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Stepping Off the Edge addresses the question of literary edges and endings in contemporary works of literature from France, the United States, Canada, and Latin America. The book includes discussion of works by nine different authors, including Anne Carson, Marie NDiaye, Paul Auster, and César Aira. It considers the way that specific texts identify and interrogate textual boundaries, and also draw attention to questions of closure. Each of these texts also reflects on the way we experience and write about edges and endings in our lives.
In this “seismically moving memoir” (The New York Times Book Review, Editors’ Choice), one woman asks a seemingly impossible question in the aftermath of her mother’s suicide: How do you mourn a loved one as you repair the injuries they inflicted? “Laura Trujillo resurfaces from the dark ‘sub-basement’ of despair with assurances for us all: There is hope. There is healing. Always, there is love. This book will save lives.”—Connie Schultz, author of The Daughters of Erietown ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker Laura Trujillo had been close to her mother for most of her adult life, raising her four children within a few miles of their beloved grandmother’s Phoenix home. But just three months after moving her young family to Cincinnati for a new job, Laura receives shocking news: Her mother had taken her own life—by jumping off a ledge into the Grand Canyon, a place Laura knew her mother had always loved. Laura and her mother had shared a profound and special bond, yet each had also kept from the other the deepest truths about their lives. As an adult, Laura finally broke her silence about the sexual abuse she had suffered as a teenager at the hands of her stepfather—a secret Laura had buried to protect her mother. After her mother’s death, Laura embarks on an emotional odyssey, searching for clues that could explain the depression, intergenerational trauma, and shared heartbreaks in her family. When she returns to the Grand Canyon, it becomes an oasis that nurtures Laura’s search for redemption and peace. As Laura wrestles with her feelings, she forges a new path forward. Moving and intimate, powerfully told, Stepping Back from the Ledge is a remarkable exploration of the bond between a mother and daughter, and of the hope that can come from facing the truth.
From debut author Cameron Kelly Rosenblum comes a stunning teen novel that tackles love, grief, and mental health as one girl must process her friend’s death and ultimately learn how to stand in her own light. Perfect for fans of All the Bright Places and We Were Liars. It’s the summer before senior year. Reid is in the thick of Scofield High’s in-crowd thanks to her best friend, Hattie, who has been her social oxygen since middle school. But summer is when Hattie goes to her family’s Maine island home. Instead of sitting inside for eight weeks, waiting for her to return, Reid and their friend, Sam, enter into a pact—to live it up, one party at a time. But days before Hattie is due home, Reid finds out the shocking news that Hattie has died by suicide. Driven by a desperate need to understand what went wrong, Reid searches for answers. In doing so, she uncovers painful secrets about the person she thought she knew better than herself. And the truth will force Reid to reexamine everything.
Stepping Off is a book for locals and travellers alike. It is the story of the south-western corner of Western Australia: an environmental history, a social history, an invitation to reconnect with the land – and in doing so, to reconnect with ourselves.
A teenage boy searches for revenge on the streets of Oakland The battle is nearly over. The outsiders—who came to Oakland looking for excitement—are about to get back on the highway and go home. But they hurt 1 of Zach’s friends, and he can’t let that stand. He hurls a chunk of concrete at their car, starting a fight that turns into a riot. The police flood the streets with teargas, and Zach gets lost in the chaos. In the melee, he finds something someone left behind—something that will poison his life. It’s a .38 pistol, and once he picks it up, he can’t let it go. Zach hates violence, but since he quit high school, he feels its power creeping into his life every day. When his father is shot during a robbery, Zach’s newly found pistol gives him the power to take revenge—if his heart will let him pull the trigger.
A STORY SET IN SOUTHERN AFRICA ABOUT EVERYTHING? YES EVERYTHING! IT IS A MIX OF FAMILY, ADVENTURE, ROMANCE, PAIN, HAPPINESS, LOVE AND THE NATURE OF "PERSPECTIVE" WHERE, FOR EXAMPLE, DARKNESS IS PERCIEVED AS A CAUSE FOR RECOGNISING AND VALUING LIGHT! YOU COULD SAY IT IS A MIX OF STORIES WHICH ILLUSTRATE THE FACT THAT IT IS ALWAYS THE 'CAUSE' WHICH BRINGS INTO BEING EVERYTHING THAT IS!WHAT YOU READ IN THIS BOOK DERIVES FROM TRUE INCIDENTS SPICED WITH POETIC LICENCE WHEREVER DEEMNED NECESSARY. THE PLACES SUCH AS COUNTRIES, TOWNS, CAMPS AND COUNTRYSIDES ARE REAL BUT THE NAMES OF THE CHARACTERS PORTRAYED ARE FICTIONAL AND THE PEOPLE POSING IN THE PHOTOGRAPHS ARE STANDING IN ON BEHALF OF THEM.
What would tempt a young woman to run off to a country she knew almost nothing about? I was that young woman. Fleeing a bitter divorce and my safe, but mundane, life I accepted a job in Saudi Arabia, a country that by all reports was the most austere on earth. I ran headlong into an unexpected adventure that would change my life forever. The Kingdom of Saudi Arabia - mysterious, beautiful and dangerous. A land of stunning desert landscapes where modern ways co-exist uneasily with ancient traditions. An enigma of a place where the state executioner is revered, where beautiful women shroud themselves in black, and ferocious desert sandstorms turn high noon into darkest night. Somewhere along the way I fell in love with the Middle East and its people, their proud history, and their gracious hospitality. This is my story.
James was only five years old and travelling home to Devon after holiday with his family in Scotland in 1986, when tragedy struck. The car was involved in a serious accident just outside Bristol, leaving him fighting for survival on life support. When he emerged from his coma, doctors discovered that he was seriously brain damaged, leaving the left side paralysed. Within the blink of an eye James had been transformed from a gregarious, fun-loving little boy into a rag doll. But with a lot of loving support, he began the long and difficult road to recovery. His attitude was inspirational, and for years he threw himself into rehabilitation. As James grew up he began to feel misunderstood and not able to reach the level of normality he so yearned for. He felt that there was no longer any point to his life. When James asked his doctor for help, the reality of his situation suddenly struck. Suicide would be the ultimate failure. This is the story of James' life and how he fought tooth and nail to stay alive. It is both his autobiography and a guide to personal development. Since making the conscious decision not to give up hope, James has gone on to travel the world and teach English abroad. James is open and honest about the things in which he has found great solace during his darkest hours, and he credits the teachings of Kabbalah, an increasingly popular form of Jewish mysticism, for helping him refocus his life. The singer Madonna, a long term exponent of the spiritual teaching, has been an inspirational figure for James. James is now a picture of good health; despite continued weakness in his left side and a limp, he walks confidently and with a purpose.
A hijacked tanker train loaded with fuel quickly becomes a high-octane weapon targeted at a massive oil field outside Dallas. The domestic terrorist group behind this savage plot is intent on delivering a double blow of homegrown hell by sending the U.S. economy an incendiary shockwave and slaughtering an entire community of migrant oil workers. Mack Bolan's mission turns into a death race to secure the speeding bomb and rescue the innocent hostages being used as human shields. When—and if—he succeeds, his directive expands to capturing the neo-Nazi leader alive. But Bolan's got a vengeance-hungry rogue FBI agent on his tail, taking aim at anyone standing in the way of his personal vendetta. And when the mission takes to the streets of Houston, Bolan joins a blood pursuit where only the winner survives.
This is a book about how we see: the environment around us (its surfaces, their layout, and their colors and textures); where we are in the environment; whether or not we are moving and, if we are, where we are going; what things are good for; how to do things (to thread a needle or drive an automobile); or why things look as they do. The basic assumption is that vision depends on the eye which is connected to the brain. The author suggests that natural vision depends on the eyes in the head on a body supported by the ground, the brain being only the central organ of a complete visual system. When no constraints are put on the visual system, people look around, walk up to something interesting and move around it so as to see it from all sides, and go from one vista to another. That is natural vision -- and what this book is about.