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Year 3 is one of the most ambitious records of citizenship ever undertaken. Using the medium of the traditional school class photograph, this epic work captures tens of thousands of London schoolchildren from a single academic year. Mapping a picture of the present, the artwork captures a milestone year in a child's personal development: the moment when they become more conscious of the world beyond their immediate family. It is a critical time for them to develop confidence in all areas of life, to understand more about their place in the changing world and to think about the future. Depicting rows of children sitting or standing alongside their teachers and teaching assistants, Year 3 reflects this moment of excitement, anxiety and hope. Year 3 is more than a portrait of a generation however: it documents and explores, in a way never before attempted, a range of urgent ideas connected to the UK, and to our world, today. This book takes the photographs as a starting point and looks ahead, commenting on and contextualising the artwork and its message, but also providing a platform for new voices, and a new set of ideas. Year 3 is less a commemoration and more an active extension of the artwork itself: 'a glimpse of the capital's future, a hopeful portrait of a generation to come.'
An intimate look at movie star Steve McQueen's reckless life of fast cars, women, and drugs all the way up to his dramatic life-change and terminal cancer diagnosis. Join Greg Laurie as he takes a cross-country drive in his 1968 Highland Green Ford Mustang 390 GT through the canyons of Malibu, the alleys of Hollywood, the wide and open roads of the Midwest, and the streets of New York as he traces the woolly geography of actor Steve McQueen's life, relationships, career, and spiritual journey. This iconic muscle car was the vehicle McQueen drove in his most raucous and enduring film, Bullitt. In the 1960s, McQueen was, according to box office receipts, the biggest movie star of his generation and one of the coolest men to ever walk the planet. Greg Laurie was a teen at the time and an ardent fan of "The King of Cool," first mesmerized by McQueen in 1963's The Great Escape. Like millions of cinema fans, Greg developed a lifelong fascination with the actor. Now he has a chance to tell McQueen's story. McQueen was a complex, contradictory man who lived the same way he drove his motorcycles and cars: fearlessly, ruthlessly, and at top speed. After a lifetime of fast cars, women, and drugs, McQueen took a surprising detour. In this book, Laurie thoughtfully interviews Steve McQueen's friends, co-stars, associates, widow, and pastor to tell of the dramatic life-change for the actor in the spring of 1979--six months before McQueen was diagnosed with terminal cancer. What were the critical steps that led McQueen to make such a life-altering decision? Perhaps more importantly, why is that part of his story so rarely told? This book answers these questions. Greg Laurie will follow the seeds of Christianity that were sown throughout McQueen's improbable life where a Light finally shone into the darkness of his troubled life. These seeds miraculously germinated, allowing McQueen to see that redemption through Jesus Christ is a lasting truth more glittering and real than any magic of the entertainment industry.
Barbara McQueen recalls life with her famous husband Steve McQueen. The book is a revised edition of her previous volume, Steve McQueen, The Last Mile with corrections and six additional chapters. It also includes a section on the Asbestos Disease Awareness Association, drawing attention to ways to prevent the disease that killed McQueen.
The author presents a collection of chronologically-ordered quotes from actor Steve McQueen on many subjects, drawn from both print and audio sources, and accompanied by photographs and images of memorabilia spanning McQueen's life and works.
Published to coincide with the exhibition Steve McQueen 30 January - 21 March 1999, Institute of Contemporary Arts, London and 12 June - 15 August 1999, Kunsthalle Zürich.
During his lifetime, Steve McQueen embodied the rebel image. Rough around the edges, driven with a passion not found in ordinary men, he was at once a loner and a leader. When McQueen arrived in Hollywood, even the biggest names had to learn fast that McQueen s hard edge was no mere act, and before long then troubled street kid from Indianapolis was among the highest-paid movie stars in the world. The man many called crazy , who raced motorcycles and lived every day as if it were his last, was also deeply respected by his fellow artists. Edward G. Robinson, Paul Newman and Dustin Hoffman, among others, ranked him among the best actors in film history. Steve McQueen was an original and a natural. Steve McQueen: Portrait of an American Rebel chronicles the life and times of a man whose power both on- and off-camera is legendary. From the list of his female friends to the love of his life, actress Ali McGraw, McQueen seemed to have it all. Marshall Terrill relates vivid, first-hand acco
This captivating collection of large-scale portraits of classes of children and adolescents around the world reveals much about the present and raises fascinating questions about the future. What happens when a stranger enters a classroom during a lesson and asks for the pupils' total concentration for 15 minutes in order to make their portrait? He positions everyone with great care (so that they can clearly be seen) and then demands that they stay completely still for the long exposure. The results are both predictable and astonishing. This ongoing series by Julian Germain started in northeast England. Since then Germain has visited schools throughout North and South America, Europe, the Middle East, Africa, and Southeast Asia. His magnificent photographs are packed with detail - books open on graffitied desks, instructions on white and blackboards, artwork hanging on walls, notes scribbled on the backs of hands. And of course there are the faces of the children themselves; enrapt, bored, inquisitive, arrogant, or shy, they incite endless curiosity about what these kids' lives are like and what their futures hold. Exquisitely reproduced in an oversize format, these portraits trigger memories of our own schooldays and bring into sharp focus the contemporary school experience throughout the world, in all its diversity and universality. ILLUSTRATIONS: 110 colour
No other Hollywood star has been so closely linked with cars and bikes, from the 1968 Ford Mustang GT Fastback he drove in Bullitt (in the greatest car chase of all time) to the Triumph motorcycle of The Great Escape. McQueen’s Machines gives readers a close-up look at the cars and motorcycles McQueen drove in movies, those he owned, and others he raced. With a foreword by Steve’s son, Chad McQueen, and a wealth of details about of the star’s racing career, stunt work, and car and motorcycle collecting, McQueen’s Machines draws a fascinating picture of one outsized man’s driving passion. Now in paperback.
War artist, Steve McQueen constructed an oak cabinet with 120 pull-out drawers containing large facsimile sheets of stamps, each featuring a photograph of a serviceman who has died in Iraq.