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Robin, the protagonist, faces a challenge to get his life back to normal. He complicates his life following certain events that include alcohol, drugs, prostitution, and a beef with a gangster. To make things worse, his father appears to him in his dreams and provides him objectives to fulfill. With a weird thought process, imaginary goals, meetings with dangerous people, and friends who dont give a shit, he complicates his life and embarks on a journey to simplify it in order to make his life livable.
All Gavin Lewis wanted was a week to forget his awful summer. When he discovers a resurrected Celt in a museum exhibit, memories of his ex-girlfriend and dead dog become the least of his problems, especially when the powerful necromancer who raised her shows up—ready to kill anyone who gets in the way. Along with his best friend Topher and sister Amber, Gavin and his new two-thousand-year old charge, who he names Jobi, flee the museum, banding together to search for answers. But it won’t be easy helping Jobi navigate a now unfamiliar world. The necromancer wants Jobi for herself. And the woman will stop at nothing until she finds her. As myths and monsters are brought back to life to hunt them down, Jobi must use her growing magical powers to save herself and her friends. Along the way, a love triangle closes in as quickly as the necromancer trailing them. It’s in the face of death that they each learn what they have to live for.
Reprints and reminiscences from the magazine’s first decade: “Fun to flip through . . . Where would American humor be without the National Lampoon?”—The New Yorker From its first issue in April 1970, the National Lampoon blazed like a comet, defining comedy as we know it today. To create Drunk Stoned Brilliant Dead, former Lampoon illustrator Rick Meyerowitz selected the funniest material from the magazine and sought out the survivors of its first electrifying decade to gather their most revealing and outrageous stories. The result is a mind-boggling tour through the early days of an institution whose alumni left their fingerprints all over popular culture: Animal House, Caddyshack, Saturday Night Live, Ghostbusters, SCTV, Spinal Tap, In Living Color, Ren & Stimpy, The Simpsons—even Sesame Street counts a few Lampooners among its ranks. This is the story of a band of young talents who “irrevocably rewrote the landscape of American humor” (Publishers Weekly). “A vivid picture of a tight-knit family of twentysomething humorists at the dawn of their careers.” —Newsweek "The other night I started laughing so hard I had to leave the room . . . And then I realized that I hadn’t laughed so hard in 35 years, since I was a teenager, reading National Lampoon.” —The Wall Street Journal “If you grew up with the Lampoon, this book is a trip down memory lane like no other; if not, it will demonstrate that the much maligned 70s could produce humor that has never been surpassed.” —Vanity Fair
One of the most respected Bible scholars of the 19th century, British clergyman ETHELBERT WILLIAM BULLINGER (1837-1913) here offers his guide to the "heroes of faith" of Hebrews 11. A rare English-language discourse on this important book of the Bible, it examines the stories of Abel, Enoch, Noah, Abraham, Sarah, Isaac, Jacob, Joseph, and Moses. First published in 1911, it continues to inspire and enlighten readers of the Bible today.
Reports from the gonzo frontier of motorcycle travel--from Dakar to Ghana to South Africa, then on to North and South America--from the pre-eminent biker-rebel writer of our generation.
This is the story of learning, relating, and coming of age as seen through the eyes of Erik, the son of an old atomic bomb builder turned rocket scientist. Based on a true story, the love in this nuclear family unravels into betrayal amidst forgotten boundaries. Erik shares the experiences of his growing years, among them, those of his mother, an accomplished artist and an IV morphine addict; poor Miss Freeman, who endured condoms for show and tell in 1957; the notorious Jerry Pirate held at bay by a pet crow that becomes a messiah; and a meeting with Edward Teller for a sandwich and an afternoon of hydrogen bomb wisdom in 1968. In the midst of it all, a bond between father and son eventually solidifies in the comfort of two old rocking chairs that squeak in front of their basement whiskey still. Through illicit sex, drugs, and family violence, Erik learns to survive in a world that demands a premium for the simplest lessons of love and the miracle of the human spirit.
Let history drop behind as we explore the sacred confines of a temple city built by a race that was here long before us; before our species was even a glimmer in the cosmic eye, and whose work is still evident, usable, and heuristic. Dominated by a mountain, sculpted as a pregnant women, with a lion at her feet and a rearing serpent behind, the site is still alive with eddies of spiritual energy. Between the colossal lady and lion is a saddle in the mountain beautified by mazes of stone, sparkling sand terraces, and the gardens of windswept splendor with the rock everywhere seeming to be incised with aesthetic, undecipherable hieroglyphics. The site is beautiful, bolstering, and enlivened; geometrically tuned to the cosmos, whose forces it appropriates to utilize in various ways. Join in as we uncover a few of the marvels of an authentically magical place with a psychedelic consciousness adapted to tuning into the ancient mysteries; giving a new dynamism to the on-going story if a truly sacred mountain.
Translated with an Introduction by Mishtooni Bose
The Cloud of Unknowing describes the contemplative method centered around eliminating all noise and images from the mind, and in that encounter with nothingness, finding God. Meanwhile, despite the austerity of the content, the style of the author is warm and congenial and eminently readable. Patrick J. Gallacher further makes this text accessible to students and teachers by including a gloss, introduction, notes, and glossary. This text gives a great introduction to the ethos of mysticism in the middle ages.