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In Coffin Honey, his seventh book of poems, celebrated poet Todd Davis explores the many forms of violence we do to each other and to the other living beings with whom we share the planet. Here racism, climate collapse, and pandemic, as well as the very real threat of extinction—both personal and across ecosystems—are dramatized in intimate portraits of Rust-Belt Appalachia: a young boy who has been sexually assaulted struggles with dreams of revenge and the possible solace that nature might provide; a girl whose boyfriend has enlisted in the military faces pregnancy alone; and a bear named Ursus navigates the fecundity of the forest after his own mother’s death, literally crashing into the encroaching human world. Each poem in Coffin Honey seeks to illuminate beauty and suffering, the harrowing precipice we find ourselves walking nearer to in the twenty-first century. As with his past prize-winning volumes, Davis, whose work Orion Magazine likens to that of Wendell Berry and Mary Oliver, names the world with love and care, demonstrating what one reviewer describes as his knowledge of “Latin names, common names, habitats, and habits . . . steeped in the exactness of the earth and the science that unfolds in wildness.”
Spanning some 7000 years, 'Chinese Sculpture' explores a beautiful and diverse world of objects, many of which have only come to light in the later half of the 20th century. The authors analyse and present, mostly in colour, some 500 examples of Chinese sculpture.
In Series 1 "YAMATAI-koku HIMIKO (SEQ1)", we looked at the distributions of the Remains at "Medium-stream riverside of the HOMAN river, Japan" of Queen HIMIKO age. We talked that there are "Wold" village group and " Plateau" village group. Furthermore we talked that "IRAIJYAKU Remains" the representative of "Plateau" village group and an Enemy Watchtower at WA-koku TAIRAN age. We will look at the details of "IRAIJYAKU". There are seven hundreds houses in 70 years. "IRAIJYAKU" was the big village which had regularly one hundred houses, if the housese were rebuilt every ten years. Therefore the reading is hard work. But we will pick up only the major and characteristic relics. Seven "Forging Iron Wing-Flanged Axe" were excavated in "IRAIJYAKU". That Iron Axe was only one each local village of the FUKUOKA Plain of Japan. We will look at "IRAIJYAKU" as these characteristic relics as well as the Enemy Watchtower which we saw in "続1".
"A classified catalogue of papers from Archaeologia aeliana, 1813-1913", is included in the Centenary volume, ser. 3, v. 10, p. 334-376.