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“A novel of epic scope and ambition.”—Kirkus Reviews (starred review) An influential Polish classic celebrates 50 years—and its first English edition As Stone Tablets opens, Istvan Terey, a poet and World War II veteran, is serving as cultural attaché with the Hungarian embassy in Delhi just a few months before his country is torn apart by the Hungarian Uprising of 1956. He is personable and popular with Indians and Europeans, communists and capitalists, but his outspoken criticisms of corruption in the Hungarian government and the embassy threaten to undermine his career. Meanwhile, he has fallen in love with Margit, an Australian ophthalmologist working in India, who is still living through a tragedy of her own: her fiancé died under torture during World War II. Draining heat, brilliant color, intense smells, and intrusive animals enliven this sweeping Cold War romance. Based on the author’s own experience as a Polish diplomat in India in the late 1950s, Stone Tablets was one of the first literary works in Poland to offer scathing criticisms of Stalinism, and was censored when it was first submitted for publication. Stephanie Kraft’s translation opens this book for the first time to English-speaking readers. “A high-paced, passionate narrative in which every detail is vital.”—Leslaw Bartelski Zukrowski is “a brilliantly talented observer of life, a visionary skilled at combining the concrete with the magical, lyricism with realism…a distinguished stylist.”—Leszek Zulinski “A romance fraught with personal and political risk is at the core of this historically important yet previously untranslated novel by a Polish diplomat stationed in India during the Cold War…inspired by the author’s own experiences, Zukrowski’s precise descriptions of India are memorable, and there is a certain throwback appeal to the depictions of diplomacy conducted through telegrams and glasses of whiskey. But it is Zukrowski’s trenchant critique of Stalinism and political message, bold for its time, that make this novel truly noteworthy.”—Booklist
Recovered information from the lost continent of Mu.
A constant re-evaluation of the new archaeological and textual material unearthed and edited in recent decades is a recurrent duty of ancient and modern scholars. Since the overwhelming amount of available data and the complexity of new methodologies can be competently handled only by specialized scholars, such a re-evaluation is no longer possible for a single scholar. For this reason, archaeologists, cuneiform and biblical scholars as well as classicists joined forces at an international conference in Rome in May 2017 to share their accumulated knowledge. The results of the proceedings are presented here in the oral stage along with the Assyrian, Babylonian, Persian, and Greco-Roman periods.
Introducing Guarding the Tablets of Stone, the second book in the Bill the Warthog Mysteries series. Join in on the action as Bill solves such cases as the vanishing "Big Green Slime Time" video game, and even uses "Slugtop", the cosmic comic superhero, to put the Ten Commandments under the magnifying glass for Nick and his friends. Bill the Warthog Mysteries: Guarding the Tablets of Stone will bring laughter and learning to preteens, and kids of all ages!
Early Art of the Southeastern Indians is a visual journey through time, highlighting some of the most skillfully created art in native North America. The remarkable objects described and pictured here, many in full color, reveal the hands of master artists who developed lapidary and weaving traditions, established centers for production of shell and copper objects, and created the first ceramics in North America. Presenting artifacts originating in the Archaic through the Mississippian periods--from thousands of years ago through A.D. 1600--Susan C. Power introduces us to an extraordinary assortment of ceremonial and functional objects, including pipes, vessels, figurines, and much more. Drawn from every corner of the Southeast--from Louisiana to the Ohio River valley, from Florida to Oklahoma--the pieces chronicle the emergence of new media and the mastery of new techniques as they offer clues to their creators’ widening awareness of their physical and spiritual worlds. The most complex works, writes Power, were linked to male (and sometimes female) leaders. Wearing bold ensembles consisting of symbolic colors, sacred media, and richly complex designs, the leaders controlled large ceremonial centers that were noteworthy in regional art history, such as Etowah, Georgia; Spiro, Oklahoma; Cahokia, Illinois; and Moundville, Alabama. Many objects were used locally; others circulated to distant locales. Power comments on the widening of artists’ subjects, starting with animals and insects, moving to humans, then culminating in supernatural combinations of both, and she discusses how a piece’s artistic “language” could function as a visual shorthand in local style and expression, yet embody an iconography of regional proportions. The remarkable achievements of these southeastern artists delight the senses and engage the mind while giving a brief glimpse into the rich, symbolic world of feathered serpents and winged beings.
The Emerald Tablet, also known as the Smaragdine Table, or Tabula Smaragdina, is a compact and cryptic piece of the Hermetica reputed to contain the secret of the prima materia and its transmutation. It was highly regarded by European alchemists as the foundation of their art and its Hermetic tradition. The original source of the Emerald Tablet is unknown. Hermes Trismegistus is the author named in the text.The layers of meaning in the Emerald Tablet have been associated with the creation of the philosopher's stone, laboratory experimentation, phase transition, the alchemical magnum opus, the ancient, classical, element system, and the correspondence between macrocosm and microcosm.
These studies guide you through the storyline of Scripture-each following a person, place, or thing in the Bible. Maybe you are practiced in dissecting a passage and pulling things out of the text to apply to your life. But now you may feel as though your faith is fragmented. The Storyline Bible studies help you put the pieces back together. You'll discover cohesive, thematic storylines with literary elements and appreciate the Bible as the masterpiece that it is. Each study is five weeks long and can be paired with its thematic partner for a seamless ten-week study to fit in a church semester. Every study features: Gospel presentation at the beginning of each Bible study Full Scripture passages included in the study so that you can mark up the text and keep your notes in one place Insights from female scholars and scholars of color Free resources for preaching and leading small groups The Stones Bible study will guide you through five stone-related stories because stones are physical reminders of God's faithful activity in the lives of his people. We will explore: Genesis 28 and 35: the Bedrock of Jacob, where God met Jacob with faithfulness Exodus 34: the Bedrock of Moses, where God met Moses with steadfast forgiveness Joshua 4: the Bedrock of Joshua, where God helped his people remember Matthew 27-28: the Bedrock of Jesus, where rescue comes through resurrection 1 Peter 2: the Bedrock of the Church, where God's people are given purpose
In this book, Philip Zhakevich examines the technology of writing as it existed in the southern Levant during the Iron Age II period, after the alphabetic writing system had fully taken root in the region. Using the Hebrew Bible as its corpus and focusing on a set of Hebrew terms that designated writing surfaces and instruments, this study synthesizes the semantic data of the Bible with the archeological and art-historical evidence for writing in ancient Israel. The bulk of this work comprises an in-depth lexicographical analysis of Biblical Hebrew terms related to Israel’s writing technology. Employing comparative Semitics, lexical semantics, and archaeology, Zhakevich provides a thorough analysis of the origins of the relevant terms; their use in the biblical text, Ben Sira, the Dead Sea Scrolls, and ancient Hebrew inscriptions; and their translation in the Septuagint and other ancient versions. The final chapter evaluates Israel’s writing practices in light of those of the ancient world, concluding that Israel’s most common form of writing (i.e., writing with ink on ostraca and papyrus) is Egyptian in origin and was introduced into Canaan during the New Kingdom. Comprehensive and original in its scope, Scribal Tools in Ancient Israel is a landmark contribution to our knowledge of scribes and scribal practices in ancient Israel. Students and scholars interested in language and literacy in the first-millennium Levant in particular will profit from this volume.