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Many young black men dying in the streets of our cities and states at a rate far beyond the days of the 50's and the 60's. Becoming a national threat to our society and sovereignty of this great nation. A cry that is not heard loud enough or a cry that is "IGNORED"!!!!!
THE STORIES: In LAUGHS, ETC. a woman tells about an impromptu party that she and her lawyer husband gave in their East Village apartment. The woman is a complete phony, totally, unlovably false. She has not a shred of kindness or feeling in her sle
The stories in Drowning Lessons engage water as both a vital and a potentially hazardous presence in our lives. "You can touch water," says Peter Selgin, "you can taste it and feel its temperature, you can even hold it in your hands. Still it remains elusive, ill-defined, shaped only by what surrounds or contains it." With empathy and wit Selgin introduces us to characters navigating the choppy waters of human relationships. In "Swimming" an avid swimmer fights the stasis in his marriage by prodding his out-of-shape but contented wife to take up the sport—with near-disastrous results. A pond is the setting of "The Wolf House," which tells of the reunion and dissolution of a group of high school friends brought together for a funeral. "The Sinking Ship Man" chronicles a day in the life of an African American caretaker in charge of the only remaining survivor of the Titanic disaster. In "El Malecón" a toothless old Dominican tries to recapture his lost dignity by "borrowing" a shiny Cadillac convertible and aiming it down the coastal highway toward his childhood village. In "The Sea Cure" two travelers in Mexico's Yucatan Peninsula confront death in the form of a mysterious woman living in an abandoned beachfront apartment complex. In all thirteen tales in Drowning Lessons, Selgin exhibits a keen eye for the forces that push people toward—and sometimes beyond—their very human limits, forces as intrinsic, elemental, and elusive as the liquid that makes up two-thirds of their bodies. These stories remind us that of all bodies of water, none is deeper or more dangerous than our own.
A deeply reported book that brings alive the quest for justice in the deaths of Michael Brown, Tamir Rice, and Freddie Gray, offering both unparalleled insight into the reality of police violence in America and an intimate, moving portrait of those working to end it. Conducting hundreds of interviews during the course of over one year reporting on the ground, Washington Post writer Wesley Lowery traveled from Ferguson, Missouri, to Cleveland, Ohio; Charleston, South Carolina; and Baltimore, Maryland; and then back to Ferguson to uncover life inside the most heavily policed, if otherwise neglected, corners of America today. In an effort to grasp the magnitude of the repose to Michael Brown's death and understand the scale of the problem police violence represents, Lowery speaks to Brown's family and the families of other victims other victims' families as well as local activists. By posing the question, "What does the loss of any one life mean to the rest of the nation?" Lowery examines the cumulative effect of decades of racially biased policing in segregated neighborhoods with failing schools, crumbling infrastructure and too few jobs. Studded with moments of joy, and tragedy, They Can't Kill Us All offers a historically informed look at the standoff between the police and those they are sworn to protect, showing that civil unrest is just one tool of resistance in the broader struggle for justice. As Lowery brings vividly to life, the protests against police killings are also about the black community's long history on the receiving end of perceived and actual acts of injustice and discrimination. They Can't Kill Us All grapples with a persistent if also largely unexamined aspect of the otherwise transformative presidency of Barack Obama: the failure to deliver tangible security and opportunity to those Americans most in need of both.
In this title, the plot twists around the questions of humanity in a comic contemporary novel that portrays the trials of Shed, a half-breed, bisexual boy who works at a Victorian whorehouse in the old West.
Poetry is my way to talk, sing, or yell. Its my way of being that other Kim that isnt being seen on a norm. Poetry is the other me. I want my reader to understand this is the third edit, and all of my poems are real.
My People Perish for Lack of Knowledge is an inspirational and empowering book that argues that our lack of knowledge can and will cause people to perish. This book tries to sort through the misunderstandings and emotional obstructions that cause us all to make poor decisions. The reader is in for a look into themselves and others. The reader will also get to take a look into why we think or feel certain ways about ourselves and others. Writing this book has taught me more about my own feelings and how I really feel. My People Perish for Lack of Knowledge argues that we can thrive together or perish apart. Knowing this and proving this fact leads you to the understanding that establishing this bond is the first step to starting a functional civilization.
Essays reprinted from the website Black girl dangerous.
In this heartfelt memoir, April goes into great detail about the physical, psychological, and sexual abuse she and her young siblings suffered at the hands of their father. At the age of three, April was tortured, beaten, belittled, and abused by her alcoholic, and drug addicted father: a father who beat, and played mind games-games that left her fearing for her life. She learned how to survive by silence and silence alone. April slept in a corner in her bedroom, her clothes raunchy with urine. April did everything she could to be a good girl so her father would love her, but all she got in return was a beating to reassure her father she would remain silent and not speak a word to anyone. No other family member knew of the abuse April was suffering nor did they care. April had no one to turn to; all she had was her prayers, prayers that her father would fi nd her a good child and love her. This memoir will walk you through each struggle as April fi ghts for love and happiness and survival. This memoir speaks the truth about child abuse-and the choices we are all faced in order to survive.
Torture is an open secret in Chicago. Nobody in power wants to acknowledge this grim reality, but everyone knows it happens—and that the torturers are the police. Three to five new claims are submitted to the Torture Inquiry and Relief Commission of Illinois each week. Four hundred cases are currently pending investigation. Between 1972 and 1991, at least 125 black suspects were tortured by Chicago police officers working under former Police Commander Jon Burge. As the more recent revelations from the Homan Square “black site” show, that brutal period is far from a historical anomaly. For more than fifty years, police officers who took an oath to protect and serve have instead beaten, electrocuted, suffocated, and raped hundreds—perhaps thousands—of Chicago residents. In The Torture Letters, Laurence Ralph chronicles the history of torture in Chicago, the burgeoning activist movement against police violence, and the American public’s complicity in perpetuating torture at home and abroad. Engaging with a long tradition of epistolary meditations on racism in the United States, from James Baldwin’s The Fire Next Time to Ta-Nehisi Coates’s Between the World and Me, Ralph offers in this book a collection of open letters written to protesters, victims, students, and others. Through these moving, questing, enraged letters, Ralph bears witness to police violence that began in Burge’s Area Two and follows the city’s networks of torture to the global War on Terror. From Vietnam to Geneva to Guantanamo Bay—Ralph’s story extends as far as the legacy of American imperialism. Combining insights from fourteen years of research on torture with testimonies of victims of police violence, retired officers, lawyers, and protesters, this is a powerful indictment of police violence and a fierce challenge to all Americans to demand an end to the systems that support it. With compassion and careful skill, Ralph uncovers the tangled connections among law enforcement, the political machine, and the courts in Chicago, amplifying the voices of torture victims who are still with us—and lending a voice to those long deceased.