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The voices of Black women have historically been silenced, especially in theological and religious contexts. Prophets rarely have platforms; faithfulness to oneself, one's community, and one's God does not often lead to prestige. Nineteenth-century Black women preachers Zilpha Elaw, Julia Foote, and Sojourner Truth are not usually presented in systematic theology classes or texts and not often cited in sermons for their biblical interpretations, nor are they taught in church history courses. They should be. These women present a liberating view of God and love for self and neighbor despite circumstances that would destroy them or relegate them and their ideas to the margins. As Elaw, Foote, and Truth preached, traveled, and ministered, they constructed a theology that affirmed their belovedness as Black women and enabled them to be both pastoral and prophetic. They modeled a way to do theology that wasfaithful to the biblical witness and Christian history, was pastorally attentive to their respective communities and themselves, and identified and challenged the evils of their day. They interpreted Scripture to show that God favored them and loved them, and their bodies, even when the world said otherwise. They recognized that in order to be pastoral, they must be prophetic, calling out structures of domination that would seek to harm. And as they preached a word of comfort to the oppressed, oppressors heard--and still hear--the judgment in their voices. Kate Hanch conducts a careful reading of these 19th-century Black women preachers' narratives and their texts, both written and spoken, to make explicit their theology. At once a work of religious history, biography, and constructive theology, Storied Witness calls attention to the essential lived witness of Zilpha Elaw, Julia Foote, and Sojourner Truth. By paying attention to their stories, we discover and honor both their theology and their role as theologians. Thanks to their witness, we are challenged by a theology that testifies to a liberating Christianity in defiance of the dominant culture around them and us.
"A fascinating glimpse into the consciousness of being an outsider in every possible way, and what it takes to find your path into the life you'd like to lead."--Nylon A riveting memoir of losing faith and finding freedom while a covert missionary in one of the world's most restrictive countries. A third-generation Jehovah's Witness, Amber Scorah had devoted her life to sounding God's warning of impending Armageddon. She volunteered to take the message to China, where the preaching she did was illegal and could result in her expulsion or worse. Here, she had some distance from her community for the first time. Immersion in a foreign language and culture--and a whole new way of thinking--turned her world upside down, and eventually led her to lose all that she had been sure was true. As a proselytizer in Shanghai, using fake names and secret codes to evade the authorities' notice, Scorah discreetly looked for targets in public parks and stores. To support herself, she found work at a Chinese language learning podcast, hiding her real purpose from her coworkers. Now with a creative outlet, getting to know worldly people for the first time, she began to understand that there were other ways of seeing the world and living a fulfilling life. When one of these relationships became an "escape hatch," Scorah's loss of faith culminated in her own personal apocalypse, the only kind of ending possible for a Jehovah's Witness. Shunned by family and friends as an apostate, Scorah was alone in Shanghai and thrown into a world she had only known from the periphery--with no education or support system. A coming of age story of a woman already in her thirties, this unforgettable memoir examines what it's like to start one's life over again with an entirely new identity. It follows Scorah to New York City, where a personal tragedy forces her to look for new ways to find meaning in the absence of religion. With compelling, spare prose, Leaving the Witness traces the bittersweet process of starting over, when everything one's life was built around is gone.
Some of these personal stories from doulas about their shared birthing experiences will give you goosebumps. Inspiring and diverse stories are contained in this beautiful anthology. Highly recommended for anyone interested in childbirth and new doulas in particular.
We all watched Terri Schiavo die. The controversy around her case dominated the headlines and talk shows, going all the way to the U.S. Supreme Court, the White House, and the Vatican. And it's not over yet. Despite her death, the controversy lingers. In Silent Witness, former LAPD detective and New York Times bestselling author Mark Fuhrman applies his highly respected investigative skills to examine the medical evidence, legal case files, and police records. With the complete cooperation of Terri Schiavo's parents and siblings, as well as their medical and legal advisers, he conducts exclusive interviews with forensics experts and crucial witnesses, including friends, family members, and caregivers. Fuhrman's findings will answer these questions: What was Terri and Michael Schiavo's marriage really like? What happened the day Terri collapsed? What did Michael Schiavo do when he discovered Terri unconscious? How long did he wait before calling 911? What do medical records show about her condition when she was first admitted to the hospital? What will the autopsy say? The legal issues and ethical questions provoked by Terri Schiavo's extraordinary case may never be resolved. But the facts about her marriage, her condition when she collapsed, and her eventual death fifteen years later can be determined. With Silent Witness, Fuhrman goes beyond the legal aspects of the case and delves into the broader, human background of Terri Schiavo's short, sad life.
Launching a propulsive middle grade nonfiction series, a young woman shares her harrowing experience of being wrongly accused of terrorism. Adama Bah grew up in East Harlem after immigrating from Conakry, Guinea, and was deeply connected to her community and the people who lived there. But as a thirteen-year-old after the events of September 11, 2001, she began experiencing discrimination and dehumanization as prejudice toward Muslim people grew. Then, on March 24, 2005, FBI agents arrested Adama and her father. Falsely accused of being a potential suicide bomber, Adama spent weeks in a detention center being questioned under suspicion of terrorism. With sharp and engaging writing, Adama recounts the events surrounding her arrest and its impact on her life—the harassment, humiliation, and persecution she faced for crimes she didn’t commit. Accused brings forward a crucial and unparalleled first-person perspective of American culture post-9/11 and the country’s discrimination against Muslim Americans, and heralds the start of a new series of compelling narrative nonfiction by young people, for young people.
The Dead Witness gathers the finest adventures among private and police detectives from the nineteenth century and into the early twentieth--including a wide range of overlooked gems creating the finest ever anthology of Victorian detective stories. "The Dead Witness," the 1866 title story by Australian writer Mary Fortune, is the first known detective story by a woman, a suspenseful clue-strewn manhunt in the Outback. This forgotten treasure sets the tone for the whole anthology-surprises from every direction, including more female detectives and authors than you can find in any other anthology of its kind. Pioneer women writers such as Anna Katharine Green, Mary E. Wilkins, and C. L. Pirkis will take you from rural America to bustling London. Female detectives range from Loveday Brooke to Dorcas Dene and Madelyn Mack. In other stories, you will meet November Joe, the Canadian half-Native backwoods detective who stars in "The Crime at Big Tree Portage" and demonstrates that Sherlockian attention to detail works as well in the woods as in the city. Holmes himself is here, too, of course-not in another reprint of an already well-known story, but in the first two chapters of A Study in Scarlet, the first Holmes case, in which the great man meets and dazzles Watson. Authors range the gamut from luminaries such as Charles Dickens to the forgotten author who helped inspire Edgar Allan Poe's "The Murders in the Rue Morgue," the first real detective story. Bret Harte is here and so is E. W. Hornung, creator of master thief Raffles. Naturally Wilkie Collins couldn't be left behind. Michael Sims's new collection unfolds the fascinating and entertaining youth of what would mature into the most popular genre of the twentieth century.
Exploring diverse human experiences in the US, Poland and Northern Ireland, this book is of interest to practitioners and students of applied theatre, peace and conflict studies, professionals working in conflict resolution, counselors, psychotherapists, professionals in the field of criminal and restorative justice, and spiritual seekers.
Beginning with the apostles themselves, Christians have practiced the art of telling their stories to bring others to faith. Leonard J. DeLorenzo, theology professor and director of Notre Dame Vision--a program designed to help youth and young adults find their true vocation--presents seven guiding principles to help you share your faith in a genuine way and teach others to do so as well. Unlike many evangelical Christians, Catholics often find it difficult to tell their faith stories. Leonard DeLorenzo has taught thousands of teens and young adults to relate their moments of grace in a way that is compelling, convincing, and free of clichés and vague generalizations. The seven guiding principles he includes in Witness are: Tell it as a story Begin with what happened Express it in style Modify it for your audience Ensure there is sufficient closure Embrace natural emotions and Pray and practice DeLorenzo includes literary examples of writers such as C. S. Lewis and Flannery O'Connor, the conversion stories of St. Paul and St. Augustine, and real-life accounts of grace told by young adults he's worked with. Their stories are born out of battling an anxiety disorder, struggling with a loved one's Alzheimer's disease, dealing with the effects of alcoholism, learning from people with mental disabilities, and overcoming an eating disorder. DeLorenzo teaches us that by paying close attention to particular aspects of these stories, we can attune ourselves to the surprising and specific ways that grace moved through their experiences--as it does in our own. DeLorenzo provides a model for the kind of attentiveness we should foster when crafting our own stories of grace, and lead others to do so by providing an example of God's presence in our everyday life. Witness is a unique resource for faith-formation ministers and adults of all ages to appreciate the ways that grace is at work in your life, to inspire hope, and to build community by telling your own faith story.
Newbery Medalist Karen Hesse emerses readers in a small Vermont town in 1924 with this haunting and harrowing tale. Leanora Sutter. Esther Hirsh. Merlin Van Tornhout. Johnny Reeves . . .These characters are among the unforgettable cast inhabiting a small Vermont town in 1924. A town that turns against its own when the Ku Klux Klan moves in. No one is safe, especially the two youngest, twelve-year-old Leanora, an African-American girl, and six-year-old Esther, who is Jewish.In this story of a community on the brink of disaster, told through the haunting and impassioned voices of its inhabitants, Newbery Award winner Karen Hesse takes readers into the hearts and minds of those who bear witness.
At the beginning of the Civil War, Lula McLean’s family home in Manassas, Virginia, is taken over by the Confederate army and used as its headquarters. Forced to flee by the oncoming Union army, Lula and her family and her favorite rag doll move south to a small village called Appomattox Court House. Then one day in 1865, Lula left her doll behind, and what happened next made history.