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Part-time librarian Molly Matthews lives with the painful and exhausting chronic illness ME. The condition has broken every part of her life, except that she has plenty of time to escape into books. Especially her favourite fantasy series, Tamass the Fearless. And when Molly escapes, she really escapes, because she possesses a rare talent that allows her to enter a book and meet its characters and share their adventures. Molly is a Storywalker. Novelist Paul Best doesn’t walk in stories, but he’s always been good at making them up. At least, that’s what he believes, until he learns that he’s spent years unconsciously channelling the life of his unknown twin brother Tamass as the hero of his successful series. When Tamass turns up at Paul’s door one dark and stormy night with murderous demons on his tail, it’s the start of a frantic multiverse-hopping adventure. And then there’s Molly, one of Paul’s readers, a woman who is so quietly ill in one world that she’s nearly invisible, but who is seen riding a warrior dragon in other worlds. A generation ago, the ruthless demon Baron Rake put an end to the snooping of Paul’s and Tamass’s parents into his plans to enslave the multiverse. He is furious when their sons and Molly pick up the investigation again just when he’s about to make his final move. Separately, and each with the help of friends old and new, Molly and Paul cross worlds that leak people, creatures, and mythologies back and forth, and their paths converge as they fight against impossible odds to save their entire multiverse.
There is a great deal of polemical interest in churches across the UK, US and Europe about applying ideas from the world of leadership and management to Christian ministry. On one side of the debate are those who wish to apply (sometimes quite uncritically) quantitative approaches which they hope will enable churches to be run in a more ‘business-like’ manner. On the other side there are those who argue that insights from organizational studies have no place in churches whatsoever. This innovative and original book argues that the qualitative thinking about organizational narrative can provide significant insights into how churches function, which is much more in keeping with their ethos and history. As well as analysing how stories and storytelling work in churches it also provides practical ideas for how they can be used to improve church leadership. Taking the work of organizational thinkers and researchers and bringing it into conversation with biblical scholars, theologians, and church historians, the authors establish a conversation across these disciplines and explore how story and narrative work through and within churches. Table of Contents: 1. What Is Leadership? 2. Leading the Stories and Storying the Leading 3. Stories and Identities: Story, Character and Becoming 4. Living in Multiple Stories 5. Who Owns the Story? 6. Church Narratives: Interpretive Stories 7. Church Narratives: Identity Stories 8. Church Narratives: Improvised Stories 9. Curating Congregational Stories in a Tick Box Church?
Named one of Time magazine's most influential leaders of her generation, celebrated writer Rebecca Walker delivers her stunning debut novel--a heartbreaking, unforgettable love story in the tradition of Julian Barnes's The Sense of an Ending and Marguerite Duras's The Lover.
You'll be doing all the work. You'll be picking apart plots, analyzing characters, exploring the setting of biblical narratives, and engaging with narrative levels and reader response theory. And you'll be doing all the work. This is a book about you, the reader. Drawing on narrative theory, this book places readers in the way of the story, reading biblical narrative through fresh eyes. Using entertaining explanations of literary theory, it liberates readers to read their own chosen Bible stories with a fresh understanding of how narratives work. Practical activities will inspire the reader to develop their own understanding of stories and, in doing so, this book tackles hallowed and authoritarian interpretations that can sometimes get in the way of the story. This is a book of clear explanation and practical application.
Two-volume set that presents an introduction to American short fiction from the 19th century to the present.
The American short story has always been characterized by exciting aesthetic innovations and an immense range of topics. This handbook offers students and researchers a comprehensive introduction to the multifaceted genre with a special focus on recent developments due to the rise of new media. Part I provides systematic overviews of significant contexts ranging from historical-political backgrounds, short story theories developed by writers, print and digital culture, to current theoretical approaches and canon formation. Part II consists of 35 paired readings of representative short stories by eminent authors, charting major steps in the evolution of the American short story from its beginnings as an art form in the early nineteenth century up to the digital age. The handbook examines historically, methodologically, and theoretically the coming together of the enduring narrative practice of compression and concision in American literature. It offers fresh and original readings relevant to studying the American short story and shows how the genre performs American culture.
This collection of original and classic essays examines the contributions that female authors have made to the short story. The introductory chapter discusses why genre critics have ignored works by women and why feminist scholars have ignored the short story genre. Subsequent chapters discuss early stories by such authors as Lydia Maria Child and Rose Terry Cooke. Others are devoted to the influences (race, class, sexual orientation, education) that have shaped women's short fiction through the years. Women's special stylistic, formal and thematic concerns are also discussed in this study. The final essay addresses the ways our contemporary creative-writing classes are stifling the voices of emerging young female authors. The collection includes an extensive five-part bibliography.
Alice Munro has devoted her entire career to the short story form in her fourteen collections, having won the Nobel Prize in Literature “as master of the contemporary short story”. This edited volume investigates her art as a storyteller, the processes she performs on the contemporary short story genre in her creative anatomical theatre. Divided into five topical sections, it is a collection of scholarly chapters which offer textual insights into a single story, compare two or more texts, or casts a more panoramic view on Munro’s literary production, embracing stories from her first collection Dance of the Happy Shades to her last published Dear Life. Through different critical approaches that range from post-structuralism to cultural studies, from linguistics and rhetorical analyses to translation studies, the authors insist on the concept that no fixed patterns prevail in her short stories, as Munro has constantly developed, challenged, and revised existing modes of generic configuration, while discussing the fluidity, the elusiveness, the indeterminacy, the ambiguity of her superb writing.