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This volume presents an up-to-date overview of the evidence for violent injuries on human skeletons of the Neolithic period in Europe, ranging from 6700 to 2000 BC, and provides an invaluable baseline for comparisons with both earlier and later periods.
Tracing the magical roots of "hoodoo" back to West Africa, the author provides a history of this nature-based healing tradition and offers practical advice on how to apply hoodoo magic to everyday life.
Every adult I have ever worked with has identified a broken, hurt or disillusioned child memory within; "The Children in my Chair." Susie had an intense phobia, Lucy was a compulsive over eater, Valerie believed women are subservient and had no voice, Noreen grew up with a lack mentality and was always broke, Erin never felt good enough, Julie believed she was unlovable, Doug was angry all the time and Katie distrusted her feelings and hide them inside. How did this happen? We are living in a world full of people living with shame, guilt, self blame, unhappiness, unworthiness, fear and obligation that was originally `put upon them' unconsciously by their mentors and role models in early life. How we, as innocent children, learn about and what we come to believe about ourselves and about life are the teachings of this book. We've been conditioned! Conditioning begins with words we hear, think and speak. This book is a simple call to presence for all because everyone was once a child themselves. Take this opportunity to; recognize your own conditioning; break the chains of the past; learn what it is to be present; and learn how to consciously use words that empower, inspire, support and encourage both yourself and the children in your life now.
With multiple starred reviews, don't miss this humorous, poignant, and original contemporary story about bullying, broken friendships, social media, and the failures of communication between kids. From John David Anderson, author of the acclaimed Ms. Bixby’s Last Day. In middle school, words aren’t just words. They can be weapons. They can be gifts. The right words can win you friends or make you enemies. They can come back to haunt you. Sometimes they can change things forever. When cell phones are banned at Branton Middle School, Frost and his friends Deedee, Wolf, and Bench come up with a new way to communicate: leaving sticky notes for each other all around the school. It catches on, and soon all the kids in school are leaving notes—though for every kind and friendly one, there is a cutting and cruel one as well. In the middle of this, a new girl named Rose arrives at school and sits at Frost’s lunch table. Rose is not like anyone else at Branton Middle School, and it’s clear that the close circle of friends Frost has made for himself won’t easily hold another. As the sticky-note war escalates, and the pressure to choose sides mounts, Frost soon realizes that after this year, nothing will ever be the same.
Do you repeatedly struggle with the same issues? Do you feel defeated, discouraged, and depressed? Do you feel like there is no hope left? If so, Joyce Schneider wants you to know that God wants something more for you. In her newest book, she uncovers some of the struggles that we all have but rarely feel comfortable sharing. Joyce uses her real-life experiences to show others that they are not alone. We have been taught through the ages that words cannot hurt us, but that is a lie. Words do hurt. They take root inside of us and change our perception of ourselves and others. But Jesus wants to weed that out. In this confessional and inspirational guide, Joyce shows us how he can step in, remove that veil of deception, and allow us to see clearly once more. You too can be set free from the lies that get stuck inside. Male or female, young or old, you will be encouraged by this heartfelt story in Sticks and Stones May Break My Bones but Words Can Kill My Spirit.
The editors, along with 15 outstanding contributors, comprehensively explore and provide an overview of the principles behind the interpretation of skeletal blunt force trauma. This expanded second edition provides a discussion on how to train for a career in forensic anthropology and offers guidance on how to complete a thorough trauma analysis. It also provides the labels given to different kinds of fractures and the biomechanical forces required to cause bone to fail and fracture. The text provides a theoretical framework for both evaluating published trauma studies and designing new ones. Experimental trauma research is an area ripe for research, and criteria to consider in choosing which non-human species to use in an actualistic study are offered. Common circumstances in which blunt force trauma is encountered are described. Information is provided on a variety of causes of death due to blunt force trauma. These causes range from accidental deaths to homicides due to blunt force from motor vehicle accidents, falls, strangulation, child and elder abuse, among others. Epidemiological information on whom is most likely affected by these various kinds of blunt force trauma is drawn from both the clinical and forensic literature. The most fundamental elements of the text are offered in four chapters where, bone by bone, fracture by fracture, the authors describe what to call each kind of fracture, what is known about how much force is required to break the bone that way, and fracture specific epidemiological information. This particular section of the text provides an invaluable reference source for forensic anthropologists and other osteologists to consult when looking at and trying to classify a bone fracture. Case studies are included to bring the book full circle back to considering the micro and macro bone changes that are seen when bone fails and fractures. The case studies are illustrative both of the concepts described through the book and of the high quality analyses forensic anthropologists contribute to medicolegal investigations of death every day. The text is further enhanced by 150 illustrations, some in color. This completely updated and expanded new volume is an essential reference for the forensic anthropology professional.
For Lou it was always Dylan. She loved him from the moment they first met across a cadaver in the dissection room at medical school. The most gorgeous man she'd ever laid eyes on, with more Welsh charm than you could shake a stick at; she was a goner. But Lou, despite her beauty, was just too extrovert to interest Dylan, who was convinced that a quiet, shy girl, like Lou's best friend Frankie, was much more his style. 'Have at it mate but I've got two words for you: high maintenance.' 'Don't think I'd mind putting in the hard yards maintaining that piece of arse, ' one of Dylan's more disgusting rugby mates replied. 'Well good luck to you, ' Dylan returned, looking completely relaxed now that they were discussing Lou and not his precious Frankie. 'I like mine heavy on the sweet and light on the ball-breaking bitch, but each to his own.' After overhearing that exchange, Lou buries her pain and pines for him in private, but she can't give up their friendship. One night, eleven years later, she finally gets what she has been longing for, but the next morning realizes he was too drunk to even remember. For Dylan it was always anyone but Lou. A born surgeon, Dylan resents having to down his orthopaedic power tools for a six-month spell in Elderly Care. He thought that at least working with Lou would make his skiving easier; after all she's always helped him out before. And so what if he's been having these weird dreams about her since he woke up in her flat? It's not like he'd ever actually go there. So when he mistakenly believes that she's put his career in jeopardy he loses control and his vicious insults, publicly made, cut Lou to the bone. It's only after he loses Lou's warm smiles, dry wit, boundless energy and outrageous banter from his life that he realizes the extent of his stupidity. Maybe sticks and stones can break bones, and that's something Dylan's surgical skills can deal with. But when it's a heart he's broken... This book is a full-length contemporary romance/romantic comedy/medical romance of approximately 80,000 words. It involves characters from 'Broken Heart Syndrome', but is a stand-alone novel with its own HEA and no cliffhanger. About The Author Susie Tate is a general practitioner and when she's not working she's looking after her four yummy boys under six (okay well one is actually over thirty-six but it's the mental age that counts!). Maybe it's a bit strange for a doctor to be writing contemporary romance/romantic comedy, but she thought she could use her experience to write what she hopes are funny, occasionally bittersweet stories that give people a behind the scenes look at hospital medicine. She can only apologize to her orthopaedic friends for the way she has brutally stereotyped them in this book but she just couldn't resist!
When a young woman clears out her deceased grandmother’s home in rural North Carolina, she finds long-hidden secrets about a strange colony of beings in the woods in this chilling novel that reads like The Blair Witch Project meets The Andy Griffith Show. When Mouse’s dad asks her to clean out her dead grandmother's house, she says yes. After all, how bad could it be? Answer: pretty bad. Grandma was a hoarder, and her house is stuffed with useless rubbish. That would be horrific enough, but there’s more—Mouse stumbles across her step-grandfather’s journal, which at first seems to be filled with nonsensical rants…until Mouse encounters some of the terrifying things he described for herself. Alone in the woods with her dog, Mouse finds herself face to face with a series of impossible terrors—because sometimes the things that go bump in the night are real, and they’re looking for you. And if she doesn’t face them head on, she might not survive to tell the tale. From Hugo Award–winning author Ursula Vernon, writing as T. Kingfisher, The Twisted Ones is a gripping, terrifying tale bound to keep you up all night—from both fear and anticipation of what happens next.
The eighth Logan McRae novel in the No.1 bestselling crime series from Stuart MacBride. Every murder tells a story. But not every victim tells the truth. ‘A terrific writer ... McRae is a delight’ The Times