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Take your audience on a journey to leave a more lasting impact Storyshowing is an instruction manual for making connections. Storytelling has been shown to be one of the most effective methods of persuasion, motivation and inspiration, yet the disconnect remains — you're still only telling. To truly influence people, you need to go deeper than that — you need to show them your story. By inviting your audience in, you connect on a much deeper, more emotional level; you bypass the brain and connect at the root of what it means to be human, leaving a profound impact on their entire outlook. This book shows you how to transcend telling and start showing your story, using an easy-to-follow framework you can start applying today. Unearth your own experiences, and bring your vulnerabilities out into the light; share your emotions and forge a path to true communication. Use images, body language and gestures as tools to build that indelible connection; then and only then will people truly engage and transform their thinking. No matter your message, the impact lies in the delivery. This insightful guide equips you with the tools and skills you need to start communicating like never before. Share more powerful stories using a simple 5-step method Build confidence, influence others and make a deeper connection Be more persuasive in presentations, pitches, calls and talks Transform the way people think by inviting them inside your story The difference between telling and showing is like the difference between a lecture and a play. It's the difference between giving information and taking the audience on a journey. The difference between a brochure and a test drive. Storyshowing helps you level up your communication to leave a lasting, more profound impact.
A thoughtful picture book illustrating the power of small acts of kindness, from the award-winning author of Sophie's Squash.
There are two sides to every story. A little girl finds a strange beast in the woods and takes it home as a pet. She feeds it, shows it off to her friends and gives it a hat. But that night it escapes. Then the beast tells the story of being kidnapped by the girl, who forcefed it squirrel food, scared it with a group of beasts and wrapped it in wool. Can the two beasts resolve their differences? An eye-opening story that makes you look at things from a different perspective. 'Roberton's premise is as sublime as it is simple, with a subtle message. [...] Totally delightful.' - Kirkus Reviews
Includes 450 lesson plans for use with 90 titles.
Until recently, only a privileged few could read the rare, early writings that formed the basis of detective fiction in America and made it one of the most popular literary genres of the 19th century. Drawing on the unprecedented access provided by digital collections of period newspapers and magazines, this book examines detective fiction during its formative years, focusing on such crucial elements as setting, lawyers and the law, physicians and forensics, women as victims and heroes, crime and criminals, and police and detectives.
This book illuminates how technique serves 'story logic,' the particular way fiction makes meaning. Writers raid the cupboard of theory looking for what works, and generic rules don't account for the rich variety of strategies they employ. For writers who are past the beginner stage, Brady offers a closer look at craft fundamentals, including plot, characterization, patterns of imagery, and style. The lively, lucid discussion draws on vivid examples from classic and contemporary fiction, ranging from George Eliot and William Faulkner to Haruki Murakami and Toni Morrison. Because it supplies the analytical tools needed to read as a writer, this text will enrich the reader's approach to any work of fiction, energizing discussion in a workshop or craft course.
Has your fiction manuscript been rejected by literary agents or traditional publishing houses, and you're not sure why? Do you feel something's "off" with your novel, but you don't know what? Sometimes the problem isn't the writing—it's the characterization or the overall story structure. If you think this might be a problem with your manuscript, you don't want to pay for a freelance editor when you could fix those story elements yourself. The Story Sensei’s Synopsis worksheet was designed as a way for fiction writers to not only write a synopsis, but also doctor their own manuscript by utilizing a large-scale, bird’s eye view of their stories. This different way of looking at your novel can often point out flaws in character arcs, major plot points, and overall story structure. The exercises in this worksheet will ensure that your story structure has all the vital elements, including: - character external goal - internal/spiritual arc - obstacles - conflict - climax - resolution This worksheet will guide you through writing your synopsis. Don’t have a completed manuscript? No problem—as long as you’re familiar with the main points of your story, you can still write a synopsis using this worksheet. It may even help you craft your story and fill in missing pieces as you write the synopsis. Camy uses examples from proposals for her own novels, which garnered her contracts with Christian publishers Zondervan (HarperCollins) and Love Inspired Suspense (Harlequin). There is also a special section on spiritual/internal arcs, since Christian novels tend to have strong spiritual threads in the stories. Even if your story is not inspirational, the internal arc section will help you outline a strong internal arc for your character or troubleshoot if the internal arc has some weaknesses. This version of the Synopsis worksheet includes: - Extra examples - Tips on trimming synopses - Exercises on chapter-by-chapter and character synopses Also in this version is an appendix of extra articles including: - The 50-word elevator pitch - Story blurbs, including the ones used in Camy’s original proposal for her Inspirational chick-lit Sushi series, which she submitted to Zondervan - The basic structure of a proposal - The example of Camy’s original proposal for her Inspirational romantic suspense Protection for Hire series, which she submitted to Zondervan
Studies the relation between teller and listener in a set of French, English, and American short stories from the nineteenth and early twentieth centuries.