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Within a Dutch enclave already removed from the larger world, Janie’s family is further isolated and odd. Janie struggles within the tight-knit community to understand the secrets and events involving her family. She knows the line her father draws between the holy and the sinful. His boundaries and rigid belief system nearly destroy the very family they were meant to protect. Persistent rumors and shunning by church members add to Janie’s heartache and confusion. Her endurance to preserve a loving relationship with her family is an intimate story of triumph over community bigotry and religious zeal gone too far.
‘Touching, insightful and human – this book demands a social and, above all, a political response’ Jon Snow Tamsen Courtenay spent two months speaking to people who live on London’s streets, the homeless and the destitute – people who feel they are invisible. With a camera and a cheap audio recorder, she listened as they chronicled their extraordinary lives, now being lived four feet below most Londoners, and she set about documenting their stories, which are transcribed in this book along with intimate photographic portraits. A builder, a soldier, a transgender woman, a child and an elderly couple are among those who describe the events that brought them to the lives they lead now. They speak of childhoods, careers and relationships; their strengths and weaknesses, dreams and regrets; all with humour and a startling honesty. Tamsen’s observations and remarkable experiences are threaded throughout. The astonishing people she met changed her for ever, as they became her heroes, people she grew to respect. You don’t have to go far to find these homegrown exiles: they’re at the bottom of your road. Have you ever wondered how they got there?
In this vividly descriptive short study, Peter Ackroyd tunnels down through the geological layers of London, meeting the creatures that dwell in darkness and excavating the lore and mythology beneath the surface. There is a Bronze Age trackway below the Isle of Dogs, Anglo-Saxon graves rest under St. Pauls, and the monastery of Whitefriars lies beneath Fleet Street. To go under London is to penetrate history, and Ackroyd's book is filled with the stories unique to this underworld: the hydraulic device used to lower bodies into the catacombs in Kensal Green cemetery; the door in the plinth of the statue of Boadicea on Westminster Bridge that leads to a huge tunnel packed with cables for gas, water, and telephone; the sulphurous fumes on the Underground's Metropolitan Line. Highly imaginative and delightfully entertaining, London Under is Ackroyd at his best.
The story of London City Mission is of men walking the poorest streets of London, getting their hands dirty as they reached out to people in need with the message of the Gospel and their unique brand of practical help. Rather than writing a consecutive history of London City Mission, the authors selected areas of the work and told the story of each. The story takes a different turn as it enters the 20th C. From being the capital city of an empire, London became a city at war with itself and then with others. LCM missionaries were right in among the revolutionaries. What comes out in the story of LCM is that missionaries were men (until the late 1980s) whose hearts were full of compassion for the lost and the needy. The Mission is still looking forward to the challenge of the 21st Century LCM may be an old Mission, but it is not resting on its laurels; rather it is grappling, as it always has, with today's London, and planning for the needs of the London of tomorrow.
Tina has no work and no home. She lives on the streets of London, where all she has is her boyfriend Jimmy and her artistic ability. But how will her pictures help her to get a home and a job?
The motivations behind Dickens' novels and the poverty-stricken world of 19th century London.
Join John Rogers as he ventures out into an uncharted London like a redbrick Indiana Jones in search of the lost meaning of our metropolitan existence. Nursing two reluctant knees and a can of Stella, he perambulates through the seasons seeking adventure in our city’s remote and forgotten reaches.
A showcase of London’s street nameplates – from the curious to the ornate. All around London, you can find a remarkable public archive of lettering in the city’s street nameplates. A unique collection of styles and forms that stretches back to the 17th century, these little labels hide in plain sight – we use their information daily, but too often fail to really notice them. And they aren’t just visual anchors, telling us where we are; but temporal anchors too, telling us where we’ve come from. This expertly curated collection documents the most significant, beautiful and curious street signs, from enamel plates to incised lettering, the simplest cast iron signs to gloriously ornamental architectural plaques. It’s a visual and typographical journey through the history of a great metropolis. Along the way, the fascinating stories behind these unassuming treasures are uncovered, revealing where they came from before being affixed to brick or stone for decades to come. We’re introduced to the iconic nameplates of the City of Westminster, the stunning tiled signs of Hampstead and the revival nameplates of Lambeth, as well as the ghost signs of the no-longer existent NE postal district. London Street Signs is a striking visual record of our collective history that will appeal to design and history enthusiasts alike.
NYRB Classics presents 3 darkly humorous, atmospheric novellas of love and disappointment, set in a run-down London pub after WWI—from the author of the Hitchcock classics Gaslight and Rope. “Bleak and brilliant. . . an authentic lost classic.” —The Guardian Featuring a Dickensian cast of pubcrawlers, prostitutes, lowlifes, and just plain losers who are looking for love—or just an ear to bend—Hamilton’s novels are a triumph of deft characterization, offbeat humor, unlikely compassion, and raw suspense. In recent years, Hamilton has undergone a remarkable revival, with his champions including Doris Lessing, David Lodge, Nick Hornby, and Sarah Waters. Twenty Thousand Streets Under the Sky is a tale of obsession and betrayal that centers on a seedy pub in a run-down part of London. Bob the waiter skimps and saves and fantasizes about writing a novel, until he falls for the pretty prostitute Jenny and blows it all. Kindly Ella, Bob’s co-worker, adores Bob, but is condemned to enjoy nothing more than the attentions of the insufferable Mr. Eccles; Jenny, out on the street, is out of love, hope, and money. We watch with pity and horror as these three vulnerable and yet compellingly ordinary people meet and play out bitter comedies of longing and frustration. Included: The Midnight Bell (1929) The Siege of Pleasure (1932) The Plains of Cement (1934)
Vanishing Streets reveals an American writer's twenty-year love affair with London. Beguiling and idiosyncratic, obsessive and wry, it offers an illustrated travelogue of the peripheries, retracing some of London's most curious locations. As J. M. Tyree wanders deliriously in "the world's most visited city," he rediscovers and reinvents places that have changed drastically since he was a student at Cambridge in the 1990s. Tyree stumbles into the ghosts of Alfred Hitchcock, Graham Greene, and the pioneers of the British Free Cinema Movement. He offers a new way of seeing familiar landmarks through the lens of film history, and reveals strange nooks and tiny oddities in out-of-the-way places, from a lost film by John Ford supposedly shot in Wapping to the beehives hidden in Tower Hamlets Cemetery, an area haunted by a translation error in W. G. Sebald's Austerlitz. This book blends deeply personal writing with a foreigner's observations on a world capital experiencing an unsettling moment of transition. Vanishing Streets builds into an astonishing and innovative multi-layered project combining autobiography, movie madness, and postcard-like annotations on the magical properties of a great city. Tyree argues passionately for London as a cinematic dream city of perpetual fascinations and eccentricities, bridging the past and the present as well as the real and the imaginary.