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With a history as vast and varied as any on earth stilt walking has a past that spans numerous industries, and has been used throughout time in countless cultures. Now, in one complete and definitive volume, Roy Maloy, the most accomplished stilt walker in history with four world records for fetes on stilts, takes the reader on a journey through time and culture as he explores the use of stilts throughout history.
Covering a period of nearly 40 years’ work by the author this collection of essays in the Shifting Paradigms in Early English Drama Studies series brings the perspective of a Drama academic and practitioner of early English plays to the understanding of how medieval plays and Robin Hood games of the fifteenth and sixteenth centuries were performed. It explores why, where, when, and how the plays happened, who took part, and who were the audiences. The insights are informed by a combination of research and the public presentation of surviving texts. The research included in the volume unites the early English experiences of religious and secular performance. This recognition challenges the dominant critical distinction of the past between the two and the consequent privileging of biblical and moral plays over secular entertainments. What further binds, rather than separates, the two is that the destination of funds raised by the different activities maintained the civic and parochial needs of the institutions upon which the people depended. This collection redefines the inclusive nature and common interests of the purposes that lay behind generically different undertakings. They shared an extraordinary investment of human and financial resources in the anticipation of a profit that was pious and practical. (CS1081).
In the first intallment of National Book Award winner M.T. Anderson’s Pals in Peril series, a madman has unleashed an army of stilt-walking, laser-beaming, thoroughly angry whales upon the world! Luckily, Jasper Dash and his friends Katie Mulligan and Lily Gefelty are around to save the day. Sure, Lily Gefelty is just an average twelve-year-old girl. But her dad—a normal-enough-seeming guy—just so happens to work for an evil genius who plans to unleash an army of extremely cranky, stilt-walking, laser-beam-eyed whales upon the world. Lucky for Lily, her two best friends are anything but average. Both of them are famous for their adventures. Jasper Dash, Boy Technonaut, invents gadgets; Katie Mulligan spends her spare time fighting off zombies and were-goats. Surely they’ll know what to do. And if they don’t? Then it will be up to Lily—average, everyday Lily—to come up with a plan.
A scholarly look at 4,500 years of theater, beginning with its Greek origins and concluding with a study of theater since 1970.
You have now in your hands by chance or not a document that brings a new value in what concerns social street campaigning or street arts. Why is it so? Mainly because it aims at combining these two perspectives and enriching what street animation means by “using” its social change potential properly. This manual is based on the last 3 years of experience of A.R.T. Fusion Association in what concerns street social campaigning and offers every reader the chance to go through a variety of street animation methods, to open their curiosity and appetite towards them, and more than that to offer an alternative that maybe was not in your mind: to practice street animation in order to make a social change in your community!
In the fifteen years since the publication of Occupational Ergonomics: Theory and Applications significant advances have been made in this field. These advances include understanding the impact of ageing and obesity on workplace, the role of ergonomics in promoting healthy workplaces and healthy life styles, the role of ergonomic science in th
This second part of volume IV deals with the cultural achievements of the various peoples of this immense region: arts and crafts, literature, architecture, music, science, medicine and technology.
A House on Stilts tells the story of one woman’s struggle to reclaim wholeness while mothering a son addicted to opioids. Paula Becker’s son Hunter was raised in a safe, nurturing home by his writer/historian mom and his physician father. He was a bright, curious child. And yet, addiction found him. More than 2.5 million Americans are addicted to opioids, some half-million of these to heroin. For many of them, their drug addiction leads to lives of demoralization, homelessness, and constant peril. For parents, a child’s addiction upends family life, catapulting them onto a path no longer prescribed by Dr. Spock, but by Dante’s Inferno. Within this ten-year crucible, Paula is transformed by an excruciating, inescapable truth: the difference between what she can do and what she cannot do.