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For more than 150 years, the White Mountains have attracted untold numbers of visitors from all over the world. The lofty peaks offer unlimited panoramasthe view from the summit of Mount Washington extends for more than 100 miles in all directions and includes 33 other mountaintops, each with an elevation exceeding 4,000 feet. Framing the Presidential Range are Crawford Notch, Franconia Notch, and Pinkham Notch, three of the most impressive wonders in the eastern part the country. The White Mountain region has numerous other points of interest: the Flume, the Pool, the Basin, the Old Man of the Mountain, Glen Ellis Falls, the Lake of the Clouds, Echo Lake, Profile Lake, and the White Horse Ledge, to name a few. The stereo technique dates from the earliest years of photography. Stereo photographs are two images of the same view taken from slightly different points, which when observed through special glasses appear as one with an added dimension of depth. Photographers took these three-dimensional views to exemplify and to preserve in print the beauty, wonders, and wealth of nature. Stereoscopic Views of the White Mountains contains more than 200 reflective stereos of the regions mountains, lakes, rivers, and streams. These breathtaking views of the landscape, the resorts, and the villages were taken during an excursion on the early railroads. They recall the romance and idealism of the rail and stagecoach era.
The Handbook of Photography Studies is a state-of-the-art overview of the field of photography studies, examining its thematic interests, dynamic research methodologies and multiple scholarly directions. It is a source of well-informed, analytical and reflective discussions of all the main subjects that photography scholars have been concerned with as well as a rigorous study of the field’s persistent expansion at a time when digital technology regularly boosts our exposure to new and historical photographs alike. Split into five core parts, the Handbook analyzes the field’s histories, theories and research strategies; discusses photography in academic disciplinary and interdisciplinary contexts; draws out the main concerns of photographic scholarship; interrogates photography’s cultural and geopolitical influences; and examines photography’s multiple uses and continued changing faces. Each part begins with an introductory text, giving historical contextualization and scholarly orientation. Featuring the work of international experts, and offering diverse examples, insights and discussions of the field’s rich historiography, the Handbook provides critical guidance to the most recent research in photography studies. This pioneering and comprehensive volume presents a systematic synopsis of the subject that will be an invaluable resource for photography researchers and students from all disciplinary backgrounds in the arts, humanities and social sciences.
This fabled district-America's first tourist playground- boasts the highest peaks in the Northeast and the world's worst weather. Rising above the forests, lakes, and rivers of northern New Hampshire and western Maine, this storied range is the centerpiece of the 770,000-acre White Mountain National Forest. These mountains have witnessed centuries of change, from Native Americans through early European settlers, the arrival of railroads and automobiles, and the rise of the grand hotels during the region's heyday.
New Hampshire's iconic 4,000-foot peaks, with their rugged character and natural beauty, have been attracting hikers, explorers, and outdoor enthusiasts to the White Mountains for more than 200 years. Though they are best known today for their long-standing popularity among peak-bagging hikers, these mountains played a major role in the development of the region from a daunting wilderness to a thriving recreational mecca. This transformation included the construction of the world-famous Mount Washington Cog Railway in 1869 and its various summit hotels atop the Northeast's highest peak, the cutting of hundreds of miles of recreational footpaths in the mountain valleys and on their steep slopes, and the creation of some of New England's first downhill ski trails on Mounts Moosilauke, Cannon, and Wildcat in the 1920s and 1930s. Over the years, the 4,000-footers have attracted visitors from all walks of life, including US presidents, renowned poets, world-class skiers, and Supreme Court justices.
Holograms have been in the public eye for over a half-century, but their influences have deeper cultural roots. No other visual experience is quite like interacting with holograms; no other cultural product melds the technological sublime with magic and optimism in quite the same way. As holograms have evolved, they have left their audiences alternately fascinated, bemused, inspired or indifferent. From expressions of high science to countercultural art to consumer security, holograms have represented modernity, magic and materialism. Their most pervasive impact has been to galvanise hopeful technological dreams. Engineers, artists, hippies and hobbyists have played with, and dreamed about, holograms. This book explores how holograms found a place in distinct cultural settings. It is aimed at readers attracted to pop culture, visual studies and cultural history, scholars concerned with media history, fine art and material studies and, most of all, cross-disciplinary audiences intrigued about how this ubiquitous but still-mysterious visual medium grew up in our midst and became entangled in our culture. This book explores the technical attractions and cultural uses of the hologram, how they were shaped by what came before them, and how they have matured to shape our notional futures. Today, holograms are in our pockets (as identity documents) and in our minds (as gaming fantasies and 'faux hologram' performers). Why aren't they more often in front of our eyes?

Report

New Hampshire. Forestry and Recreation Commission

Published: 1894

Total Pages: 144


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