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Varied styles, shocking stories, amusing, gritty and witty. Old time tales, modern tales, dirty and heart-rending, these are the writings of real Southend people about real and imaginary Southend Lives.This is the first anthology of the Storehouse Writers Workshop which meets every Thursday at the Storehouse Community Centre in the heart of Southend, at the feet of the Tower Blocks of the Queensway Estate.Find out all about Southend through the imaginations and stories of this select band of new writers who live at its centre. Chaos, tears, blood, comedy, sex and mirth. These are tales to turn the head and broaden the mind.
Renovating an historic Memphis house together, three cousins discover that their spectacular failures in love, career, and family provide the foundation for their future happiness in this warm and poignant novel from the author of The Roots of the Olive Tree that is reminiscent of The Postmistress, The Secret Life of Bees, and Kristin Hannah’s novels. Nearing thirty and trying to avoid the inescapable fact that they have failed to live up to everyone’s expectations and their own aspirations, cousins and childhood best friends Lizzie, Elyse, and Isobel seek respite in an oddly-shaped, three-story house that sits on a bluff sixty feet above the Mississippi. As they work to restore the almost condemned house, each woman faces uncomfortable truths about their own failings. Lizzie seeks answers to a long-held family secret about her father in her grandmother’s jumble of mementos and the home’s hidden spaces. Elyse’s obsession with an old flame leads her to a harrowing mistake that threatens to destroy her sister’s wedding, and Isobel’s quest for celebrity tempts her to betray confidences in ways that would irreparably damage her two cousins. Told in three parts from the perspective of each of the women, this sharply observed account of the restoration of a house built out of spite, but filled with memories of love is also an account of friendship and how relying on each other’s insights and strengths provides the women a way to get what they need instead of what they want.
In his first novel, Stanley Park, Taylor brought readers into the inner workings of the Vancouver culinary scene, writing evocatively about everything from divine local ingredients to kitchen politics. In Story House, he takes on the rarefied world of architectural design – with some boxing, fishing and reality TV thrown in. Graham and Elliot Gordon are half-brothers, six months apart, the only sons of Packer Gordon, a famous architect. Graham is the natural son of Packer and his wife. Elliot is the product of Packer’s dalliance with a mistress. The boys are openly hostile towards each other, always have been, and when they reach their mid-teens, Packer decides they will settle their differences in a boxing ring. He takes them to Pogey Nealon, a retired fighter who runs a gym out of the basement of his house on Vancouver’s Downtown Eastside. There, after eight weeks of training, the brothers box three rounds that will change their lives forever, as their father watches it all from a distance far greater than ringside: through the lens of his Bolex camera. Some twenty-odd years later, both Pogey and Packer are dead, and it comes to light that Pogey’s house – the scene of Graham and Elliot’s pivotal battle – was likely an early design of Packer Gordon. Now deserted, the boarded-up building is home only to decades-worth of Pogey’s papers and film reels, and a slow rot that eats away at the walls. Graham is an architect himself, gaining recognition not only for his last name but his own work; he’s recently separated from his wife Esther and at a loss for how to make things work. Elliot is an importer of counterfeit brand-name products who works out of an old hotel on Hastings, and is married to a beautiful woman named Deirdre who gave up architecture to raise their young twins. The brothers’ paths have only crossed twice in the intervening years, and for both, that was twice too many. In spite of their differences, which have only been magnified over time, Graham and Elliot agree to cooperate in restoring the house at 55 Mary Street, with enthusiastic help from the producer of the hit reality TV show Unexpected Architecture. It’s a seemingly doomed venture, but will make for great television. And as the plans for preserving Packer Gordon’s legacy begin to come together, there’s not only a surprising amount of collaboration, but cautious optimism that they might just pull it off. Yet nobody is prepared for what actually takes place when the cameras roll.
“A rousing adventure yarn full of danger and heart and humor.” —Richard Russo An instant classic for fans of Jane Smiley and Kitchens of the Great Midwest: when two hardscrabble young boys think they’ve committed a crime, they flee into the Northwoods of Wisconsin. Will the adults trying to find and protect them reach them before it’s too late? It’s the summer of 1994 in Claypot, Wisconsin, and the lives of ten-year-old Fischer “Fish” Branson and Dale “Bread” Breadwin are shaped by the two fathers they don’t talk about. One night, tired of seeing his best friend bruised and terrorized by his no-good dad, Fish takes action. A gunshot rings out and the two boys flee the scene, believing themselves murderers. They head for the woods, where they find their way onto a raft, but the natural terrors of Ironsforge gorge threaten to overwhelm them. Four adults track them into the forest, each one on a journey of his or her own. Fish’s mother Miranda, a wise woman full of fierce faith; his granddad, Teddy, who knows the woods like the back of his hand; Tiffany, a purple-haired gas station attendant and poet looking for connection; and Sheriff Cal, who’s having doubts about a life in law enforcement. The adults track the boys toward the novel’s heart-pounding climax on the edge of the gorge and a conclusion that beautifully makes manifest the grace these characters find in the wilderness and one another. This timeless story of loss, hope, and adventure runs like the river itself amid the vividly rendered landscape of the Upper Midwest.
A journey of discovery through our natural world. Bushcraft and survival legend Ray Mears takes us on his own lifetime's journey through the natural world, into the British countryside and across continents, and shows us how to tune our senses, enhance our experience of nature, and understand our place within it. Guiding us through practical fieldcraft tips, Ray brings us up close with creatures we share our planet with, and reveals how we can learn from them, from the stealth of the leopard to the patience and stillness of the crocodile, and even the colour-changing camouflage of the octopus. With Ray as your companion, you will unlock the hidden secrets of the wild and begin to see, instead of merely look.
Abandoned houses have always been places of great mysteries and untold stories. There is at once something fascinating and sad about broken windows and rotting beams that sparks the imagination. The authors of The Seven Story House have come together to share their takes on that image of the deserted dwelling. The stories they found hidden in and around the ruins run from when the house was new and shiny to the time when it lay in pieces, old and forgotten. Through their eyes, the forsaken structure takes on a life of its own, being both loved and hated for the secrets that it keeps-secrets which move from light to darkness, serenity to violence, life to death, and finally, to the hope of rebirth. So come inside The Seven Story House and see if one of its many secrets speaks to you.
One day, three little pigs set off to find out about the world. They build three little houses: one of straw, one of sticks and one of bricks. But what will happen to those three little pigs when the Big Bad Wolf comes along, huffing and puffing away?
Two-time Caldecott winner Sophie Blackall spins a winning tale about Max, a feline whose behavior doesn't win any raves, except from the boy who believes in him and finds a way to turn a negative into a positive. When a boy is FINALLY allowed to get a cat, he has no doubts about which one to bring home from the shelter. But Max the cat isn’t quite what the family expected. He shuns the toy mouse, couldn’t care less about the hand-knitted sweater, and spends most of his time facing the wall. One by one, the family gives up on Max, but the boy loves his negative cat so much, he’ll do anything to keep him. Even the thing he dreads most: practicing his reading. Which, as it turns out, makes everything positive!
Mike and his family move from the big city to a little town in the middle of nowhere, where Mike hopes to find new friends. After the first couple of days at the new school, he discovers that it isn't so easy-especially after everyone finds out that he moved into the yellow two-story house over on 7th Street. Rumor has it that anyone who moves into that house will surely die. He does not understand what everyone is talking about until he meets up, face-to-face, with a little girl in a white dress. What happened to this little girl and why did she die? These are just a few of the many questions Mike is determined to find the answers to. With the help of some new friends, he soon finds out that he might discover more than he bargained for.