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Dwight Little's Hollywood career includes directing and producing major motion pictures for multiple studios, acclaimed television series and even video games. In this memoir, he takes readers along on a movie-making adventure that is by turns funny and brutally honest. There are many on-set interactions with well-known producers and stars along with detailed descriptions of film shoots from the wilds of India to the banks of the River Kwai. Included are tales from the jails of Madrid to the jungles of Fiji and the cold war streets of Budapest. The work seamlessly connects the Golden Age of Hollywood to the highly successful premium television of today. Make or break creative battles, Hollywood intrigues, unpredictable studio executives, and temperamental actors are all documented in colorful detail. Whether the reader is an aspiring filmmaker or just a movie lover, this book has it all, including a unique insight into television directing in the new streaming age and 41 photos, many on-set.
In this reissued and updated version of his 2011 memoir, Phill describes the ups and downs of a professional recording studio, working on sessions for The Rolling Stones, Jimi Hendrix, and Joe Cocker at the famed Olympic Sound Studios.
The naval aviation safety review.
UFOs and a Paranormal Life By: Shirley Wheeler In this autobiographical work, Shirley Wheeler details the sightings of UFOs and other paranormal events that she has experienced throughout her life. Beginning in her childhood in the 1930s, these experiences continue to the present day. Wheeler delves deeply into both her and her family members’ most poignant experiences of otherworldly lights, sounds, smells, and beings. She then draws connections between these sightings, current events, and events in the lives of her loved ones. Wheeler hopes that her readers will enjoy reading about her experiences.
About three things I was absolutely certain. First, Edwart was most likely my soul mate, maybe. Second, there was a vampire part of him–which I assumed was wildly out of his control–that wanted me dead. And third, I unconditionally, irrevocably, impenetrably, heterogeneously, gynecologically, and disreputably wished he had kissed me. And thus Belle Goose falls in love with the mysterious and sparkly Edwart Mullen in the Harvard Lampoon’s hilarious send-up of Twilight. Pale and klutzy, Belle arrives in Switchblade, Oregon looking for adventure, or at least an undead classmate. She soon discovers Edwart, a super-hot computer nerd with zero interest in girls. After witnessing a number of strange events–Edwart leaves his tater tots untouched at lunch! Edwart saves her from a flying snowball!–Belle has a dramatic revelation: Edwart is a vampire. But how can she convince Edwart to bite her and transform her into his eternal bride, especially when he seems to find girls so repulsive? Complete with romance, danger, insufficient parental guardianship, creepy stalker-like behavior, and a vampire prom, Nightlight is the uproarious tale of a vampire-obsessed girl, looking for love in all the wrong places.
To a remarkable extent the filmscript of Tender is theNight, which Malcolm Lowry wrote in 1949-50 with the help ofMargerie Bonner Lowry, is less an adaptation of F. ScottFitzgerald's novel than an extension of Lowry's own fiction. AsMiguel Mota and Paul Tiessen show, Malcolm Lowry's script containsimportant passages which are really "cinematic" restatementsof parts of Lowry's novel Lunar Caustic, and of shortstories such as "Through the Panama" and "StrangeComfort Afforded by the Profession." The editors note also the many direct and indirect allusions toelements from Lowry's master-work, Under the Volcano(1947), a novel that is regarded by many critics as one of the most"cinematic" prose works of the twentieth century. A closestudy of the text reveals that Lowry took on the Tender is the Nightproject partly as a means of reopening his Under the Volcanonarrative, of re-exploring its plot and problems and its characters andthemes, and of carrying as far as possible the "cinematic"style he had begun to examine in that work. Lowry's Tender is the Night manuscript is important,then, not only as a completed, 455-page text in its own right but alsoas a text having a direct bearing on Lowry's own reading ofUnder the Volcano and of his sense of artistic direction afterthat work. Indeed, the editors consider the significance of thefilmscript as a key - hitherto almost entirely overlooked - tounderstanding his projected multiple volume work, The Voyage ThatNever Ends. This scholarly edition of Lowry's script presents 38 passages ofvarying length - from less than one page to over 100 pages - in whichLowry writes with a freedom and creativity that lead to a textnarratively and stylistically quite separate and distinct fromFitzgerald's original. It excludes passages where Lowry adheresmore or less slavishly, at 37 intervals, to Fitzgeralds' novel,though it provides brief narrative summaries of and comments on thoseomitted sections. Lowry's achievement in his filmscript demonstrates the nature ofhis life-long commitment to and extensive knowledge of theinternational cinema from the 1910s to the 1950s and also the nature ofhis view of the novelist's responsibility to participate in thedevelopment of film as an art. The script also illustrates Lowry's relationship with F. ScottFitzgerald as one in a series of literary kinships, and as the editorspoint out, the work becomes a criticism and analysis of bothFitzgerald's novel and of Fitzgerald himself.
Growing up on either side of the Iron Curtain, David Scott and Alexei Leonov experienced very different childhoods but shared the same dream to fly. Excelling in every area of mental and physical agility, Scott and Leonov became elite fighter pilots and were chosen by their countries' burgeoning space programs to take part in the greatest technological race ever-to land a man on the moon. In this unique dual autobiography, astronaut Scott and cosmonaut Leonov recount their exceptional lives and careers spent on the cutting edge of science and space exploration. With each mission fraught with perilous risks, and each space program touched by tragedy, these parallel tales of adventure and heroism read like a modern-day thriller. Cutting fast between their differing recollections, this book reveals, in a very personal way, the drama of one of the most ambitious contests ever embarked on by man, set against the conflict that once held the world in suspense: the clash between Russian communism and Western democracy. Before training to be the USSR's first man on the moon, Leonov became the first man to walk in space. It was a feat that won him a place in history but almost cost him his life. A year later, in 1966, Gemini 8, with David Scott and Neil Armstrong aboard, tumbled out of control across space. Surviving against dramatic odds-a split-second decision by pilot Armstrong saved their lives-they both went on to fly their own lunar missions: Armstrong to command Apollo 11 and become the first man to walk on the moon, and Scott to perform an EVA during the Apollo 9 mission and command the most complex expedition in the history of exploration, Apollo 15. Spending three days on the moon, Scott became the seventh man to walk on its breathtaking surface. Marking a new age of USA/USSR cooperation, the Apollo-Soyuz Test Project brought Scott and Leonov together, finally ending the Cold War silence and building a friendship that would last for decades. Their courage, passion for exploration, and determination to push themselves to the limit emerge in these memoirs not only through their triumphs but also through their perseverance in times of extraordinary difficulty and danger.
Chemokines and their receptors play a central role in the pathogenesis of numerous, perhaps all, acute and chronic inflammatory diseases. About 50 distinct chemokines produced by a variety cell types and tissues either c- stitutively or in response to inflammatory stimuli are involved in a plethora of biological processes. These small secreted proteins exert their exquisitely variegated functions upon binding to a family of seven-transmembrane spanning G-protein coupled receptors (GPCRs) composed of almost 20 distinct entities. The biological activities of chemokines range from the control of leukocyte trafficking in basal and inflammatory conditions to the regulation of hema- poiesis, angiogenesis, tissue architecture, and organogenesis. The basis for such diversified activities rests, on one hand, upon the ubiquitous nature of chemokine production and chemokine receptor expression. Virtually every cell type can produce chemokines and expresses a unique combination of chemokine receptors. On the other hand, chemokine receptors make use of a flexible and complex network of intracellular signaling machineries that can regulate a variety of cellular functions ranging from cell migration, growth, and differentiation to death. As knowledge of the size of chemokine and chemokine receptor families rapidly reaches completeness, much is still to be uncovered in terms of fu- tional architecture of the chemokine system. The disparity between the large number of chemokines and that smaller number of receptors is balanced by the promiscuity in ligand–receptor interactions, with multiple chemokines binding to the same receptor and several chemokines binding to more than one receptor.