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BLACK GILES THE POACHER: CONTAINING SOME ACCOUNT OF A FAMILYWHO HAD RATHER LIVE BY THEIR WITS THAN THEIR WORK BY HANNAH MORE. This story exhibits an accurate picture of that part of the country where the author then resided; and where, by her benevolent zeal, a great reformation was effected among the poor inhabitants of at least twenty parishes, within a circle of thirty miles. Poaching Giles lives on the borders of one of those great moors in Somersetshire. Giles, to be sure, has been a sad fellow in his time; and it is none of his fault if his whole family do not end their career either at the gallows, or at Botany Bay. He lives at that mud cottage, with the broken windows stuffed with dirty rags, just beyond the gate which divides the upper from the lower moor. You may know the house at a good distance by the ragged tiles on the roof, and the loose stones which are ready to drop out from the chimney; though a short ladder, a hod of mortar, and half an hour's leisure time would have prevented all this, and made the little dwelling tight enough. But as Giles had never learned any thing that was good, so he did not know the value of such useful sayings as, that "a tile in time saves nine." Besides this, Giles fell into that common mistake, that a beggarly looking cottage, and filthy, ragged children, raised most compassion, and of course drew most charity. But as cunning as he was in other things, he was out in his reckoning here; for it is neatness, housewifery, and a decent appearance, which draws the kindness of the rich and charitable, while they turn away disgusted with filth and laziness: not out of pride, but because they see that it is next to impossible to mend the condition of those who degrade themselves by dirt and sloth; and few people care to help those who will not help themselves. The common on which Giles' hovel stands is quite a deep marsh in a wet winter, but in summer it looks green and pretty enough. To be sure, it would be rather convenient, when one passes that way in a carriage, if one of the children would run out and open the gate; but instead of any one of them running out as soon as they hear the wheels, which would be quite time enough, what does Giles do but set all his ragged brats, with dirty faces, matted locks, and naked feet and legs, to lie all day upon a sand-bank hard by the gate, waiting for the slender chance of what may be picked up from travellers. At the sound of a carriage, a whole covey of these little scarecrows start up, rush to the gate, and all at once thrust out their hats and aprons; and for fear this, together with the noise of their clamorous begging, should not sufficiently frighten the horses, they are very apt to let the gate slap full against you, before you are half way through, in their eager scuffle to snatch from each other the halfpence which you may have thrown out to them. I know two ladies who were one day very near being killed by these abominable tricks. Thus five or six little idle creatures, who might be earning a trifle by knitting at home, who might be useful to the public by working in the field, and who might assist their families by learning to get their bread twenty honest ways, are suffered to lie about all day in the hope of a few chance halfpence, which, after all, they are by no means sure of getting....
Hannah More (1745 -1833) was an English religious writer and philanthropist. Her first literary efforts were pastoral plays, suitable for young ladies to act. She was instrumental in setting up twelve schools by 1800 where reading, the Bible and the catechism were taught to local children. Stories for the Young Or, Cheap Repository Tracts: Entertaining, Moral, and Religious. Vol. VI. Include Black Giles the Poacher; containing some account of a family who had rather live by their wits than their work, History of Widow Brown's Apple-tree; being Part II. of Black Giles the Poacher, Tawney Rachel; or, the Fortune-teller: with some account of Dreams, Omens, and Conjurers. Being Part III. of Black Giles the Poacher, The Happy Waterman, The Gravestone, Parley the Porter. An Allegory. Showing how robbers without can never get into a house unless there are traitors within, A New Christmas Tract; or, the Right Way of Rejoicing at Christmas. Showing the reasons we have for joy at the event of our Saviour's birth, A New Christmas Hymn, Bear ye one another's Burdens; or, the Valley of Tears. A Vision, The Strait Gate and the Broad Way; being the Second Part of the Valley of Tears, and The Parable of the Laborers in the Vineyard.