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This intriguing and comprehensive exploration of the skeleton and the dead body includes more than 400 rare photographs. Stanley B. Burns, MD, has studied, collected and written on medical photography for over four decades focusing on unexplored areas. His books have placed him in the forefront of medical photographic history scholarship. This work reveals the nineteenth-century fascination with the dead body and body parts. The classic visual iconography of postmortem, dissection, and bone photography is presented and expanded to include early autopsy images and X-ray studies. No prior visual work has presented the once very popular hobby of collecting skulls and also shown their use in racial and psychological profiling research. This sumptuously illustrated book with previously unpublished photographs is an extraordinary work of medical, historical and cultural research. It is a timeless visual essay that will surely become a standard resource for collectors, curators, artists, and scholars.
A Smithsonian Book of the Year A Nature Book of the Year “Provides much-needed foundation of the relationship between museums and Native Americans.” —Smithsonian In 1864 a US Army doctor dug up the remains of a Dakota man who had been killed in Minnesota and sent the skeleton to a museum in Washington that was collecting human remains for research. In the “bone rooms” of the Smithsonian, a scientific revolution was unfolding that would change our understanding of the human body, race, and prehistory. Seeking evidence to support new theories of racial classification, collectors embarked on a global competition to recover the best specimens of skeletons, mummies, and fossils. As the study of these discoveries discredited racial theory, new ideas emerging in the budding field of anthropology displaced race as the main motive for building bone rooms. Today, as a new generation seeks to learn about the indigenous past, momentum is building to return objects of spiritual significance to native peoples. “A beautifully written, meticulously documented analysis of [this] little-known history.” —Brian Fagan, Current World Archeology “How did our museums become great storehouses of human remains? Bone Rooms chases answers...through shifting ideas about race, anatomy, anthropology, and archaeology and helps explain recent ethical standards for the collection and display of human dead.” —Ann Fabian, author of The Skull Collectors “Details the nascent views of racial science that evolved in U.S. natural history, anthropological, and medical museums...Redman effectively portrays the remarkable personalities behind [these debates]...pitting the prickly Aleš Hrdlička at the Smithsonian...against ally-turned-rival Franz Boas at the American Museum of Natural History.” —David Hurst Thomas, Nature
Jake McGowan-Lowe is a boy with a very unusual hobby. Since the age of 7, he has been photographing and blogging about his incredible finds and now has a worldwide following, including 100,000 visitors from the US and Canada. Follow Jake as he explores the animal world through this new 64-page book. He takes you on a world wide journey of his own collection, and introduces you to other amazing animals from the four corners of the globe. Find out what a cow's tooth, a rabbit's rib and a duck's quack look like and much, much more besides.
Japanese Geisha and courtesans intrigue and fascinate Westerners. During the mid-19th century, Japan opened its doors to the world and became an essential destination for travellers. Geisha: A Photographic History 1872-1912 documents the intimate life and culture of this 19th century icon. It portrays the artists of these images in a cultural reality created by staged studio photography, private scenes and rare outdoor images. Essential viewing.
Inevitable death and our agony to attain Utopia have made existence a form of pathology. We are left with the secret need for redemption which few of us will understand or witness. This need still lives in acts of love, courage and art. In the images included in this book it is found in the conjoined destinies of artist and subject, phantoms on either side of that curtain we call photography. Implicit in these photographs is the brutal extreme of their purpose and an intimation however distant to their makers that something was manifested beyond the event itself.
Beloved, best-selling science writer Mary Roach’s “acutely entertaining, morbidly fascinating” (Susan Adams, Forbes) classic, now with a new epilogue. For two thousand years, cadavers – some willingly, some unwittingly – have been involved in science’s boldest strides and weirdest undertakings. They’ve tested France’s first guillotines, ridden the NASA Space Shuttle, been crucified in a Parisian laboratory to test the authenticity of the Shroud of Turin, and helped solve the mystery of TWA Flight 800. For every new surgical procedure, from heart transplants to gender confirmation surgery, cadavers have helped make history in their quiet way. “Delightful—though never disrespectful” (Les Simpson, Time Out New York), Stiff investigates the strange lives of our bodies postmortem and answers the question: What should we do after we die? “This quirky, funny read offers perspective and insight about life, death and the medical profession. . . . You can close this book with an appreciation of the miracle that the human body really is.” —Tara Parker-Pope, Wall Street Journal “Gross, educational, and unexpectedly sidesplitting.” —Entertainment Weekly
An oddly compelling, often hilarious forensic exploration of the strange lives of our bodies postmortem.
Contemporary audiences are often shocked to learn that in the late 19th and early 20th centuries, medical students around the world posed for photographic portraits with their cadavers; a genre known as dissection photography. Featuring previously unseen images, stories, and anecdotes, this book explores the visual culture of death within the gross anatomy lab through the tradition of dissection photography, examining its historical aspects from both photographic and medical perspectives. The author pays particular attention to the use of dissection photographs as an expression of student identity, and as an evolving transgressive ritual intricately connected to, and eventually superseding, the act of dissection itself.
Pterosaurs, the first vertebrates to evolve powered flight, are undergoing a long-running scientific renaissance that has seen sustained, and even elevated interest, from several generations of palaeontologists. These incredible reptiles are known from every continent, flew the Mesozoic skies for at least 160 million years, diversified into more than a dozen major clades and well over 100 species, and included the largest flying animals of all time. This volume brings together leading pterosaur researchers from around the globe to discuss new and cutting-edge research into various aspects of pterosaur palaeobiology and presents diverse papers to deliver new insights on flying reptile palaeoecology, flight, ontogeny, skeletal and soft-tissue anatomy, temporal and spatial distribution and evolution, as well as revisions of their taxonomy and interrelationships.
This beautifully illustrated book contains more new information about photographic history than any recent volume. It unveils important, previously unexplored, relationships between art & photography & emphasizes photography's relationship to folk art. It vividly describes "50 Lost Years of American Folk Art Portraits". The Foreword by Museum of American Folk Art Director, Gerard Wertkin, explains the discovery of the last stage of folk portraiture as an American cultural force - the painted tintype. It is must reading for photography, art, decorative arts, & folk art curators, dealers & collectors. The information presented is not available in any other source. No library on the arts or antiques should be without this seminal work. It is an indispensable reference work & comprehensive guide to decorative frames & the painted photograph. A value scale & analysis of frames is presented. It is a book of many important firsts--On the tintype, naming specific painters & companies that made the art;--On the American decorative frame, showing all styles--&--On painted photography. The book can be ordered by mail by sending $59.95 plus $5.00 (NY residents add tax) to Burns Press, 140 East 38th Street, New York, NY 10016. 212-889-1938.