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Stories and Essays of Mina Loy is the first book-length volume of Mina Loy's narrative writings and critical work ever published. This volume brings together her short fiction, as well as hybrid works that include modernized fairy tales, a Socratic dialogue, and a ballet. Loy's narratives address issues such as abortion and poverty, and what she called "the sex war" is an abiding theme throughout. Stories and Essays of Mina Loy also contains dramatic works that parody the bravado and misogyny of Futurism and demonstrate Loy's early, effective use of absurdist technique. Essays and commentaries on aesthetics, historical events, and religion complete this beguiling collection, cementing Mina Loy's place as one of the great writers of the twentieth century.
The Salt Companion to Mina Loy comprises ten new essays by leading scholars and writers on the work of modernist poet Mina Loy. Loy (1882-1966) is increasingly seen as central to Anglo-American modernism, and she is often a set author on British and US undergraduate and MA courses. The Companion will be an invaluable new resource for students and readers of modernism.
Insel, the only novel by the surrealist master Mina Loy, is a book like no other--about an impossible friendship amid the glamorous artistic bohemia of 1930s Paris.
Mina Loy is recognised today as one of the most innovative modernist poets, numbering Gertrude Stein, Marcel Duchamp, Djuna Barnes and T.S. Eliot amongst her admirers. Drawing on substantial new archival research, this book challenges the existing critical myth of Loy as a ‘modern woman' through an analysis of her unpublished autobiographical prose. Mina Loy's Autobiographies explores this major twentieth century writer's ideas about the ‘modern' and how they apply to the ‘modernist' writer—based on her engagement with twentieth-century avant-garde aesthetics—and charts how Loy herself uniquely defined modernity in her essays on literature and art. Sandeep Parmar here shows how, ultimately, Loy's autobiographies extend the modernist project by rejecting earlier impressions of avant-garde futurity and newness in favour of a ‘late modernist' aesthetic, one that is more pessimistic, inward and interested in the fragmentary interplay between the past and present.
For more than three hundred years, manifestoes have defined the aims of radical groups, individuals, and parties while galvanizing revolutionary movements. As Janet Lyon shows, the manifesto is both a signal genre of political modernity and one of the defining forms of aesthetic modernism. Ranging from the pamphlet wars of seventeenth-century England to dyke and ACT-UP manifestoes of the 1990s, her extraordinarily accomplished book offers the first extended treatment of this influential form of discourse. Lyon demonstrates that the manifesto, usually perceived as the very model of rhetorical transparency, is in fact a complex, ideologically inflected genre—one that has helped to shape modern consciousness. Lyon explores the development of the genre during periods of profound historical crisis. The French Revolution generated broadsides that became templates for the texts of Chartism, the Commune, and late-nineteenth-century anarchism, while in the twentieth century the historical avant-garde embraced a revolutionary discourse that sought in the manifesto's polarizing polemics a means for disaggregating and publicizing radical artistic movements. More recently, in the manifestoes of the 1960s, the wretched of the earth called for either the full realization or the final rejection of the idea of the universal subject, paving the way for contemporary contestations of identity among second- and third-wave feminists and queer activists.
The disconnection between spirituality and passionate love leaves a broad sense of dissatisfaction and boredom in relationships. The author illustrates how our vitality and capacity for joy depend on restoring the soul of the sacred prostitute to its rightful place in consciousness.
Paul Chowder is trying to write the introduction to a new anthology of rhyming verse, but he’s having a hard time getting started. The result of his fitful struggles is The Anthologist, Nicholson Baker’s brilliantly funny and exquisite love story about poetry. * * * A New York Times Notable Book, 2009 Favorite Fiction of 2009–Los Angeles Times Best Books of 2009–The Christian Science Monitor Best of 2009–Slate.com "A Year’s Reading" Favorites, 2009–The New Yorker Best Books of 2009–Seattle Times
Based on one of the greatest and most unusual love stories of the 20th century, this literary novel explores the life of Arthur Cravan--semi-professional boxer, influential art critic, legendary bon vivant, and nephew of Oscar Wilde.