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Our Stone Age ancestors sang and played instruments, and ascribed magical qualities to many sounds. Exciting research—known as acoustic archaeology—has reconstructed this vanished aspect, and this new knowledge exposes both the origins of music and a lost world where echoes were considered spirit voices. Travel from chambered mounds in Ireland to French paleolithic caves, and listen to the past once more.
Play guitar with the CD backing tracks and the matching music book. On the CD are two specially recorded 'soundalike' backing tracks of each song. Plus a full demo with guitar showing you how the song should sound. There is also a backing track without the guitar for you to play along with on your guitar. In the music book are music, chords and lyrics. Learn the guitar part from the tab or the standard notation.
Readers can discover all the facts about the SAVAGE STONE AGE such as what they used instead of toilet paper, why a hole in the skull is good for headaches and how to make a Stone Age mummy. With a bold new look, these bestselling titles are sure to be a huge hit with yet another generation of Terry Deary fans. Revised by the author and illustrated throughout to make HORRIBLE HISTORIES more accessible to young readers.
The first volume focusing on film music as a worldwide phenomenon
Exploring the paranormal through musical phenomena, this encyclopedia covers a range of anomalies, from musical mediumship to locations throughout the world where music has been heard with no obvious source. Other manifestations, such as the abilities of musical savants and the anesthetic use of music during surgical procedures, are included with a focus on paraphysical aspects. Entries describe examples from earliest history up to the present--interpretation is left to the reader. Broader themes and concepts are discussed in appendices, with additional references provided for further study.
What drove the building of the first megalithic monuments and lifestyle changes that launched Western civilization? This exploration of the human experience of special sound in ancient ritual and ceremonial spaces brings a new perspective for anyone with an interest in prehistory and human development in its most pivotal days. From Göbekli Tepe in Anatolia to megalithic temples in Malta to passage tombs in Ireland, the world’s oldest buildings and the newest scientific research combine for a look at the Western Neolithic Revolution that goes where no one has gone before. With original photos and illustrations, Megaliths, Music and the Mind assembles content from the worlds of archaeology, architecture, anthropology, ethnomusicology, genetics, neuroscience, physics, and more. Fascinating pieces of evidence are set side by side, resulting in a stunning premise. This book is a core overview focused on the rediscovery of an ill-understood sensory element of developing culture, with hope for therapeutic application in the modern world. Material from the out-of-print booklet Listening for Ancient Gods has been expanded and updated in this volume, which also includes select papers from OTSF Archaeoacoustics International Conferences, plus a personal account from one of the founding fathers of new-age music.
The book can be viewed as representing the birth of evolutionary biomusicology. What biological and cognitive forces have shaped humankind's musical behavior and the rich global repertoire of musical structures? What is music for, and why does every human culture have it? What are the universal features of music and musical behavior across cultures? In this groundbreaking book, musicologists, biologists, anthropologists, archaeologists, psychologists, neuroscientists, ethologists, and linguists come together for the first time to examine these and related issues. The book can be viewed as representing the birth of evolutionary biomusicology—the study of which will contribute greatly to our understanding of the evolutionary precursors of human music, the evolution of the hominid vocal tract, localization of brain function, the structure of acoustic-communication signals, symbolic gesture, emotional manipulation through sound, self-expression, creativity, the human affinity for the spiritual, and the human attachment to music itself. Contributors Simha Arom, Derek Bickerton, Steven Brown, Ellen Dissanayake, Dean Falk, David W. Frayer, Walter Freeman, Thomas Geissmann, Marc D. Hauser, Michel Imberty, Harry Jerison, Drago Kunej, François-Bernard Mâche, Peter Marler, Björn Merker, Geoffrey Miller, Jean Molino, Bruno Nettl, Chris Nicolay, Katharine Payne, Bruce Richman, Peter J.B. Slater, Peter Todd, Sandra Trehub, Ivan Turk, Maria Ujhelyi, Nils L. Wallin, Carol Whaling
Imagine you were born before the invention of drawing, more than thirty thousand years ago. You would live with your whole family in a cave and see woolly mammoths walk by! You might even see images of animals hidden in the shapes of clouds and rocks. You would want to share these pictures with your family, but wouldn't know how. Who would have made the world's first drawing? Would it have been you? In The First Drawing, Caldecott Medal winner Mordicai Gerstein imagines the discovery of drawing...and inspires the young dreamers and artists of today.
"Music journalist Andrew Earles provides a rundown of 500 landmark albums recorded and released by bands of the indie rock genre"--