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A delicate and darkly witty reflection on loss, marriage, writing, and life in New York from an acclaimed biographer and memoirist. Dorothy Gallagher’s husband, Ben Sonnenberg, died in 2010. He had suffered from multiple sclerosis for many years and was almost completely paralyzed, but his wonderful, playful mind remained quite undimmed. In the ten sections of Stories I Forgot to Tell You, Gallagher moves freely and intuitively between the present and the past to evoke the life they made together and her life after his death, alone and yet at the same time never without thoughts of him, in a present that is haunted but also comforted by the recollection of their common past. She talks—the whole book is written conversationally, confidingly, unpretentiously—about small things, such as moving into a new apartment and setting it up, growing tomatoes on a new deck, and as she does she recalls her missing husband’s elegant clothes and British affectations, what she knew about him and didn’t know, the devastating toll of his disease and the ways they found to deal with it. She talks about their two dogs and their cat, Bones, and the role that a photograph she never took had in bringing her together with her husband. Her mother, eventually succumbing to dementia, is also here, along with friends, an old typewriter, episodes from a writing life, and her husband’s last days. The stories Gallagher has to tell, as quirky as they are profound, could not be more ordinary, and yet her glancing, wry approach to memory and life gives them an extraordinary resonance that makes the reader feel both the logic and the mystery of a couple’s common existence. Her prose is perfectly pitched and her eye for detail unerring. This slim book about irremediable loss and unending love distills the essence of a lifetime.
You will be reading a murder mystery of how teens will survive when they are captured. Then again, maybe you will read a sweet Christmas story about a boy and how he gets his presents. You know there are many more stories from where that came from. After all that, you will read sweet beautiful poetry. You may enjoy it, or you may not. It is your choice to take a journey from one story to another or one poetry to another. So what are you waiting for? Open the book already!
Reproduction of the original: White Nights and Other Stories by Fyodor Dostoevsky
Love is a delicate and soft emotion by its very nature. It’s very easy to love someone but difficult to endure. When we love someone, we have to accept their virtues and vices, and sometimes we face the consequences of that acceptance. Nobody is always right or wrong; their behavior depends upon the conditions. It’s very difficult to understand, but still, we should accept the truth. Misunderstanding is a very big wall that can part people. Love doesn’t teach us extreme hate. Humans think of love in terms of profit and loss, forgetting that love is something that involves giving only. It is wrong to say that if you love someone they must love you back. This is a mistake we make. When there is selfishness in love, then the originality of love gets lost. Love is the golden thread that ties us up in one beautiful garland called relationship. This relationship is a great world of emotions for which we live our whole lives, ready to sacrifice. This book is a small attempt to untie this emotional world.
Judy Freeman, author of the Books Kids Will Sit Still For series, gives practical how-to tips on how to tell a story, and write and stage a Reader's Theater script that gets children involved with creative drama. Reader's theater teaches children how to become better listeners, enriches their thinking skills, and encourages their response to literature. Included are ideas on using folk and fairy tales, songs, chants and nonsense rhymes, and a reader's theater script. Also included in this handbook are 400 plus annotated children's books every storyteller should know, 100 great titles for creative drama and reader's theatre and professional books and Web sites for storytelling, creative drama and reader's theater. Grades PreK-6. Judy Freeman, author of the Books Kids Will Sit Still For series, gives personal and practical how-to tips on how to learn and tell a story, how to act out a story using creative drama, and how to write and stage a Reader's Theater script. All are guaranteed to get your children listening, thinking, reading, loving, and living stories with comprehension, fluency, expression, and joy. Once Upon a Time pulls together a wealth of ideas, activities, and strategies for using folk and fairy tales, songs, chants, and nonsense rhymes. Also included in this handbook are the texts of 10 of Judy's favorite stories you can read today and tell tomorrow; a songbook of songs, chants, and nonsense rhymes; and a Reader's Theater script. You'll also find annotated bibliographies: 400+ children's books every storyteller should know; 100+ great children's books to use for creative drama and Reader's Theater; professional books and Web sites for storytelling, creative drama, and Reader's Theater; and a title and author index. Chapters include: ; Getting Started with Storytelling ; Judy Freeman's Songbook: Including Songs, Chants, Riddles, and Plenty of Nonsense ; Judy Freeman's Storybook: Tales You can Hear Today and Tell Tomorrow ; 400+ Children's Books Every Storyteller Should Know ; Getting Started with Creative Drama and Reader's Theater ; 100+ Children's Books Just Right for Creative Drama and/or Reader's Theater
Twelve powerful works of fiction, including Pushkin's "The Overcoat," "Twenty-Six Men and a Girl" by Gorky, and "How Much Land Does a Man Need?" by Tolstoy, plus works by Gogol, Turgenev, more.
Do North American evangelicals have a clear and strong doctrine of the church? Can we generate one? In this volume, editors Mark Husbands and Daniel J. Treier bring together thirteen scholars and teachers to explore the history of evangelical ecclesiology and the continuing discussion regarding the nature of the church, the question of sacraments, the relation of church to society, and the church's moral character and missional witness. Contributors include William J. Abraham, Gary D. Badcock, Craig A. Carter, Ellen T. Charry, William A. Dyrness, Darrell L. Guder, D. G. Hart, Willie James Jennings, Dennis L. Okholm, James K. A. Smith, Allen Verhey, John Webster and Jonathan R. Wilson.
NEW YORK TIMES BESTSELLER • Now in paperback and featuring new material, the definitive guide to telling an unforgettable story in any setting, from the storytelling experts at The Moth “From toasts to eulogies, from job interviews to social events, this book will help you with ideas, structure, delivery and more.”—CNN LONGLISTED FOR THE PORCHLIGHT BUSINESS BOOK AWARD Over the past twenty-five years, the directors of The Moth have worked with people from all walks of life—including astronauts, hairdressers, rock stars, a retired pickpocket, high school students, and Nobel Prize winners—to develop true personal stories that have moved and delighted live audiences and listeners of The Moth’s Peabody Award–winning radio hour and podcast. A leader in the modern storytelling movement, The Moth inspires thousands of people around the globe to share their stories each year. Now, with How to Tell a Story, The Moth will help you learn how to uncover and craft your own unique stories, like Moth storytellers Mike Birbiglia, Rosanne Cash, Neil Gaiman, Elizabeth Gilbert, Padma Lakshmi, Darryl “DMC” McDaniels, Tig Notaro, Boots Riley, Betty Reid Soskin, John Turturro, and more. Whether your goal is to make it to the Moth stage, deliver the perfect wedding toast, wow clients at a business dinner, give a moving eulogy, ace a job interview, be a hit at parties, change the world, or simply connect more deeply to those around you, stories are essential. Sharing secrets of The Moth’s time-honed process and using examples from beloved storytellers, a team of Moth directors will show you how to • mine your memories for your best stories • explore structures that will boost the impact of your story • deliver your stories with confidence • tailor your stories for any occasion Now featuring new prompts for engaging storytelling and filled with empowering, easy-to-follow tips for crafting stories that forge lasting bonds with friends, family, and colleagues alike, this book will help you connect authentically with the world around you and unleash the power of story in your life.
50 Westerns The Best Cowboy Adventures, Rider Trails, Stories of Outlaws & Battles with Indians represents an unparalleled compilation that traverses the length and breadth of the Western genre. This anthology highlights the rich tapestry of the American frontier, encapsulated through gripping tales of adventure, conflict, and the human spirit. The collection's diversity is not only reflected in the array of narratives that span from intimate personal journeys to epic battles but also in the literary styles that range from classic prose to innovative storytelling techniques. The assembled works, including tales of high-stakes standoffs, nuanced depictions of native cultures, and explorations of the moral compass of the rugged landscape, underscore the anthologys thematic depth and the genres capacity to interrogate the American mythos. The contributors to this collection, including luminaries like Zane Grey, Bret Harte, and Willa Cather, among others, bring a rich mosaic of backgrounds, perspectives, and literary achievements. Their collective oeuvre not only aligned with but also propelled several movements within the Western genre, enriching its narrative complexity and thematic breadth. From the romanticized tales of daring outlaws to the nuanced portrayals of frontier life, this anthology captures a pivotal era in American literature, offering insights into the socio-cultural fabric of the time. The diversity among the authors ensures a multi-faceted exploration of themes such as justice, freedom, and survival, set against the backdrop of the untamed American West. 50 Westerns invites readers on a journey through the rugged landscapes and turbulent times of the American frontier. For enthusiasts and scholars alike, this anthology presents a unique opportunity to engage with the foundational narratives that have shaped the Western genre. Through its wide-ranging selection, the collection fosters a dialogue between different voices and perspectives, enriching the readers understanding of the complexities and contradictions of the American West. This anthology is a doorway to an extensive, immersive experience of the Western literary tradition, promised to captivate, educate, and inspire reflections on the enduring themes of a bygone era.
An introduction to storytelling, with tips on choosing, learning and telling stories and annotated lists of preferred stories.