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Currier brings together 20 short stories spanning three decades of the impactof the AIDS epidemic on the gay community.
At a time when we are witnessing the return of the World Soul, the rise of feminine consciousness and the re-enchantment of Nature, the friendship between Marion Woodman and Elinor Dickson offers us a rare glimpse into the new story yearning to be born. Dancing at the Still Point reveals a remarkable friendship rooted in Soul that is both deeply personal and transpersonal. Prompted by a dream in which Marion told her to write about their friendship, Elinor has succeeded in weaving their shared visions, dreams and insights with the playfulness, challenges, and honesty they shared over thirty-four years. Like all deep friendships, Marion and Elinor mirrored each other while mutually affirming their individual destinies. This is a book that celebrates the gift of friendship as a compelling model for community in these times. As Marion would say, “where soul meets soul that’s love” and love is the field in which we are all called to dance. Elinor Dickson, Ph.D., is a psychologist, Jungian therapist, lecturer and workshop leader. She is the co-author of Dancing in the Flames written with Marion Woodman. She lives in Toronto, Ontario
Retreats give us a space for contemplation and developing our relationship with God, but they aren't always possible. So can we still appreciate and detect the everyday God, even without special 'holy' places and spiritual practices? Dancing at the Still Point is a book for those who can't or aren't ready to go away for a residential Christian retreat, but who want to be in daily relationship and connect with God in a satisfying way. In sessions that you can work through at your own pace, Gemma Simmonds guides us through the practices and disciplines of retreats, such as being still physically and spiritually, developing a habit of prayer and learning some basic discernment skills. With insights from the Ignatian Spiritual Exercises, she explores how we can fold these practices into every day and shows that a rich life of prayer, in which we have time and space to let God be present, is achievable even in a busy working or family life. Practical and flexible, Dancing at the Still Point will help you find a richer and more balanced life, where the spiritual takes its rightful place amid all the other calls on time and attention.
Adversity Gives You Two Choices: Collapse or Grow Stronger As a child, Gabrielle Ford loved dance and dreamed of becoming a prima ballerina.That dream was shattered by rare neuromuscular disease that would eventually place her in a wheelchair. Gabe not only struggled with the devastation of the illness, but endured constant and cruel bullying from classmates. The constant torment took her on a path of depression and isolation. That all changed when Izzy, a long-eared coonhound pup, entered Gabe's life. Izzy became Gabe's best friend and constant companion. When this special friend mysteriously developed a condition with mirroring Gabe's, Gabe re-entered the world to get Izzy the best treatment available. Speaking out for the voice-less Izzy gave her the courage to speak out for another voiceless group: the thousands of children bullied in American schools every day. Through countless personal trials, Gabe found her way back to stage. Today, she is an outspoken advocate against school bullying speaking at schools and conferences across the country. Gabe's remarkable journey has drawn national attention from The Today Show, Animal Planet's A Pet Story, and Cosmopolitan magazine, among others. Gabe autobiography shares even more of the inspirational details from her incredible life as a way to encourage others that anything is possible. www.gabeandizzy.com
You went to your first Contact Improvisation (C.I.) class, or a friend invited you to the weekly jam, and you're captivated. Or perhaps, you've been dancing and investigating for years. What's next? What discoveries await you in your dance? In 1972, Steve Paxton convened a group of athletes and dancers to research the principles of Contact Improvisation. Since then the form has matured into a worldwide, collaborative experiment with no central control. Everyone who enters adds their findings and permutations to this inherently unfinished dance form. Dancing Deeper Still is a sourcebook of essays on Contact Improvisation, a philosophical treatise, and a handbook. This compilation of 30 years of writings is meant to accompany and support your investigation as you discover new pathways and dynamics in your dancing. It includes chapters on: Contact Improvisation in performance Boundaries and sexuality Political activism Dancing while aging Expanded teaching research notes Advanced skills Whether you are the improviser who savors the slow rivers of sensation...or who delights in spontaneous acrobatics...or any of the bountiful realms in between, this book was written for you. Your discoveries enrich the community-held body of knowledge in our ever-evolving form. I invite you to dance deeper still.
Dancing Across Heaven is the sequel to Down From Skitts Mountain. It is the finishing memoir to the historical fiction of the first book in the sequel, the story of a dysfunctional family and its way into reality through love, understanding, and faith. Dancing is the story of Abe and Lillie Hilsman, their backgrounds, their love and their struggles. It takes us from their meeting to their re-meeting upon their deaths. This is the love story of a young couple of the 1940s who, through their lives together, ultimately are exalted through love.
A ballerina at the height of her powers becomes consumed with finding her missing brother in this “striking debut” (Oprah Daily). “A compelling novel about the spiritual and bodily costs of the dogged pursuit of art.”—Raven Leilani, author of Luster At twenty-two years old, Cece Cordell reaches the pinnacle of her career as a ballet dancer when she’s promoted to principal at the New York City Ballet. She’s instantly catapulted into celebrity, heralded for her “inspirational” role as the first Black ballerina in the famed company’s history. Even as she celebrates the achievement of a lifelong dream, Cece remains haunted by the feeling that she doesn’t belong. As she waits for some feeling of rightness that doesn’t arrive, she begins to unravel the loose threads of her past—an absent father, a pragmatic mother who dismisses Cece’s ambitions, and a missing older brother who stoked her childhood love of ballet but disappeared to deal with his own demons. Soon after her promotion, Cece is faced with a choice that has the potential to derail her career and shatter the life she’s cultivated for herself, sending her on a pilgrimage to both find her brother and reclaim the parts of herself lost in the grinding machinery of the traditional ballet world. Written with spellbinding beauty and ballet’s precise structure, Dances centers around women, art, and power, and how we come to define freedom for ourselves.
Informed by the belief that critical pedagogy must move beyond the classroom if it is to be truly effective, this essay collection makes clear how cultural practices--as portrayed in film, sports, and in the classroom itself--enable cultural studies to deepen its own political possibilities and to construct diverse geographies of identity, representation and place. Contributors: Henry A. Giroux, Ava Collins, Nancy Fraser, Carol Becker, bell hooks, Michael Eric Dyson, Roger I. Simon, Chandra Talpede Mohanty, Simon Watney, Michele Wallace, Peter McLaren, David Trend, Abdul R. JanMohamed and Kenneth Mostern.
Why did dance and dancing became important to the construction of a new, modern, Jewish/Israeli cultural identity in the newly formed nation of Israel? There were questions that covered almost all spheres of daily life, including “What do we dance?” because Hebrew or Eretz-Israeli dance had to be created out of none. How and why did dance develop in such a way? Dance Spreads Its Wings is the first and only book that looks at the whole picture of concert dance in Israel studying the growth of Israeli concert dance for 90 years—starting from 1920, when there was no concert dance to speak of during the Yishuv (pre-Israel Jewish settlements) period, until 2010, when concert dance in Israel had grown to become one of the country’s most prominent, original, artistic fields and globally recognized. What drives the book is the impulse to create and the need to dance in the midst of constant political change. It is the story of artists trying to be true to their art while also responding to the political, social, religious, and ethnic complexities of a Jewish state in the Middle East.
This book traces the history of morris dancing in England, from its introduction in the 15th century, through the contention of the Reformation and Civil War, when morris dancing and maypoles became potent symbols of the older ways of living, to its re-invention as an emblem of Victorian concepts of Merrie England in the 19th century.