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Britt Anderson is retired. Secretive and fiercely independent, she journeys to Delroi to spend time with her two oldest friends. She doesn’t expect to be dragged back into the spy business when she gets there, but the lure is impossible to fight for a not so reformed adrenalin junkie. Danger. Conspiracy. What’s not to love? But there’s always a price and it presents itself as the darkly dangerous Barak Trace. She can’t deny the attraction, but has enough sense to steer clear of the possessive glint in his gaze. Until he somehow manages to merge his psychic abilities with hers. When he’s captured by rebel forces, she has no choice but to go after him. The question is will she be able to free herself once he’s rescued? And will she even want to? Originally published in 2009.
"Argues that the problem of impending ecological devastation cannot be solved without a repudiation of whiteness, and white theology that created it"--
Firefly meets The Expanse in a future where humanity has destroyed the Earth through ecological disaster and warfare, and a totalitarian state prevents any access to their home... Environmental disasters and AI armies have caused the human population of Earth to flee. They lie scattered across space stations and colonies, overcrowded and suffering. The Earth is cut off by the Interdiction Zone: a network of satellites that prevents any escape from the planet. The incredible cost of maintaining it has crippled humanity, who struggle under the totalitarian yoke of the Sol Commonwealth government. Many have been driven to the edge of society, taking any work offered, criminal and otherwise, in order to survive. The crew of the Arcus are just such people. Through the Interdiction Zone, a world of priceless artifacts awaits, provided anyone is crazy enough to make the run. With fuel running low and cred accounts even lower, the Arcus’ survival might depend on taking the job. Yet on arrival on Earth, the crew discovers that what remains of their world is not as they have been told, and the truth may bring the entire Sol Commonwealth tumbling down…
Tortoises disappear from a Madagascar reserve and reappear in the Bronx Zoo. A dead iguana floats in a jar, awaiting its unveiling in a Florida court. A viper causes mayhem from Ethiopia to Virginia. In Stolen World, Jennie Erin Smith takes the reader on an unforgettable journey, a dark adventure over five decades and six continents. In 1965, Hank Molt, a young cheese salesman from Philadelphia, reinvented himself as a “specialist dealer in rare fauna,” traveling the world to collect exquisite reptiles for zoos and museums. By the end of the decade that followed, new endangered species laws had turned Molt into a convicted smuggler, and an unrepentant one, who went on to provide many of the same rare reptiles to many of the same institutions, covertly. But Molt soon found a rival in Tommy Crutchfield, a Florida carpet salesman with every intention of usurping Molt as the most accomplished reptile smuggler in the country. Like Molt, Crutchfield had modeled himself after an earlier generation of natural-history collectors celebrated for their service to science, an ideal that, for Molt and Crutchfield, eclipsed the realities of the new wildlife-protection laws. Zoo curators, caught between a desire for rare animals and the conservation-minded focus of their institutions, became the smugglers’ antagonists in court but also their best customers, sometimes simultaneously. Crutchfield forged ties with a criminally inclined Malaysian wildlife trader and emerged a millionaire, beloved by some of the finest zoos in the world. Molt, following a string of inventive but disastrous smuggling schemes in New Guinea, was reduced to hanging around Crutchfield’s Florida compound, plotting Crutchfield’s demise. The fallout from their feud would result in a major federal investigation with tentacles in Germany, Madagascar, Holland, and Malaysia. And yet even after prison, personal ruin, and the depredations of age, Molt and Crutchfield never stopped scheming, never stopped longing for the snake or lizard that would earn each his rightful place in a world that had forgotten them—or rather, had never recognized them to begin with.
NEW YORK TIMES EDITORS’ CHOICE • A powerful, poetic memoir about what it means to exist as an Indigenous woman in America, told in snapshots of the author’s encounters with gun violence. Finalist for the Dayton Literary Peace Prize • Goop Book Club Pick • “Essential . . . We need more voices like Toni Jensen’s, more books like Carry.”—Tommy Orange, New York Times bestselling author of There There Toni Jensen grew up around guns: As a girl, she learned to shoot birds in rural Iowa with her father, a card-carrying member of the NRA. As an adult, she’s had guns waved in her face near Standing Rock, and felt their silent threat on the concealed-carry campus where she teaches. And she has always known that in this she is not alone. As a Métis woman, she is no stranger to the violence enacted on the bodies of Indigenous women, on Indigenous land, and the ways it is hidden, ignored, forgotten. In Carry, Jensen maps her personal experience onto the historical, exploring how history is lived in the body and redefining the language we use to speak about violence in America. In the title chapter, Jensen connects the trauma of school shootings with her own experiences of racism and sexual assault on college campuses. “The Worry Line” explores the gun and gang violence in her neighborhood the year her daughter was born. “At the Workshop” focuses on her graduate school years, during which a workshop classmate repeatedly killed off thinly veiled versions of her in his stories. In “Women in the Fracklands,” Jensen takes the reader inside Standing Rock during the Dakota Access Pipeline protests and bears witness to the peril faced by women in regions overcome by the fracking boom. In prose at once forensic and deeply emotional, Toni Jensen shows herself to be a brave new voice and a fearless witness to her own difficult history—as well as to the violent cultural landscape in which she finds her coordinates. With each chapter, Carry reminds us that surviving in one’s country is not the same as surviving one’s country.
This concise and revealing history reconsiders the Civil War era by centering one Native American tribe's encounter with citizenship. In 1837, eleven years before Wisconsin's admission as a state, representatives of the Ho-Chunk people yielded under immense duress and signed a treaty that ceded their remaining ancestral lands to the U.S. government. Over the four decades that followed, as "free soil" settlement repeatedly demanded their further expulsion, many Ho-Chunk people lived under the U.S. government's policies of "civilization," allotment, and citizenship. Others lived as outlaws, evading military campaigns to expel them and adapting their ways of life to new circumstances. After the Civil War, as Reconstruction's vision of nonracial, national, birthright citizenship excluded most Native Americans, the Ho-Chunk who remained in their Wisconsin homeland understood and exploited this contradiction. Professing eagerness to participate in the postwar nation, they gained the right to remain in Wisconsin as landowners and voters while retaining their language, culture, and identity as a people. This history of Ho-Chunk sovereignty and citizenship offer a bracing new perspective on citizenship's perils and promises, the way the broader nineteenth-century conflict between "free soil" and slaveholding expansion shaped Indigenous life, and the continuing impact of Native people's struggles and claims on U.S. politics and society.
THE BORDER WARS An uneasy peace had prevailed these last few years between the Empire of Videssos and rival Makuran. But now Makuran's King of Kings alerted his border holdings--even the small fortress where Abivard's father was lord--to prepare for barbarian raids. But Abivard himself received a warning of a different sort: an eerie prophecy of a field, a hill, and a shield shining across the sea. Before a season had turned, his father and his King lay dead upon the field of battle--the very place foreseen in the vision. Abivard hastened home to defend his family and his land. To his dismay, the most urgent danger came not from marauding tribes, or from Videssos, but from the capital. An obscure and greedy bureaucrat had captured the crown; the rightful heir had disappeared, and no mortal man would say where he might be found. Abivard's strange fate would lead him to his King, though, and on through peril to the very brink of greatness--and of doom! FIRST TIME IN PRINT
With the death of his father, Pardis becomes the chosen Black King who holds the strength to save the Day and Night people from the Aduboola. Pardis is not your ordinary boy; he is the only one left of his kind that was not taken captive by the Aduboola. The Aduboola came to Earth to destroy harmony and peace. Hidden evil forces are hard at work, so good has no day off. Pardis possesses numerous abilities, which gives him the chance to punish every wicked being. Evil shall never inherit this divine land.
A stunning debut novel with an intriguing literary hook: written in part as a letter from a victim to her abductor. Sensitive, sharp, captivating!Gemma, 16, is on layover at Bangkok Airport, en route with her parents to a vacation in Vietnam. She steps away for just a second, to get a cup of coffee. Ty--rugged, tan, too old, oddly familiar--pays for Gemma's drink. And drugs it. They talk. Their hands touch. And before Gemma knows what's happening, Ty takes her. Steals her away. The unknowing object of a long obsession, Gemma has been kidnapped by her stalker and brought to the desolate Australian Outback. STOLEN is her gripping story of survival, of how she has to come to terms with her living nightmare--or die trying to fight it.