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An unsentimental vision of the west, new and old, comes to life in a gritty new collection of stories by the author of Snow, Ashes In Ghosts of Wyoming, Alyson Hagy explores the hardscrabble lives and terrain of America's least-populous state. Beyond the tourist destinations of Jackson Hole and Yellowstone lies a less familiar and wilder frontier defined by the tension wrought by abundance and scarcity. A young runaway with a big secret slips across the state border and steals a collie pup from the Meeker County fairgrounds. A chorus of trainmen details a day spent laying rail across the Wyoming Territory, while contemporary voices describe life in the oil and gas fields near Gillette. A traveling preacher is caught up in a deadly skirmish between cattle rustlers and ranchers on his way from Rawlins to the Indian reservation on the Popo Agie River. Locals and activists clash when a tourist makes an archaeological discovery near Hoodoo Mountain. With spirited, lyrical prose, Hagy expertly weaves together Wyoming's colorful pioneer and speculator history with the notoften- heard voices of petroleum workers, thrill-seeking rock climbers, and those left behind by the latest boom and bust.
I was born ranch, raised ranch, and feel ranch. My closest friends are ranch, and my pride comes from that base. Something about ranching captivates me, and for nearly all of my eighty years, I've been involved with the land that enchants me. My stories in Part One of this book are all about ranching in the Big Horn Valley, Wyoming, where I was born. I take a few detours here and there, but everything you read here is, in one way or another, related to ranching. I hope I have done justice to the Native Americans who were here first. They are a vital part of the history of this beautiful country in northeastern Wyoming, and their influence is still highly significant today. Besides covering some history of the Big Horn region, my honest-to-goodness real "tales" will probably give you some good laughs along with some serious thinking in my more philosophical musings about the extraordinary landscapes I've had the privilege of being a part of. And even if my old elementary teacher would insist on my correcting that "dangling participle" in the last sentence, well, that's just how I talk. From my grandfather's time through my own years, the Fordyce family has been a constant presence in the Big Horn ranching scene. Out of the several enterprises I was involved with, Tepee Lodge was one of my high points. Tepee was a family-oriented dude ranch where people could watch the world roll by, go horseback riding, dance, visit other ranches, eat, or simply enjoy being alone in a purely wonderful place. My stories of Tepee are not to be forgotten! Later in life, after my ranching career came to an end, I found my place in the world of the camera. I learned the art of darkroom and black-and-white photography from David Scheinbaum and Janet Russek in Santa Fe. Through them, I met Eliot Porter. I worked with him for a spell printing his early eight-by-ten negatives for a book he would publish. My ranch-trained eye helped me to understand the relationship between the natural elements involved, and I got to see Eliot do his magic with the dye-transfer process. He had no equal and was to color what Ansel Adams was to black-and-white. These people greatly improved my life in many ways beyond photography. Through them I met people like Paul Caponigro, Bill Wright, Willard Van Dyke, and others. A marvelous group they were! I served on the board of a New Mexico group from which evolved the Santa Fe Workshops, and though I never reached the preeminence of these people, they all added greatly to my time in photography. I also met David Lubbers, a man I much admired while in New Mexico, and, along with him, I saw most of what we call our Southwest. Later, my present wife, Jane, and I angled toward the Southeast and lived for a spell in Aiken, South Carolina. She is not only my partner but my best friend, and she carried me through a crippling surgery that left me unable to stand in a darkroom or continue with black-and-white photography. We met a man, Forrest E. Roberts, who introduced me to digital photography and insisted I work at it. This began a trip with color with Jane, a portrait painter of note, and together we moved to Georgetown, Texas, followed by another move to Round Rock, Texas. My ventures in photography gave me great fulfillment. It is therefore my pleasure to share some of my favorite black-and-white photos with you in Part Two of this volume. Throughout my life, I followed my father's advice, "Let the good luck happen." He told me I needed to remember this saying in order to be successful. I also believe that hard, honest work goes well with luck. I hope you, too, will let the good luck happen, and that you'll enjoy these remembrances of days gone by in a part of the world never to be forgotten.
Returning to the territory of "Brokeback Mountain" (in her first volume of Wyoming Stories) and Bad Dirt (her second), National Book Award and Pulitzer Prize-winner Proulx delivers a stunning and visceral new collection.
Historian Larry Brown once again uses his incredible research skills to bring the Old West to life. In this third volume of Brown's territorial crime series, he introduces us to the twenty-three women who served time in Old Wyoming's penitentiary.What did these women, wearing frills, lace, and their best bonnets for their mug shots, do to deserve time behind bars? Anna Bruce baked poison into her father's plum pie; Anna Trout abandoned her grandson in a train depot; Stella Gatlin found her kleptomania didn't mix with her work as a postmaster; Eliza Big Jack Stewart shot a man in the neck at a dance.The photographs in this book alone make it worth the price.
From the bestselling author of Generation X and Microserfs, comes the absurd and tender story of a hard-living movie producer and a former child beauty pageant contender who only find each other by losing themselves. Waking up in an LA hospital, John Johnson is amazed that it was the flu and not an overdose of five different drugs mixed with cognac that nearly killed him. As a producer of high-adrenaline action flicks, he's led a decadent and dangerous life, purchasing his way through every conceivable variant of sex. But each variation seems to take him one notch away from a capacity for love, and while movie-making was once a way for him to create worlds of sensation, it now bores him. After his near-death experience, John decides to walk away from his life. Susan Colgate is an unbankable former TV star and child beauty pageant contender. Forced to marry a heavy metal singer in need of a Green Card after her parents squander her sitcom earnings, she becomes the alpha road rat. But when the band's popularity dwindles, the marriage dissolves. Flying back to Los Angeles in Economy, Susan's plane crashes and only she survives. As she walks away from the disaster virtually unscathed, Susan, too, decides to disappear. John and Susan are two souls searching for love across the bizarre, celebrity-obsessed landscape of LA, and are driven, almost fatefully, toward each other. Hilarious, fast-paced and ultimately heart-wrenching, Miss Wyoming is about people who, after throwing off their self-made identities, begin the fearful search for a love that exposes all vulnerabilities.
"The History of Wyoming" explains detailed information of territorial and state developments. This second edition also includes the post-World War II chapters containing discussion about the economy, society, culture and politics not included on the previous edition.
Written by Ethel Waxham Love, a Wellesley College graduate who went to Wyoming in 1905 as a teacher in a one-room schoolhouse, and her son, J. David Love, who later became an eminent geologist, Life on Muskrat Creek tells the fascinating story of a family’s day-to-day life on an isolated ranch in early twentieth-century Wyoming. Readers will be held in suspense as they learn about the family’s battle with a variety of challenges, including a near-fatal bout with Spanish influenza, life-threatening encounters with livestock and wildlife, and disastrous episodes of fires, flooding, blizzards, and drought. The book’s depiction of more ordinary events is equally engaging; Ethel describes becoming a wife and raising children without the support of neighbors, women friends, or a wider family network, and David recounts growing up in a wild and remote place where there was no local school to attend. Readers from all walks of life will find Life on Muskrat Creek to be a lively and provocative book.
"Biography about the exploits of outlaw Butch Cassidy during his time spent in Wyoming, written by his great-nephew W.J. "Bill" Betenson"--
Sponsored by a grant from the National Science Foundation to the Denver Museum of Natural History. Ever wondered what the ground below you was like millions of years ago? Merging paleontology, geology, and artistry, Ancient Wyoming illustrates scenes from the distant past and provides fascinating details on the flora and fauna of the past 300 million years. The book provides a unique look at Wyoming, both as it is today and as it was throughout ancient history—at times a vast ocean, a lush rain forest, and a mountain prairie.
For many outsiders, the word “ranching” conjures romantic images of riding on horseback through rolling grasslands while living and working against a backdrop of breathtaking mountain vistas. In this absorbing memoir of life in the Wyoming high country, Mary Budd Flitner offers a more authentic glimpse into the daily realities of ranch life—and what it takes to survive in the ranching world. Some of Flitner’s recollections are humorous and lighthearted. Others take a darker turn. A modern-day rancher with decades of experience, Mary has dealt with the hardships and challenges that come with this way of life. She’s survived harsh conditions like the “winter of 50 below” and economic downturns that threatened her family’s livelihood. She’s also wrestled with her role as a woman in a profession that doesn’t always treat her as equal. But for all its challenges, Flitner has also savored ranching’s joys, including the ties that bind multiple generations of families to the land. My Ranch, Too begins with the story of her great-grandfather, Daniel Budd, who in 1878 drove a herd of cattle into Wyoming Territory and settled his family in an area where conditions seemed favorable. Four generations later, Mary grew up on this same portion of land, learning how to ride horseback and take care of livestock. When she married Stan, she simply moved from one ranch to another, joining the Flitner family’s Diamond Tail Ranch in Wyoming’s Big Horn Basin. The Diamond Tail is not Mary’s alone to run, as she is quick to acknowledge. Everybody pitches in, even the smallest of children. But when Mary takes the responsibility of gathering a herd of cattle or makes solo rounds at the crack of dawn to check on the livestock, we have no doubt that this is indeed her ranch, too.