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In Still Life in Milford, Lynch casts the cold eye we are told to on life and death, history and memory, the local and the larger geographics. Examining the dynamics of faith, remembrance, and intimate conduct, these poems are informed by end times, tribulations and visions that make up the ordinary enterprise of daily life. Colloquy and narrative, soliloquy and tribute, Still Life in Milford engages the full register of the poet's voices as elegist, eulogist, obituarist, straight man and passer-by to achieve a difficult and inimitable harmony.
A National Book Award Finalist "One of the most life-affirming books I have read in a long time…brims with humanity, irreverence, and invigorating candor." —Tom Vanderbilt "Every year I bury a couple hundred of my townspeople." So opens this singular and wise testimony. Like all poets, inspired by death, Thomas Lynch is, unlike others, also hired to bury the dead or to cremate them and to tend to their families in a small Michigan town where he serves as the funeral director. In the conduct of these duties he has kept his eyes open, his ear tuned to the indispensable vernaculars of love and grief. In these twelve pieces his is the voice of both witness and functionary. Here, Lynch, poet to the dying, names the hurts and whispers the condolences and shapes the questions posed by this familiar mystery. So here is homage to parents who have died and to children who shouldn't have. Here are golfers tripping over grave markers, gourmands and hypochondriacs, lovers and suicides. These are the lessons for life our mortality teaches us.
A rambling old smuggler's inn, a strange map, an attic packed with treasures, squabbling guests, theft, friendship, and an unusual haunting mark this smart mystery in the tradition of the Mysterious Benedict Society books. Illustrations.
Thirty years after the smashing success of Zelda, Nancy Milford returns with a stunning second act. Savage Beauty is the portrait of a passionate, fearless woman who obsessed American ever as she tormented herself. If F. Scott Fitzgerald was the hero of the Jazz Age, Edna St. Vincent Millay, as flamboyant in her love affairs as she was in her art, was its heroine. The first woman ever to win the Pulitzer Prize, Millay was dazzling in the performance of herself. Her voice was likened to an instrument of seduction and her impact on crowds, and on men, was legendary. Yet beneath her studied act, all was not well. Milford calls her book "a family romance"—for the love between the three Millay sisters and their mother was so deep as to be dangerous. As a family, they were like real-life Little Women, with a touch of Mommie Dearest. Nancy Milford was given exclusive access to Millay's papers, and what she found was an extraordinary treasure. Boxes and boxes of letter flew back and forth among the three sisters and their mother—and Millay kept the most intimate diary, one whose ruthless honesty brings to mind Sylvia Plath. Written with passion and flair, Savage Beauty is an iconic portrait of a woman's life.
Characters: 6 male, 5 female Interior Set One of the Tonight at 8:30 series, a success in London and New York. The movie Brief Encounter was based on this play. In a suburban rail station, Dr. Harvey removes a cinder from Laura's eye and they fall in love. Subsequent weekly meetings over tea, scenes debating respectability or love, and some sentimental moments transpire before they decide they must part forever. He is accepting a faraway post and she must return to a circumspect
Denver's beloved columnist Gene Amole stunned readers of the Rocky Mountain News in October 2001 when he announced in his column that he was dying. He passed away six months later, just shy of his 79th birthday. This book presents Amole's powerful, poignant, and first-person account of his last days.
Ekphrasis, the description of pictorial art in words, is the subject of this bibliography. More specifically, some 2500 poems on paintings are catalogued, by type of publication in which they appear and by poet. Also included are 2000 entries on the secondary literature of ekphrasis, including works on sculpture, music, photography, film, and mixed media.
A Los Angeles Times Best Book of the Year Masterful essays that illuminate not only how we die but also how we live. Thomas Lynch, poet, funeral director, and author of the highly praised The Undertaking, winner of an American Book Award and finalist for the National Book Award, continues to examine the relations between the "literary and mortuary arts."
A Classic Contemporary reissuing of Skating with Heather Grace by Thomas Lynch.