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A collection of Florence's King's "Misanthrope's corner" columns from National review, 1991-2002.
Offering a comprehensive view of the South's literary landscape, past and present, this volume of The New Encyclopedia of Southern Culture celebrates the region's ever-flourishing literary culture and recognizes the ongoing evolution of the southern literary canon. As new writers draw upon and reshape previous traditions, southern literature has broadened and deepened its connections not just to the American literary mainstream but also to world literatures--a development thoughtfully explored in the essays here. Greatly expanding the content of the literature section in the original Encyclopedia, this volume includes 31 thematic essays addressing major genres of literature; theoretical categories, such as regionalism, the southern gothic, and agrarianism; and themes in southern writing, such as food, religion, and sexuality. Most striking is the fivefold increase in the number of biographical entries, which introduce southern novelists, playwrights, poets, and critics. Special attention is given to contemporary writers and other individuals who have not been widely covered in previous scholarship.
The tragic sentiment of Southern literature and its heteronormative perspective are foundational attributes generally accepted by both popular and scholarly audiences. Yet a pantheon of great authors ranging from like Tennessee Williams, Carson McCullers, and Truman Capote to present-day voices of Alice Walker, John Waters, and David Sedaris, collectively attest to both the vibrancy of queer experience and the prevalence of humor found in this rich regional cannon. In Precious Perversions: Humor, Homosexuality, and the Southern Literary Canon, Tison Pugh challenges the premises that elevate William Faulkner and diminish Florence King, that esteem Walker Percy yet marginalize David Sedaris, by arguing for the inclusion of gay comic authors as long-standing, defining voices in the field. By redefining the tenets of Southern literature Pugh reveals long-overlooked or discounted aspects of gay humor within the South's literary realm. Noting, for example, that Tennessee Williams is revered as a dramatist who probes the heart of the human condition rather than for his submerged camp humor, and Truman Capote's comic cinema and literature never eclipsed serious works, Pugh establishes a history of mainstream and academic critique that ignored queer humor. Likewise, Florence King and Rita Mae Brown wrote defining narratives of Southern lesbian experience in, respectively, Confessions of a Failed Southern Lady and Rubyfruit Jungle, yet, according to Pugh, they are almost entirely neglected in accounts of the literary South. More recently, the author shows, the critical reception of Dorothy Allison's Bastard Out of Carolina testifies to an overarching interest in the traumatic aspects of her poetry and fiction rather than in her humor and its cathartic power. Pugh also asserts that David Sedaris, as a writer of the "post-Southern South," who appears to fall beyond the parameters of regional literature for many readers, creates a new, humorous vision of the region that recognizes both its pained history and its grudging accession to modernity. Drawing from works of key southern writers Pugh sets forth a new vision of Southern literature emerges -- one illuminated by the humor of gay voices no longer at the margins.
Presents articles on feminist literature, including significant authors, themes and history.
"[Robson] delivers in another spell binding addition to the Weird Girl series that had me constantly on the edge of my seat never knowing what to expect next...I think Robson may have ruined all other UF books for me." - My Guilty Obsession Just when Celia thinks the supernatural world can’t turn deadlier, a new rival emerges, proving just how dangerous a power-hungry were can be. Since being cursed with unique abilities, Celia Wird and her three sisters have fought the most bloodthirsty preternaturals in the Lake Tahoe region. But Celia’s greatest threat is someone she would have never suspected: Anara, a werewolf Elder who has allowed his hatred for Celia to spiral out of control. In a play for dominance, Anara tortures Celia and gives her an ultimatum: sever her mate bond with pureblood were Aric—or Anara will kill everyone she loves. From the instant they met, Celia and Aric have shared an attraction that cannot be tamed. So keeping Aric away is impossible, and Aric would sooner die than allow anyone to hurt the woman he loves. Misha, master vampire and Celia’s sworn protector, also finds his way into the chaos, seeking blood from those who have harmed her. Now Celia and her sisters are caught in the middle of a war driven by lust, fueled by hatred, and destined to end in tragedy. For Anara is a force to be reckoned with, and he will not succumb without robbing Celia of those who hold her heart.
North of Nelson presents six gripping short stories set in the wilderness of the Upper Peninsula of Michigan will hold the reader spellbound as the various protagonists live, and sometimes perish, in this often harsh and rugged land. The mythical village of Nelson frames the life and plights of the various actors as they plunge headlong physically, psychologically, and metaphorically, into the treacherous waters of the Sturgeon River Country, where humans live precariously on the edge of a knife, and every mistake could be fatal. While this work is entirely fiction--it easily spans over a century-- the tales dig at, and lay bare, a slice of Americana, a neglected culture, which is rapidly atrophying in rural areas--not only across the Upper Peninsula, but in much of the rural north. In the opening story, "The Irascible Pedagogue," set in the later part of the nineteenth century, the lonely and maddened heart of the village pedagogue, Horace Nelson, ends regrettably as jealously invades his troubled mind causing unpredictable mayhem and murder. In the second and award-winning short story, The Silent Mistress, Lizzie must endure, not only the poverty and destitution of the Great Depression, but also the inexorable decline of her husband's life as he wastes away from the ravages of alcoholism. Other memorable stories in North of Nelson, Volume 1, will not only entertain, but challenge the reader to examine the guts and sinew of a rare and vanishing culture--the great Upper Peninsula. North of Nelson: Volume 2 is scheduled to be published in late 2022. "Moore's stories are reminiscent of Wendell Berry and Ron Rash where geography plays an important role not only in linking the stories but also serving as another character. While the location is distinctly the Upper Peninsula of Michigan, it transcends to other locations such as southern Ohio, eastern Kentucky, Appalachia, the Ozarks, or many other tight-knit rural areas where family is paramount. The central theme of relationships draws the characters not only to each other but to the place they call home. Moore reveals the same affinity to the Upper Peninsula that he allows his characters to feel." --Robert Boldrey, M.A. in English, Professor, North Central Michigan College "These six stories reminds me of the early Joyce in Dubliners. Each is a careful analysis of deep and painful emotion generated by crime or illness or simply the remote ruggedness of Upper Michigan. I think a genuine U.P. literature needs this sort of work and am glad to see it." --Dr. Donald M. Hassler, Professor of English, Emeritus, Kent State University, Former Executive, Extrapolation Advisor, International Authors Publisher "Moore's stories begin as a tightly woven fabric only to be unwoven as his characters come to life. Each of his stories entwines with another. He has an uncanny insight into the human condition and shows how each of us is a part of another. Moore shows how our actions are not truly actions of ourselves but rather a part of a chain reaction of love and hate, life and death in our universe." --Cynthia Dunn Learn more at www.SilverMountainPress.com
Volume 4: Myth, manners, and memory. This volume addresses the cultural, social, and intellectual terrain of myth, manners, and historical memory in the American South. Evaluating how a distinct southern identity has been created, recreated, and performed through memories that blur the line between fact and fiction, this volume paints a broad, multihued picture of the region seen through the lenses of belief and cultural practice.