successful movies. Highly regarded during his lifetime as a performer, his reputation as an actor suffered a steep decline after his death. This definitive study of all of Raft's films offers intimate insight into all of his productions, including casts, characters, technical credits, and story synopses, and dispels a number of myths surrounding his legendary career.
Rory Stowaway's family tradition of adventure hunting comes to an end when his grampa comes up missing. That is, until he discovers his Gran knows what really happened to his Grampa.
Charlie McGraw never should have bought the angel book for his precocious daughter. Because then Meredith wouldn't be convinced that getting a new mommy was as simple as having an "angel" sprinkle him with her "miracle dust." And she never would have believed the beautiful blond-haired woman who drove a truck called the "Silver Angel" was some treetop angel come to life. Starla Richards was no angel, but try telling that to a five-year-old who was so starved for a mother's love that she'd stowed away on Starla's rig. Or convincing herself that miracles just didn't happen to ordinary people when Starla found herself snowbound with a handsome, caring widower and his adorable daughter.
Papua New Guinea nurse Maiogaru Taulebona hid a wounded Australian airman in a cave, deep in the jungle near Milne Bay in World War 2. With two words, I promise, she was bound to the task of saving his life. Hiding him in a canoe under a pile of vegetables, Maiogaru paddled him through Japanese-occupied waters to safety. Her bravery was recognised when she was awarded the Royal Australia Air Force Loyalty Medal.
When Lolita’s father dies, he leaves her a curio in his Will. It’s a box, which is not to be opened unless the town faces an existential crisis. But other people have boxes too, and they aren’t prepared to wait... which may cause the very crisis itself. Digging into the history of Sunrise uncovers a century-old mystery - a closely guarded secret which holds the key to the town’s future. Beckman and Lolita must embark on a mission to reconnect with family, rebuild a shattered friendship, and confront the most unexpected of adversaries to save the town they hold dear. Nothing can be taken for granted – not even love. The third book in the “Sunrise” trilogy is a humorous cozy mystery fuelled by coffee, break-ups, make-ups and a lot of sparkle.
Since the beginning of time, the archangels have longed to know true love. When four female angels were created for the four archangels, Michael, Gabriel, Uriel, and Azrael, a chaos spurred by jealousy erupted, and the archesses were secreted away to Earth. The four favored archangels followed, prompting a search that has lasted millennia… For hundreds of years, Gabriel has passed himself off as a common Scottish villager. Few know he is the Messenger, a powerful archangel who has secretly scoured the world for the only woman who can complete him. Now, he’s shocked to discover the object of his fierce and driving desire shows up in his own backyard. Researching her Ph.D. in the Outer Hebrides, Juliette Anderson has always been the rational type—until she looks across a quaint pub and into the flashing silver eyes of a stranger. He’s handsome. He’s intense. And he claims her with a soul-searing kiss on the spot. Gabriel’s scorching gaze, wavy black hair and deep, sexy brogue ignite a fire in her that can’t be denied, and yet every instinct she has tells her to run. But when a familiar dark force rises, and the truth of her incredible identity is revealed, Juliette must follow her heart and put her faith in the tall, dark mysterious man who enflames her.
Challenging convention with the SF nonconformist Roger Zelazny combined poetic prose with fearless literary ambition to become one of the most influential science fiction writers of the 1960s. Yet many critics found his later novels underachieving and his turn to fantasy a disappointment. F. Brett Cox surveys the landscape of Zelazny's creative life and contradictions. Launched by the classic 1963 short story "A Rose for Ecclesiastes," Zelazny soon won the Hugo Award for Best Novel with ...And Call Me Conrad and two years later won again for Lord of Light. Cox looks at the author's overnight success and follows Zelazny into a period of continued formal experimentation, the commercial triumph of the Amber sword and sorcery novels, and renewed acclaim for Hugo-winning novellas such as "Home Is the Hangman" and "24 Views of Mt. Fuji, by Hokusai." Throughout, Cox analyzes aspects of Zelazny's art, from his preference for poetically alienated protagonists to the ways his plots reflected his determined individualism. Clear-eyed and detailed, Roger Zelazny provides an up-to-date reconsideration of an often-misunderstood SF maverick.