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Reprint of the original, first published in 1845.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Excerpt from The Story of a Royal Favourite, Vol. 2 of 3 In England, an ugly woman is a female Cain. Conscious that the mark of reprobation is upon her, she gives herself up in despair; for to attempt to improve her appearance by dress, would be esteemed a flying in the face of Providence. - All she has to do is to skulk through life, with her veil down; getting through her threescore years and ten as quietly as she can; neither seen, nor heard, nor thought of! About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
New York Times Bestseller Named a Best Book of the Year by NPR, Wall Street Journal, Publishers Weekly, Kirkus Reviews, and Library Journal "Hilarious…This book charmed my socks off." —Patricia O’Conner, New York Times Book Review Mary Norris has spent more than three decades working in The New Yorker’s renowned copy department, helping to maintain its celebrated high standards. In Between You & Me, she brings her vast experience with grammar and usage, her good cheer and irreverence, and her finely sharpened pencils to help the rest of us in a boisterous language book as full of life as it is of practical advice.
Reprint of the original, first published in 1845.
Excerpt from The Story of a Royal Favourite, Vol. 3 of 3 To the vehement vociferation of the house hold, which had continued so long as there appeared any possibility that the English cameriera was the victim of assassination, now succeeded a death-like silence. Lucy was so beloved in the house, - her gentle manners and dove-like eyes had so endeared her to those of whose language she could pronounce only the few phrases essential to her service, - that not one of her fellow-servants was able to utter a syllable of condemnation. Enough for' the fate of her miserable soul that she was a heretic Those who had broken bread with her and been familiar with the sweetness of those eyes which, like Cordelia's, did comfort and not burn, recoiled from contemplating the guilt of the suicide. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.