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The image of the pirate is at once spectral and ubiquitous. It haunts the imagination of international legal scholars, diplomats and statesmen involved in the war on terror. It returns in the headlines of international newspapers as an untimely ‘security threat’. It materializes on the most provincial cinematic screen and the most acclaimed works of fiction. It casts its shadow over the liquid spatiality of the Net, where cyber-activists, file-sharers and a large part of the global youth are condemned as pirates, often embracing that definition with pride rather than resentment. Today, the pirate remains a powerful political icon, embodying at once the persistent nightmare of an anomic wilderness at the fringe of civilization, and the fantasy of a possible anarchic freedom beyond the rigid norms of the state and of the market. And yet, what are the origins of this persistent ‘pirate myth’ in the Western political imagination? Can we trace the historical trajectory that has charged this ambiguous figure with the emotional, political and imaginary tensions that continue to characterize it? What can we learn from the history of piracy and the ways in which it intertwines with the history of imperialism and international trade? Drawing on international law, political theory, and popular literature, The Pirate Myth offers an authoritative genealogy of this immortal political and cultural icon, showing that the history of piracy – the different ways in which pirates have been used, outlawed and suppressed by the major global powers, but also fantasized, imagined and romanticised by popular culture – can shed unexpected light on the different forms of violence that remain at the basis of our contemporary global order.
In his Rules for Wife Behavior, Colonel Joseph Whistler summed up his expectations for his new bride: “You will remember you are not in command of anything except the cook.” Although their roles were circumscribed, the wives of army officers stationed in British India and the U.S. West commanded considerable influence, as Verity McInnis reveals in this comparative study of two female populations in two global locations. Women of Empire adds a previously unexplored dimension to our understanding of the connections between gender and imperialism in the nineteenth century. McInnis examines the intersections of class, race, and gender to reveal social spaces where female identity and power were both contested and constructed. Officers’ wives often possessed the authority to direct and maintain the social, cultural, and political ambitions of empire. By transferring and adapting white middle-class cultural values and customs to military installations, they created a new social reality—one that restructured traditional boundaries. In both the British and American territorial holdings, McInnis shows, military wives held pivotal roles, creating and controlling the processes that upheld national aims. In so doing, these women feminized formal and informal military practices in ways that strengthened their own status and identities. Despite the differences between rigid British social practices and their less formal American counterparts, military women in India and the U.S. West followed similar trajectories as they designed and maintained their imperial identity. Redefining the officer’s wife as a power holder and an active contributor to national prestige, Women of Empire opens a new, nuanced perspective on the colonial experience—and on the complex nexus of gender, race, and imperial practice.
The blow to British pride and confidence caused by the crushing defeat of their army in Afghanistan during the winter of 1841/2 compares in its impact to the disaster in New York on 11 September 2001. The British had replaced a popular and effective monarch with a weak one in the mistaken belief that he would keep the Russians at bay. Two years later, nearly all the British and Indian soldiers in the region were killed in a popular uprising.Margaret Kekewichs perceptive new study of the conflict describes the British defeat, their reoccupation of Afghanistan in the spring of 1842, then their final withdrawal at the end of the year. Her account, which is based on the graphic diaries written by two British eyewitnesses, gives a fascinating insight into the conflict in Afghanistan 150 years ago.The story is told by, first, Lady Sale who together with over 100 women, children and soldiers was captured and imprisoned by the Afghans. The second account comes from the Reverend Allen, a young chaplain to the army that invaded Afghanistan in April 1842 to avenge British humiliation and rescue the prisoners. Both these eyewitnesses deplored the follies that had led to war and defeat and also the suffering that was inflicted on many innocent Afghans.At a time when British forces are deeply engaged in another war in Afghanistan, Margaret Kekewich offers a balanced and thought-provoking new perspective on a previous conflict in the region.
In 1839 18,000 British troops marched into Afghanistan. Three years later, only one man emerged to tell the tale.. A towering history of the first Afghan war by bestselling historian William Dalrymple.
A magisterial history of resistance to the rising of the British empire As the call for a new understanding of our national history grows louder, Britain’s Empire turns the received imperial story on its head. Richard Gott recounts the long-overlooked narrative of resisters, revolutionaries and revolters who stood up to the might of the Empire. In a story of almost continuous colonialist violence, Britain’s crimes unspool from the beginning of the eighteenth century to the Indian Mutiny, spanning the globe from Ireland to Australia. Capturing events from the perspective of the colonised, Gott unearths the all-but-forgotten stories excluded from mainstream histories.