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Sparks fly when Chip Cutter, the owner of a vacationing spot for rowdy cowboys, enters Dan Fargo’s Saddling Cowboys store, a retail shop that sells the finest saddles in Stockton County. As the heat of the Oklahoma summer rises, so does the passion between Chip and Fargo. However, their budding relationship is threatened when fires break out in downtown Blue Coyote. Fargo’s abusive ex-lover Brent Trigger returns, determined to protect Fargo from the arsonist. Fargo takes a personal interest in the fires and sets out to learn the identity of the arsonist. In the process, he begins to unravel other crimes happening in town. Rowdy gangs and nosy reporters push Fargo to the edge, challenging his sanity. Even when the arsonist is behind bars, Brent Trigger remains at large. Can Fargo and Chip put aside their differences, saddle up, and ride off into life’s wide blue yonder together?
All five books (and one short story) of R.W. Clinger’s best-selling contemporary western Stockton County Cowboys series combined into one box set for the first time! Contains the stories: Book 1: Chasing Cowboys: After one date during a business conference, sparks fly between Cord Darringer and Bradley Hull. When Cord returns home to Stockton County, Bradley chases after him. Is it meant to be? Or will the miles that separate them keep them apart? Book 2: Riding Cowboys: Cal Hoke has a secret: he’s in love with ranch owner, Pax Raulton. Straight and sexy Pax is a handsome businessman at Riding Ranch. When he suffers a head injury caused by one of his prized horses, he spends days in recovery due to amnesia. Under Cal’s care, Pax is provided with the help he needs to heal. Cal learns Pax has a secret of his own, a secret that will change the two forever. Book 3: Roping Cowboys: Dixon Pierce has fallen head over heels in love with Gray McKeever at Glock Ranch in Stockton County. The two plan to get married, but Gray is torn. He loves Dixon, but running into his ex Toby again reignited the flame he once held. Will he be able to choose one cowboy over the other before Dixon and Toby come to blows over him? Book 4: Branding Cowboys: Which cowboy murdered Evan Sting? This is what Joe Boxford is hired to find out. When Joe enlists the services of Tal Linear, sparks fly between the two. Romance heats up as they attempt to solve the branding crime. Then Tal vanishes, and Joe thinks his buddy is the killer's next victim. Can Joe solve the case and save his lover at the same time? Book 5: Saddling Cowboys: Sparks fly when entrepreneur Chip Cutter enters Dan Fargo’s saddle store. When Fargo is implicated in a couple of fires downtown, his abusive ex returns, determined to protect Fargo. Eventually the arsonist is caught, but Brent remains at large. Can Fargo and Chip put aside their problems, saddle up, and ride off into life’s wide blue yonder together? Taming Brooks: New ranch hand Randy Marke falls for sexy ranch owner, Dallas Brooks. Summer heat and a bath in the nearby creek draws the two cowboys together and their relationship turns intimate. Then Randy decides to tame Brooks the old-fashioned cowboy way, with relentless sex. Can love between the two last longer than a summer, though?
For many outsiders, the word “ranching” conjures romantic images of riding on horseback through rolling grasslands while living and working against a backdrop of breathtaking mountain vistas. In this absorbing memoir of life in the Wyoming high country, Mary Budd Flitner offers a more authentic glimpse into the daily realities of ranch life—and what it takes to survive in the ranching world. Some of Flitner’s recollections are humorous and lighthearted. Others take a darker turn. A modern-day rancher with decades of experience, Mary has dealt with the hardships and challenges that come with this way of life. She’s survived harsh conditions like the “winter of 50 below” and economic downturns that threatened her family’s livelihood. She’s also wrestled with her role as a woman in a profession that doesn’t always treat her as equal. But for all its challenges, Flitner has also savored ranching’s joys, including the ties that bind multiple generations of families to the land. My Ranch, Too begins with the story of her great-grandfather, Daniel Budd, who in 1878 drove a herd of cattle into Wyoming Territory and settled his family in an area where conditions seemed favorable. Four generations later, Mary grew up on this same portion of land, learning how to ride horseback and take care of livestock. When she married Stan, she simply moved from one ranch to another, joining the Flitner family’s Diamond Tail Ranch in Wyoming’s Big Horn Basin. The Diamond Tail is not Mary’s alone to run, as she is quick to acknowledge. Everybody pitches in, even the smallest of children. But when Mary takes the responsibility of gathering a herd of cattle or makes solo rounds at the crack of dawn to check on the livestock, we have no doubt that this is indeed her ranch, too.
This fascinating book is the first volume in a projected cultural history of the United States, from the earliest English settlements to our own time. It is a history of American folkways as they have changed through time, and it argues a thesis about the importance for the United States of having been British in its cultural origins. While most people in the United States today have no British ancestors, they have assimilated regional cultures which were created by British colonists, even while preserving ethnic identities at the same time. In this sense, nearly all Americans are "Albion's Seed," no matter what their ethnicity may be. The concluding section of this remarkable book explores the ways that regional cultures have continued to dominate national politics from 1789 to 1988, and still help to shape attitudes toward education, government, gender, and violence, on which differences between American regions are greater than between European nations.
Renowned historian of the American West, Frederick Nolan, author of "The West of Billy the Kid" and "The Lincoln County War: A Documentary History, " noted that with the publication of this new book Maddox has "written a whole new chapter in outlaw history." -- During the first week of May 1881 the "Santa Fe New Mexican" carried two reward notices from Governor Lew Wallace. One was for $500 for William Bonney, "alias The Kid" and directly below that was another reward notice for $2250 for Ike Stockton and his gang. Like Billy the Kid, Ike had a price of $500 on his head. Compared to the Kid, few have ever heard of Ike Stockton. Fewer still have heard of his older brother, Porter. Yet it was Porter Stockton who was by far the most dangerous and deadly of the brothers. In March 1881 the "Las Vegas (New Mexico) Optic" described Porter Stockton as "one of the most hardened murderers and desperadoes that ever darkened the pages of history and annals of crime." Countless hours of research over a period of six years have resulted in this thorough and entertaining account of the turmoil caused by the Stockton brothers. From cattle kings to cowboys, from cow towns to hell on wheels railroad camps and from shootouts to lynchings, their story encompasses all of the legends of the mythic American West. Take hold of this book like you would the reins of a skittish horse, find the sweet spot in the saddle, or better yet your easy chair, and settle in for a hell of a ride. NOTE: Non-fiction, softcover, 530 pages. This book includes a bibliography, endnotes and an index. It contains black and white illustrations, photos and maps. EXCERPT: Driving cattle across large stretches of the arid portions of Texas and New Mexico, through territory inhabited by free roaming and combative Indians required men who would never back down from any challenge. Even Oliver Loving lost his life as the result of an Indian bullet received while hunkered down in the mud of the Pecos River. Inevitably, some of the herders stepped over the line and became desperadoes. One of the tempests coming out of Texas would brew and build around Stephenville before moving west and north along with the suffocating dust cloud stirred up by the hooves of thousands of Texas cattle. Erath County residents would figure prominently as the storm regained strength in Colfax County, New Mexico. The same Erathians would be present when the storm grew to reach its cyclonic and climactic outburst in the San Juan country of New Mexico and Colorado. Porter and Ike Stockton were at the epicenter of this final blast. SUBJECTS: The Allison Gang, Charles Allison, Clay Allison, Amargo (NM), Animas City (CO), Aztec (NM), Billy the Kid, Moses Blancett, Jimmy Catron, Chama (NM), Cimarron (NM), Frank and George Coe, L.G. Coleman, Colfax County (NM), Hiram Washington Cox and family, Col. Robert Crofton, Denver and Rio Grande Railroad, Durango (CO), Robert Dwyer, Erath County (TX), Dison and Hargo Eskridge, Farmington (NM), Fort Lewis (CO), Max Frost, "Bud" Galbreath, Jim Garrett, Henry Goodman, Charles Goodnight, Alf Graves, William B. Haines, Gus (Heffron) Hefferman, James Heffernan, John Hittson, Doc Holliday, Big Dan Howland, Hurricane Bill, Charles Adam Jones, La Plata County (CO), La Plata valley, Irvin W. Lacy, La Sal Mountains (UT), Marion Littrell, George Lockhart, George W. Morrison, Tom Nance, Navajo Indians, Tony Neis, David Ogsbury, Otero (NM), Palo Pinto County (TX), Parrott City (CO), Pinhook valley Indian fight, Gov. Frederick W. Pitkin, Al and Austin Puett, Flora Pyle, Rico (CO), San Juan County (CO), San Juan County (NM), Silverton (CO), Stephenville (TX), Samuel Stockton, Jim Sullivan, Kid Thomas, George W. Thompson, Thompson and Lacy (LC) cattle outfit, Trinidad (CO), Ute Indians, Vermejo River valley (NM), Gov. Lew Wallace, Barney Watson, Bert Wilkinson, "One-armed" Billy Wilson.
King Ranch. The name is embroidered in the tapestry of Texas, rising from the sunbaked coastal plains in the infancy of the state itself. King Ranch is the inspiration of legends and speculation, tradition and history. Rawhide-tough through drought, Indian attacks, Civil War, and the Great Depression, among other trials, King Ranch is the star of Texas. Now the memoirs of Helen King Kleberg Alexander-Groves, the only child of Bob and Helen Kleberg, give a personal glimpse of life on the storied ranch of the Kings and the Klebergs. This intimate and compelling book chronicles not only the history of the ranch but also the life of Bob and Helen Kleberg, the first family of cattle ranching. From the Santa Gertrudis, the first cattle breed developed in America and the first breed recognized worldwide in over a century, to the Triple Crown–winning Thoroughbred Assault, Bob and Helen Kleberg changed the ranching industry. The memoirs of “Helenita” open the door to the romance of Southwest cattle ranching, as well as the grit, glory, and inner workings of King Ranch in Texas and its ranches around the world. With over 200 photographs, some by Toni Frissell and many by her close friend and fellow photographer Helen Kleberg herself, this lavishly illustrated portrait includes accounts of the Klebergs’ famous hospitality, extended not only to the celebrities who were entertained regularly but also to the Kineños, the loyal ranch hands first brought to King Ranch by Captain King. Hemingwayesque photos depict hunting adventures in the Texas brush country—for which the ranch is still famous. Bob and Helen Kleberg of King Ranch is a view from the center of the King Ranch legacy, perpetuated now for some 150 years. Bob and Helen Kleberg of King Ranch is a requisite addition to the library of any ranching, history, or Texana aficionado.
“Thompson-Hernández's portrayal of Compton's black cowboys broadens our perception of Compton's young black residents, and connects the Compton Cowboys to the historical legacy of African Americans in the west. An eye-opening, moving book.”—Margot Lee Shetterly, New York Times bestselling author of Hidden Figures “Walter Thompson-Hernández has written a book for the ages: a profound and moving account of what it means to be black in America that is awe inspiring in its truth-telling and limitless in its empathy. Here is an American epic of black survival and creativity, of terrible misfortune and everyday resilience, of grace, redemption and, yes, cowboys.”— Junot Díaz, Pulitzer prize-winning author of This is How You Lose Her A rising New York Times reporter tells the compelling story of The Compton Cowboys, a group of African-American men and women who defy stereotypes and continue the proud, centuries-old tradition of black cowboys in the heart of one of America’s most notorious cities. In Compton, California, ten black riders on horseback cut an unusual profile, their cowboy hats tilted against the hot Los Angeles sun. They are the Compton Cowboys, their small ranch one of the very last in a formerly semirural area of the city that has been home to African-American horse riders for decades. To most people, Compton is known only as the home of rap greats NWA and Kendrick Lamar, hyped in the media for its seemingly intractable gang violence. But in 1988 Mayisha Akbar founded The Compton Jr. Posse to provide local youth with a safe alternative to the streets, one that connected them with the rich legacy of black cowboys in American culture. From Mayisha’s youth organization came the Cowboys of today: black men and women from Compton for whom the ranch and the horses provide camaraderie, respite from violence, healing from trauma, and recovery from incarceration. The Cowboys include Randy, Mayisha’s nephew, faced with the daunting task of remaking the Cowboys for a new generation; Anthony, former drug dealer and inmate, now a family man and mentor, Keiara, a single mother pursuing her dream of winning a national rodeo championship, and a tight clan of twentysomethings--Kenneth, Keenan, Charles, and Tre--for whom horses bring the freedom, protection, and status that often elude the young black men of Compton. The Compton Cowboys is a story about trauma and transformation, race and identity, compassion, and ultimately, belonging. Walter Thompson-Hernández paints a unique and unexpected portrait of this city, pushing back against stereotypes to reveal an urban community in all its complexity, tragedy, and triumph. The Compton Cowboys is illustrated with 10-15 photographs.
A different kind of range war erupts between cowboys and ranchers in The Day the Cowboys Quit from seven-time Spur Award-winning author Elmer Kelton. The time is 1883, the place is the Texas Panhandle. Cowboys refuse to be stigmatized as drinkers and exploited by the wealthy cattle owners who don't pay liveable wages. Those very same ranchers want to take away the cowboys' right to own cattle because this ownership, the ranchers believe, would lead to thieving. So the dictum is set: If you're a cowboy, you can't own a cow. When rumors of such legislation travel from wagon to wagon, the cowboys decided to rally and fight for their rights--they gather together and strike. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
E. C. Abbott was a cowboy in the great days of the 1870's and 1880's. He came up the trail to Montana from Texas with the long-horned herds which were to stock the northern ranges; he punched cows in Montana when there wasn't a fence in the territory; and he married a daughter of Granville Stuart, the famous early-day stockman and Montana pioneer. For more than fifty years he was known to cowmen from Texas to Alberta as "Teddy Blue." This is his story, as told to Helena Huntington Smith, who says that the book is "all Teddy Blue. My part was to keep out of the way and not mess it up by being literary.... Because the cowboy flourished in the middle of the Victorian age, which is certainly a funny paradox, no realistic picture of him was ever drawn in his own day. Here is a self-portrait by a cowboy which is full and honest." And Teddy Blue himself says, "Other old-timers have told all about stampedes and swimming rivers and what a terrible time we had, but they never put in any of the fun, and fun was at least half of it." So here it is—the cowboy classic, with the "terrible" times and the "fun" which have entertained readers everywhere. First published in 1939, We Pointed Them North has been brought back into print by the University of Oklahoma Press in completely new format, with drawings by Nick Eggenhofer, and with the full, original text.