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Jim Phillips was the only voice of the Clemson Tigers for generations of fans. For 36 years, his matter-of-fact play by play brought Clemson athletics to life over the radio in South Carolina and wherever the Clemson network was broadcast. Phillips covered football from Frank Howard to Tommy Bowden, including the 1981 national championship season under Danny Ford. He broadcast Clemson's first 15 NCAA tournament games in seven appearances. In workmanlike fashion, he helped build audiences and credibility for baseball and women's basketball when many top college broadcasters delegated those sports to less experienced colleagues.Although Jim Phillips died suddenly of an aortic aneurysm on September 9, 2003, his memories endure in Still Roaring: Jim Phillips's Life in Broadcasting. In interviews before his death, Phillips told the story of his life to author Ken Tysiac. They talked about football in the president's box after games at Death Valley; about basketball at a Chili's Restaurant halfway between Duke and Chapel Hill; and about college baseball at Cascio's Restaurant in Omaha during the College World Series. In Still Roaring, Phillips recalls a personal guarantee from Charlie Waters before a huge victory for venerable coach Frank Howard. He shares memories of quiet time spent with Danny Ford after the Tigers captured the national title in the Orange Bowl, and he relates the message Rick Barnes gave the Clemson basketball team before a rare, memorable win at Duke's Cameron Indoor Stadium. He also traces the beginnings of future major leaguers such as Mark Lemke and David Justice back to the time Phillips covered them with the Greenville Braves. Phillips's memoirs are often humorous and always heartfelt?a personal history of Clemson athletics and the South Carolina sports scene.
Punjab was the arena of one of the first major armed conflicts of post-colonial India. During its deadliest decade, as many as 250,000 people were killed. This book makes an urgent intervention in the history of the conflict, which to date has been characterized by a fixation on sensational violence—or ignored altogether. Mallika Kaur unearths the stories of three people who found themselves at the center of Punjab’s human rights movement: Baljit Kaur, who armed herself with a video camera to record essential evidence of the conflict; Justice Ajit Singh Bains, who became a beloved “people’s judge”; and Inderjit Singh Jaijee, who returned to Punjab to document abuses even as other elites were fleeing. Together, they are credited with saving countless lives. Braiding oral histories, personal snapshots, and primary documents recovered from at-risk archives, Kaur shows that when entire conflicts are marginalized, we miss essential stories: stories of faith, feminist action, and the power of citizen-activists.
A powerful story about home, community, and hope, inspired by the rebuilding of Puerto Rico following Hurricane Maria in 2017, written by debut author Karina González and illustrated by Krystal Quiles. "This book is more than beautiful." - Yuyi Morales, Caldecott Honoree and New York Times bestselling creator of Dreamers Co-quí, co-quí! The coquí frogs sing to Elena from her family’s beloved mango tree—their calls so familiar that they might as well be singing, “You are home, you are safe.” But home is suddenly not safe when a hurricane threatens to destroy everything that Elena knows. As time passes, Elena, alongside her community, begins to rebuild their home, planting seeds of hope along the way. When the sounds of the coquíes gradually return, they reflect the resilience and strength of Elena, her family, and her fellow Puerto Ricans. The Coquies Still Sing is also available in Spanish.
This is a compilation of hunting tales from the jungles of India from the centuries gone by. “…We have no word in English that properly embraces all this, but all are expressed by the Persian word ‘shikar!’…” “…Sitting on the ground in a thorn “Boma” for a lion in Africa is considered an ordinary enough thing to do; but sitting on the ground for a tiger in dense jungles of the Indian subcontinent can be an entirely different experience. The risk inherent should be obvious to all. Sitting on a machan built on a tree was the more common approach employed by Tiger hunters of yore; but of course, there were exceptions...” “…In another moment the old Panther sprang out of the jungle, made a pat at the kid, and then crouched by its side. If there had been more space, I should have waited and watched the Panther’s proceedings, but as I was afraid that she would drag the goat into the jungle, I fired at once, and immediately jumped up so as to see above the smoke. The Panther sprang into the air, fell backwards, and then disappeared among the bushes…” “…I was standing at the junction of two pathways, and the beat had approached to within a hundred yards, when I heard “Woof! Woof!” I imagined the beaters had started up a big wild boar. The “woofing” was repeated during the next minute, coming closer each time, until finally there was a resounding “Woof” in the tall grass about fifteen yards in front of me. By this time I was standing on tip-toe, trying to peer into the grass ahead of me, when suddenly I realized that what I was staring at behind an ant-heap was the tail-end of a tiger…” The stories in this collection are extracted from rare works from the 17th, 18th, 19th centuries.
At the peak of the Coronavirus Pandemic, Jaxton Bello seeks to take his own life on the George Washington Bridge. He is rescued by Cason Sax, an NYPD Sergeant, and September 11th survivor, who rips Jaxton off the ledge and into the hearts of readers. Cason implores Jaxton to return home and rebuild his life with his wife and daughter. Jaxton must first journey into his past, through his consciousness and along the vacant avenues of a New York City on ‘pause.’ During this self-reflection, Jaxton trespasses at shuttered venues, outruns pursuing cops, collides with former love interests and crashes a Black Lives Matter protest. “The Great Silent Roar” is a colorful tale that voyages into a man’s wounded soul and delivers a valentine to the most remarkable city in human history. As riots rage, past demons must be slayed if Jaxton is to reignite his flame for living and complete his odyssey home.
Are you a feminist? Or are you a masculinist? It's a trick question-they're the same thing, says mother of two and parenting magazine journalist, Natalie Ritchie. Five decades after feminism began, women are trapped in a masculinist dead end. Feminists claim to be women's friend, but their actions shout the opposite. Feminism cheerleads a woman's man-identical career, but sneers at her work as mother and housewife. It pushes women into nine-to-five jobs designed for a man with a 24/7 wife at home, but fails to shape jobs around the domestic workload of the working woman who is also that 24/7 wife. It exhorts women to ape men's working style, and shuns development of a truly womanly working style. It celebrates a woman's 'leadership' that copies a man's leadership in the economy and politics, but blindsides a woman's more profound leadership outside the workplace as the one who shapes the souls of the next generation, and who lives, loves and spreads the joy in our homes, friendship circles and communities. Feminists seek a 50/50 'gender-equal' world in which one hundred percent of women do what one hundred percent of men do, ensuring women's interests, contributions and priorities are eradicated. In its bid to bust the patriarchy, feminism has become the patriarchy.After a wide-ranging career in public relations and writing, as a mother, and from her most recent role as features editor at a national parenting magazine, Natalie Ritchie shows feminism up for what it is-masculinism. With a warm regard for women, a big-picture eye for feminism's hypocritical man-worship, and a defiant refusal to bow to it, she points to what the world looks like when it truly values women.
There is a role unique to women that we abandon easily. We live near each other, but not with each other--and not for each other. We don't want to intrude or judge and, maybe, we don't want to see each other truly succeed. And the world is happy with this unhappy state for women--one that pushes us to conform to a pattern of distrust, disengagement, and competition. It's no wonder we've lost ourselves, and our way. In her most personal, powerful book yet, New York Times bestselling author Lisa Bevere offers a catalytic, transformative vision for women of a different way to live--one that embraces the presence of a godmother--the older, wiser women you can go to and learn from, the strong women who partner with us through life. And everyone needs one! Drawing from her own life, biblical women, and the world of fairy tales, Lisa will show you how to transform what you have into what God wants you to have, push you forward during seasons of doubt, and love you enough to speak truth about God's larger, expansive view of your life. Lisa's candid, compassionate words are your best first step to living as a daughter of God, surrounded by strong relationships and confidence in your calling.
His father was killed, his family was annihilated, endless humiliation struck his soul, heaven and earth were unable to accept this hatred. The iron-blooded youth went against the will of the heavens, his status was poor, and he descended to the underworld, where he roamed the world of the undead, where he turned into the god of slaughter and massacred the heavens.