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Stories by English Authors: Africa by Various: Embark on a literary journey across the diverse landscapes of Africa with this collection of short stories. Written by various English authors, these narratives offer glimpses into the continent's rich cultures, traditions, and unique challenges. Key Aspects of the Book "Stories by English Authors: Africa by Various": Cultural Diversity: The collection features stories that span different regions of Africa, highlighting the cultural and geographical diversity of the continent. Exploration of Themes: The narratives touch on a range of themes, from the encounters between cultures to the exploration of personal and societal struggles faced by individuals in Africa. Authentic Voices: Each author brings their distinct perspective and style to the stories, contributing to a rich tapestry of narratives that celebrate the complexities of Africa. The compilation Stories by English Authors: Africa features works by various English authors. These authors, through their imaginative storytelling, offer readers an opportunity to engage with the cultures, histories, and landscapes of Africa from unique and diverse viewpoints.
This anthology represents some of the best African poetry written in English in the last 30 years. The poets include Wole Soyinka, Dennis Brutus, Kojo Laing, Chenjerai Hove and Gabriel Gbadamosi.
Honouring strong new voices from around the world, the 2014 Commonwealth Short Story Prize is a global award, open to unpublished as well as published writers, with a truly international judging panel. This global anthology presents the winner of the 2014 Short Story Prize, Jennifer Nansubuga Makumbi’s “Let’s Tell This Story Properly,” alongside some of the most promising and original stories entered for the prize during the past three years by emerging writers across the literary landscape of the world. Gathered from over ten thousand entries, the selected stories are provocative, rich in flair and ambition, and push the boundaries of fiction into fresh territory.
Presenting a diverse and dazzling collection from all over the continent, from Morocco to Zimbabwe, Uganda to Kenya. Helon Habila focuses on younger, newer writers - contrasted with some of their older, more established peers - to give a fascinating picture of a new and more liberated Africa. These writers are characterized by their engagement with the wider world and the opportunities offered by the end of apartheid, the end of civil wars and dictatorships, and the possibilities of free movement. Their work is inspired by travel and exile. They are liberated, global and expansive. As Dambudzo Marechera wrote: 'If you're a writer for a specific nation or specific race, then f*** you." These are the stories of a new Africa, punchy, self-confident and defiant. Includes stories by: Fatou Diome; Aminatta Forna; Manuel Rui; Patrice Nganang; Leila Aboulela; Zo Wicomb; Alaa Al Aswany; Doreen Baingana; E.C. Osondu.
Contemporary African American and Black British Women Writers: Narrative, Race, Ethics brings together British and American scholars to explore how, in texts by contemporary black women writers in the U. S. and Britain, formal narrative techniques express new understandings of race or stimulate ethical thinking about race in a reader. Taken together, the essays also demonstrate that black women writers from both sides of the Atlantic borrow formal structures and literary techniques from one another to describe the workings of structural racism in the daily lives of black subjects and to provoke readers to think anew about race. Narratology has only recently begun to use race as a category of narrative theory. This collection seeks both to show the ethical effects of narrative form on individual readers and to foster reconceptualizations of narrative theory that account for the workings of race within literature and culture.
From the legendary author of Things Fall Apart—a long-awaited memoir of coming of age in a fragile new nation, and its destruction in a tragic civil war For more than forty years, Chinua Achebe maintained a considered silence on the events of the Nigerian civil war, also known as the Biafran War, of 1967–1970, addressing them only obliquely through his poetry. Decades in the making, There Was a Country is a towering account of one of modern Africa’s most disastrous events, from a writer whose words and courage left an enduring stamp on world literature. A marriage of history and memoir, vivid firsthand observation and decades of research and reflection, There Was a Country is a work whose wisdom and compassion remind us of Chinua Achebe’s place as one of the great literary and moral voices of our age.
A dazzling collection from across the African continent and diaspora here SHORT STORY DAY AFRICA has assembled the best nineteen stories from their 2013 competition. Food is at the centre of stories from authors emerging and established, blending the secular, the supernatural, the old and the new in a spectacular celebration of short fiction. Civil wars, evictions, vacations, feasts and romances the stories we bring to our tables that bring us together and tear us apart.
'Sparklingly funny' Wired Magazine '[Nwaubani] not merely explores a side of modern existence that touches millions every day, but does so with wit, warmth and insight' Independent 'Beautifully written' Sunday Herald Kingsley is fresh out of university, eager to find an engineering job so he can support his family and marry the girl of his dreams. Being the opara of the family, he is entitled to certain privileges - a piece of meat in his egusi soup, a party to celebrate his graduation. But times are hard in Nigeria and jobs are not easy to come by. For much of his young life, Kingsley believed that education was everything, that through wisdom, all things were possible. But when a tragedy befalls his family, Kingsley learns the hardest lesson of all: education may be the language of success in his country, but it is money that does the talking. In desperation he turns to his uncle, Boniface-aka Cash Daddy-an exuberant character who suffers from elephantiasis of the pocket. He is also rumoured to run a successful empire of email scams. But he can help. With Cash Daddy's intervention, Kingsley and his family can be as safe as a tortoise under its shell. It is up to Kingsley now, to reconcile his passion for knowledge with his hunger for money, to fully assume his role of first son. But can he do it without being drawn into this outlandish milieu?