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From the time that John Constable made its waterways and rural landscapes famous, the Stour Valley in East Anglia has been a haunt for artists, writers, poets, musicians and gardeners. Ronald Blythe perpetuates this rich artistic heritage from an ancient farmhouse, with its three-acre naturalistic garden, that has been a gathering place for literary and artistic friends for almost seventy years. Stour Seasons is the tenth collection of his Word From Wormingford columns that have appeared on the back page of the Church Times for over 20 years. Britain’s greatest living rural writer observes in rich detail the gifts that each season of the year brings and in doing so, evokes a world of beauty, friendship and wonder at the simple pleasures that make everyday life the miracle that it is.
The Roman Villa in Britain (1969) is a comprehensive examination of Roman villas in Romano-Britain in a series of essays by six specialists. H.C. Bowen, well-known for his work on early field systems, examines the evidence for the native Celtic agriculture which was practised in pre-Roman Britain and continued to form the basis of the country’s economy after the conquest. The ground plans of the villas, and their implications, are discussed by Sir Ian Richmond, while David Smith considers the mosaic pavements, both as implications of the wealth of their owners and as evidence for the existence of distinct local schools of mosaicists; Joan Liversidge deals with internal decoration and furnishing. A.L.F. Rivet reflects on the social and economic implications of the changing fortunes of the villas, and Graham Webster discusses the future of villa studies from the standpoint of the modern excavator.
A stunning collection of artwork from the Arborealists, a group of highly skilled artists who feature trees, forests and woodland as their most vital subjects. The Arborealists' diverse and influential work highlights protected woodland's history and changing landscapes, as well as illuminating the enchantment of ancient trees. Each member has developed their own artistic language, showcasing manifold applications in everything from scale, medium, style and philosophical approach. Featuring the artwork of Arborealist members including Tim Craven, Jemma Appleby, Alex Faulkner, Ann Blockley, Fiona McIntyre and many more, this beautiful book is a joyful celebration of the natural world. As well as showcasing the diverse work of 36 artists, the book includes: • An introduction to the Arborealists by Philippa Beale, a founding member. • Information on some of the site-specific projects undertaken by the collective, written by the President of the Arborealists, Tim Craven. • An exploration of the woodland at Staverton Park in Suffolk, written by author and woodland ecologist George Peterken. In the last ten years, the Arborealists' many successful exhibitions have carved them a strong national profile and widespread critical acclaim. Forests, Woods and Groves is perfect for anyone with an interest in spectacular art or a passion for the natural world.
Water is the most valuable resource and the most passionately contested. Drought has become an increasingly extreme problem in many parts of the world, and it is predicted that 60% of the major cities in Europe will run short of water in the next decade. In industrialized countries per capita water usage continues to rise intractably, despite strenuous efforts by environmentalists and resource managers to encourage conservation. Conflicts over water and environmental degradation from the overuse of resources are intensifying. Water is not merely a physical resource: in every cultural context it is densely encoded with social, spiritual, political and environmental meanings, and these have a powerful effect upon patterns of water use and upon the relationships between water users and suppliers. This book makes an in-depth analysis of the meanings of water and considers how they are experienced and formed at an individual and societal level. Focusing on the River Stour in Dorset, Strang draws upon a wide range of data: ethnographic research, cultural mapping, local archives and folklore. She explores the controversies surrounding water ownership and management, and the social and political questions raised by water privatization in the UK. The topical nature of these issues and their global relevance make this book a vital contribution to contemporary research on water and an essential read for anyone with an interest in getting under the surface of one of the worlds most important social and environmental issues.
This book is an essential reference for anybody who has watched birds in this amazing county. The County Avifaunas give full details of the status and range of every species recorded in the county in question. Each title covers all species on the county list, with a detailed breakdown of rarity records, and each has introductory sections describing the county's general ecology, climate, weather patterns, its ornithological history and conservation record. Essex is of national and international importance to many migrating and wintering wildfowl and waders, which can be found on the estuaries. Further inland, the Lea Valley harbours important populations of several species within the complex of reservoirs and gravel-pits. Elsewhere, the diverse habits of woodland and parkland, heaths and commons, agricultural land and urban areas mean that at all times of year there is the opportunity to see upwards of 100 species in a day with little effort. This book analyses and summarises all the data collated and documented over the last 200 years and includes available records to the end of 2004. Introductory chapters discuss the geology and habitats of Essex and the amazing fossil bird record. The individual accounts provide an up-to-date status of each species and patterns of occurrence within Essex. A distribution map is included for most breeding species. A breakdown and analysis are provided for all county rarities. Superb line drawings and photographs illustrate the book, all by talented local artists and photographers.