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In this funny, brainy, thoroughly engaging debut collection, an award-winning writer looks at romance through the lens of scholarly theories to illuminate love in the information age. In ten captivating and tender stories, E. J. Levy takes readers through the surprisingly erotic terrain of the intellect, offering a smart and modern take on the age-old theme of love--whether between a man and woman, a man and a man, a woman and a woman, or a mother and a child--drawing readers into tales of passion, adultery, and heartbreak. A disheartened English professor's life changes when she goes rock climbing and falls for an outdoorsman. A gay oncologist attending his sister's second wedding ponders dark matter in the universe and the ties that bind us. Three psychiatric patients, each convinced that he is Christ, give rise to a love affair in a small Minnesota town. A Brooklyn woman is thrown out of an ashram for choosing earthly love over enlightenment. A lesbian student of film learns theories of dramatic action the hard way--by falling for a married male professor. Incorporating theories from physics to film to philosophy, from Rational Choice to Thorstein Veblen's Theory of the Leisure Class, these stories movingly explore the heart and mind--shooting cupid's arrow toward a target that may never be reached.
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"Winner of the Flannery O'Connor Award for Short Fiction."
Moving between the American South and Mexico, these stories explore how immigrant and native characters are shaped by absent family and geography. A Chilanga teen wins a trip to Miami to film a reality show about family while pining for the American brother she’s never met. A Louisiana carpenter tends to his drug-addicted son while rebuilding his house after a slew of hurricanes. A New Orleans ne’er-do-well opens a Catholic-themed bar in the wake of his devout mother’s death. A village girl from Chiapas baptizes her infant on a trek toward the U.S. border. In the collection’s second half, we follow a Veracruzan-born drifter, Manuel, and his estranged American son, Tommy. Over decades, they negotiate separate nations and personal tragicomedies on their journeys from innocence to experience. As Manuel participates in student protests in Mexico City in 1968, he drops out to pursue his art. In the 1970s, he immigrates to Louisiana, but soon leaves his wife and infant son behind after his art shop fails. Meanwhile, Tommy grows up in 1980s Louisiana, sometimes escaping his mother’s watchful eye to play basketball at a park filled with the threat of violence. In college, he seeks acceptance from teammates by writing their term papers. Years later, as Manuel nears death and Tommy reaches middle age, they reconnect, embarking on a mission to jointly interview a former riot policeman about his military days; in the process, father and son discover what it has meant to carry each other’s stories and memories from afar.
The women in the linked short story collection Once Removed carry the burdens imposed in the name of intimacy--the secrets kept, the lies told, the disputes initiated--as well as the joy that can still manage to triumph. A singer with a damaged voice and an assumed identity befriends a silent, troubled child; an infertile law professor covets a tenant's daughterly affection; a new mother tries to shield her infant from her estranged mother's surprise Easter visit; an aging shopkeeper hides her husband's decline and a decades-old lie to keep her best friends from moving away. With depth and an acute sense of the fragility of intimate connection, Colette Sartor creates stories of women that resonate with emotional complexity. Some of these women possess the fierce natures and long, vengeful memories of expert grudge holders. Others avoid conflict at every turn, or so they tell themselves. For all of them, grief lies at the core of love.
These stories are enveloped by change and the changes that shift the trajectories of our lives: change that shatters us, change that opens the world, and change from which we can never come back. These fourteen stories tell us about extensive and inevitable changes and how we realign ourselves and our lives, if we can.
Kansas boys -- The golden state -- A million and one Marthas -- Go on, eat your heart out -- The house on Alabama Street -- Night of indulgences -- Stupid girls -- Thousand-dollar decoy -- First love -- Queen of England -- Bald bear -- Acknowledgment
“I intend to stand firm and let the peacocks multiply, for I am sure that, in the end, the last word will be theirs.” —Flannery O’Connor When she was young, the writer Flannery O’Connor was captivated by the chickens in her yard. She’d watch their wings flap, their beaks peck, and their eyes glint. At age six, her life was forever changed when she and a chicken she had been training to walk forwards and backwards were featured in the Pathé News, and she realized that people want to see what is odd and strange in life. But while she loved birds of all varieties and kept several species around the house, it was the peacocks that came to dominate her life. Written by Amy Alznauer with devotional attention to all things odd and illustrated in radiant paint by Ping Zhu, The Strange Birds of Flannery O’Connor explores the beginnings of one author’s lifelong obsession. Amy Alznauer lives in Chicago with her husband, two children, a dog, a parakeet, sometimes chicks, and a part-time fish, but, as of today, no elephants or peacocks. Ping Zhu is a freelance illustrator who has worked with clients big and small, won some awards based on the work she did for aforementioned clients, attracted new clients with shiny awards, and is hoping to maintain her livelihood in Brooklyn by repeating that cycle.
In these stories by Melissa Pritchard, the past brushes up against the present, the voices of both the sane and the obsessed are heard, and the spirits speaking unbidden through the mouths of some spurn others who desire them most. Some of the men and women in Spirit Seizures dwell contentedly on the surface of life, even making a science or an art of what they see around them. But many of the characters in these stories see—sometimes calmly, sometimes with agitation—beneath life's surface, beyond sun's light. The title story tells of a psychic women, pregnant with her second child, who welcomes over her farmer husband's objections the visits of an older couple desiring a séance with the spirit of their dead daughter. Spirits are also summoned in "Rocking on Water, Floating in Glass," when a woman consults the shade of Sarah Bernhardt to help her decide whether to leave her refuge in a dark antique shop and reenter the world of the living. The husband in "Ramon; Souvenirs" recalls his wife's obsession with pueblo culture and her ambitious courtship of the impotent Indian elder who she hopes will initiate her into native spiritual mysteries. But the greatest desire of La Bête, a spectacularly obese model painted by the French impressionists, is to herself become a perfect object, viewed and adored for her form, not her crude essence. Mrs. Grant in "With Wings Cross Water" is painfully isolated from the surface of her family's life by her fears of terminal illness, of what lies beneath her skin. And Mrs. Gump, the reverend's housekeeper, prays and cleans the house furiously, hoping to obliterate all traces of the worldly beauty that distracts her employer and her artist son from the hereafter. Written with humor but often poignant when they reveal the veins of longing that run through men and women, the stories in Spirit Seizures follow the elusive currents that link us to the eternal, the fluid boundaries that wash between love and mourning.
In these wondrously strange and revealing stories, Tom Kealey chronicles the struggles and triumphs of the young and marginalized as they discover many ways of growing up. Their names are Merrill, Omar, Shelby, Laika, Winston, and Toomey, but most people don't see them. They are boxers in training and the children of fishermen. They are altar boys in a poverty-stricken parish. They are assistant groundskeepers and assistant camel-keepers. They travel with the circus, care for disabled siblings, steal police cars, and retrieve the stolen boots of a priest. Ranging in abode from Puget Sound, Washington, to Pamlico Sound, North Carolina, they are abandoned yet courageous and plucky children and teenagers living on the edges of society. Thieves I've Known is a collection of powerful, moving stories about the lives of a redemptive and peculiar cast of young characters who become easy to know and difficult to forget.