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Please note that this title is only available to customers in the USA, Canada, and Mexico. NO salesrights for Rest of World. Samuel Byrskog employs models from the interdisciplinary field of oral history as presented by Paul Thompson, coupled with insights from cultural anthropology, in order to examine the interaction between the present and the past as the gospel tradition evolved. The ancient Greek and Roman historians, with their use of eyewitness testimony as sources to the past and as central elements in interpretive and narrativizing processes of the present, serve as the basis for unraveling culture-specific patterns of oral history, and thus for conceptualizing similar aspects during the development of the gospel tradition. Eyewitness testimonies played a central but varying role in early Christianity. They were transmitted in the matrix of discipleship, where verbal and behavioral traditions were passed on through acts of mimesis. The folkloristic notion of re-oralization explains how oral accounts regularly interacted with written texts, indicating a vivid and engaged relationship to the past as well as the semantic significance of oral communication and performance. Factual truth was essential but inseparable from interpreted truth during the course of investigation, transmission, and composition. The gospel tradition developed through a subtle interaction between the unique historic events of the past and the various circumstances of the present. The narrative and historical dimensions of a text cannot be separated, because the semantic codes of a text are often located in the culture and not in the text itself. The gospels are therefore the synthesis of history and story, intertwining the horizons of the past and of the present in their own right.
A literary history of our most influential book of all time, by an Oxford scholar and Anglican priest In our culture, the Bible is monolithic: It is a collection of books that has been unchanged and unchallenged since the earliest days of the Christian church. The idea of the Bible as "Holy Scripture," a non-negotiable authority straight from God, has prevailed in Western society for some time. And while it provides a firm foundation for centuries of Christian teaching, it denies the depth, variety, and richness of this fascinating text. In A History of the Bible, John Barton argues that the Bible is not a prescription to a complete, fixed religious system, but rather a product of a long and intriguing process, which has inspired Judaism and Christianity, but still does not describe the whole of either religion. Barton shows how the Bible is indeed an important source of religious insight for Jews and Christians alike, yet argues that it must be read in its historical context--from its beginnings in myth and folklore to its many interpretations throughout the centuries. It is a book full of narratives, laws, proverbs, prophecies, poems, and letters, each with their own character and origin stories. Barton explains how and by whom these disparate pieces were written, how they were canonized (and which ones weren't), and how they were assembled, disseminated, and interpreted around the world--and, importantly, to what effect. Ultimately, A History of the Bible argues that a thorough understanding of the history and context of its writing encourages religious communities to move away from the Bible's literal wording--which is impossible to determine--and focus instead on the broader meanings of scripture.
Things seem to be happening very quickly. Some things were secrets. And I knew these secrets would never be appropriate, for any conversation, in any lifetime. However, it was my reality. Was anything good going to come out of this? There was too much to tell, and no one would understand. I didnt even understandso how could anyone else? It seemed improbable that I would get what was inside, out of me. It wasnt how I was raised to discuss this negativity . . . to air out ones dirty laundry, it just wasnt accepted. Was it all my fault? These vulgar and unprecedented events that were beginning to destroy me. I decided to block it out, keep it inside and keep moving with my life. Trying, waiting for the day I would get past it and walk through the door of the other side. The other side of all this madness. In the meantime, I had to do something with my emotions, my secrets and my feelings. They were locked up, tighter than tight. I began to write in journals. Entries that were poems and anecdotal stories of what was happening in my life. I had to become my own inspiration. I had to somehow get what was inside...out. A young girls life filled with devastation, tragedy and self-destruction was all on its way. It was already here! Still maintaining a happy, ambitious life but harboring guilt, anger and resentment. And dealing with the world and its own evolving. This is the story of over ten years of writings, from the ages of 1426 years. Someone leading themselves out of the dark and into the light. This was my way and this is my story. My story . . . in poetry.
David Christian, creator of Big History ('My favourite course of all time' Bill Gates), brings us the epic story of the universe and our place in it, from 13.8 billion years ago to the remote future 'Nails home the point: Life is a miracle ... A compelling history of everything' Washington Post 'Spectacular' Carlo Rovelli How did we get from the Big Bang to today's staggering complexity, in which seven billion humans are connected into networks powerful enough to transform the planet? And why, in comparison, are our closest primate relatives reduced to near-extinction? Big History creator David Christian gives the answers in a mind-expanding cosmological detective story told on the grandest possible scale. He traces how, during eight key thresholds, the right conditions have allowed new forms of complexity to arise, from stars to galaxies, Earth to homo sapiens, agriculture to fossil fuels. This last mega-innovation gave us an energy bonanza that brought huge benefits to mankind, yet also threatens to shake apart everything we have created. 'Rather like the Big Bang, the book is awe-inspiring ... Superb' The Times 'With fascinating ideas on every page and the page-turning energy of a good thriller, this is a landmark work' Sir Ken Robinson, author of The Element
What legitimate form can history take when faced by the severe challenges issued in recent years by literary, rhetorical, multiculturalist, and feminist theories? That is the question considered in this pathbreaking book. Robert Berkhofer addresses the essential practical concern of contemporary historians.
The book "A History of Story-telling studies in the development of narrative" examines the history of narrative and storytelling by focusing on the development of form and techniques in the narrative. The book is divided into two major sections. The first section begins with an examination of the origins of narrative and storytelling, then moves on to an analysis of the medieval poem 'The Romance of the Rose,' as well as works by Chaucer and Boccaccio. This section also looks at the Rogue Novel, the Elizabethans, and the Pastoral, as well as Cervantes and eighteenth-century authors like Fielding, Smollett, and the masculine novel. The second section examines Romanticism to various authors such as Chateaubriand and then moves on to a study of nineteenth-century literature before concluding with a note on Flaubert and De Maupassant and a general conclusion.
A history of the ancient world, from 6000 B.C. to 400 A.D.
Chronicles the history of the world from 1600 to 1850; discussing important events and prominent figures. Includes maps and illustrations.
The Little Book of Big History breaks down the main themes of Big History into highly informative and accessible parts for all readers to enjoy.
Our Island Story is the "history" of England up to Queen Victoria's Death. Marshall used these stories to tell her children about their homeland, Great Britain. To add to the excitement, she mixed in a bit of myth as well as a few legends.