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Gregory Bateson was a philosopher, anthropologist, photographer, naturalist, and poet, as well as the husband and collaborator of Margaret Mead. This classic anthology of his major work includes a new Foreword by his daughter, Mary Katherine Bateson. 5 line drawings.
Gregory Bateson was a philosopher, anthropologist, photographer, naturalist and poet, as well as the husband and collaborator of Margaret Mead. This anthology of his major work contains a foreword by his daughter Mary Catherine Bateson.
In his new collection of essays, Bateson, author of the enormously influential book Steps to an Ecology of Mind, takes readers further along the pathways by which he arrived at his now-famous synthesis, and continues to illuminate such diverse fields as biology, anthropology, psychiatry, and linguistics.
Our Own Metaphor, now being re-issued by Hampton Press, provide an approach to the basic question of whether humans, with their increasingly powerful technologies, will ultimately destroy the environment on which they depend or prove capable of a new level of adaptation. The book suggests that any solution to the world's myriad problems must be grounded in an empathetic understanding of systems - from the ecology of nature to the loving interdependence of families.
Combining philosophical reflections with deep self-exploration to delve into the ancient mystery of death and rebirth, this book emphasizes collective rather than individual transformation. Drawing upon twenty years of experience working with nonordinary states, the author argues that when the deep psyche is hyper-simulated using Stanislaw Grof's powerful therapeutic methods, the healing that results sometimes extends beyond the individual to the collective unconscious of humanity itself.
Gregory Bateson was one of the most original social scientists of this century. He is widely known as author of key ideas used in family therapy - including the well-known condition called 'double bind' . He was also one of the most influential figures in cultural anthropology. In the decade before his death in 1980 Bateson turned toward a consideration of ecology. Standard ecology concentrates on an ecosystem's biomass and on energy budgets supporting life. Bateson came to the conclusion that understanding ecological organization requires a complete switch in scientific perspective. He reasoned that ecological phenomena must be explained primarily through patterns of information and that only through perceiving these informational patterns will we uncover the elusive unity, or integration, of ecosystems. Bateson believed that relying upon the materialist framework of knowledge dominant in ecological science will deepen errors of interpretation and, in the end, promote eco-crisis. He saw recursive patterns of communication as the basis of order in both natural and human domains. He conducted his investigation first in small-scale social settings; then among octopus, otters, and dolphins. Later he took these investigations to the broader setting of evolutionary analysis and developed a framework of thinking he called 'an ecology of mind.' Finally, his inquiry included an ecology of mind in ecological settings - a recursive epistemology. This is the first study of the whole range of Bateson's ecological thought - a comprehensive presentaionof Bateson's matrix of ideas. Drawing on unpublished letters and papers, Harries-Jones clarifies themes scattered throughout Bateson's own writings, revealing the conceptual consistency inherent in Bateson's position, and elaborating ways in which he pioneered aspects of late twentieth-century thought.
A re-issue of Gregory Bateson's classic work. It summarizes Bateson's thinking on the subject of the patterns that connect living beings to each other and to their environment.
This is an important first collection of essays, reflections and poems by Nora Bateson, the noted research designer, film-maker, writer and lecturer. She is the daughter of Gregory Bateson, president of the International Bateson Institute (IBI) and an adviser to numerous bodies at international and governmental level.
Gregory Bateson's work continues to touch others in fields as diverse as communication, ecology, anthropology, philosophy, family therapy, education, and mental/spiritual health. The authors in this special issue of Cybernetics & Human Knowing (C&HK) celebrate the Bateson Centennial.
From biology to culture to the new new economy, the buzzword on everyone's lips is "meme." How do animals learn things? How does human culture evolve? How does viral marketing work? The answer to these disparate questions and even to what is the nature of thought itself is, simply, the meme. For decades researchers have been convinced that memes were The Next Big Thing for the understanding of society and ourselves. But no one has so far been able to define what they are. Until now. Here, for the first time, Robert Aunger outlines what a meme physically is, how memes originated, how they developed, and how they have made our brains into their survival systems. They are thoughts. They are parasites. They are in control. A meme is a distinct pattern of electrical charges in a node in our brains that reproduces a thousand times faster than a bacterium. Memes have found ways to leap from one brain to another. A number of them are being replicated in your brain as you read this paragraph. In 1976 the biologist Richard Dawkins suggested that all animals -- including humans -- are puppets and that genes hold the strings. That is, we are robots serving as life support for the genes that control us. And all they want to do is replicate themselves. But then, we do lots of things that don't seem to help genes replicate. We decide not to have children, we waste our time doing dangerous things like mountain climbing, or boring things like reading, or stupid things like smoking that don't seem to help genes get copied into the next generation. We do all sorts of cultural things for reasons that don't seem to have anything to do with genes. Fashions in sports, books, clothes, ideas, politics, lifestyles come and go and give our lives meaning, so how can we be gene robots? Dawkins recognized that something else was going on. We communicate with one another and we get ideas, and these ideas seem to have a life of their own. Maybe there was something called memes that were like thought genes. Maybe our bodies were gene robots and our minds were meme robots. That would mean that what we think is not the result of our own creativity, but rather the result of the evolutionary flow of memes as they wash through us. What is the biological reality of an idea with a life of its own? What is a thought gene? It's a meme. And no one before Robert Aunger has established what it physically must be. This elegant, paradigm-shifting analysis identifies how memes replicate in our brains, how they evolved, and how they use artifacts like books and photographs and advertisements to get from one brain to another. Destined to inflame arguments about free will, open doors to new ways of sharing our thoughts, and provide a revolutionary explanation of consciousness, The Electric Meme will change the way each of us thinks about our minds, our cultures, and our daily choices.