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Submerged in depression and grief after her husband Alonzo's hidden secrets are revealed, and her pastor is involved in a huge scandal, Jamie Clarke, once a devout Christian, decides to live a life of sin to soothe the pain until a near-death experience forces her to evaluate the path she has chosen.
Once you become a Christian you also become a part of a spiritual warfare and you must step out on faith. There will be some growing pains, but you can live the good life as you're shaped in the potter's hands. I've taken a walk on the dark side only to ask, "where is peace?" But thank God for the Lamb and the family love, reminding me to protect the fruit, while casting down imaginations and laying aside the besetting sin in my life. Jesus is now my Savior and his grace is sufficient for me. It's not about my way during times of temptation, but rather my way to escape as provided by God. He's my rock and my strength! At the end of the day I say an evening prayer, being reminded to put on the Whole armour of God!
The evolution of New York nightlife from the Gay Nineties through the Jazz Age was, as Lewis A. Erenberg shows, both symbol and catalyst of America's transition out of the Victorian period. Cabaret culture led the way to new styles of behavior and consumption, dissolving conventional barriers between classes, races, the sexes—even between life and art. A fabulous era of chorus girls, jazz players, lobster palaces, and hip flasks—the age of Sophie Tucker, Irene and Vernon Castle, and Gilda Gray—tangos through the pages of this ground-breaking, as well as entertaining, cultural history.
Whether a young person is beginning work full-time, continuing his or her education, or exploring the world, the time after high school graduation is a profound transition. Stepping Out On Your Own provides spiritual support that is important when developing new friendships and encountering new challenges. A meaningful gift from family, friends, and churches.
Simone Johnson has lived in hell and back again. She realizes that living in Hell becomes a continuous life style for her. She must love it because she keeps dating online meeting the same types of men with the same types of problems. Simone is ready to live a new life style with a different kind of love. She now has to pay the price for all her past mistakes. She does not realize that the best man for her has been sitting in front of her all along. Can she stop looking for online love to see whats right in front of her or will she continue paying the price to live in Hell? Simone has to change her mindset and stop looking for Mr. Right Now in order for Mr. Right to come along. Gordon Wilson is a educated man and one of the most gorgeous available men in the town of Rochester New York. Gordon is a church going man, professional man and a successful business man. He has a past like most of us and he allows his mother to have a part in it all. He has to come to terms with living in hell continuously or stepping out to conquer all things in his life. His main problem is that he uses his church image to attract women. Gordon is now on the hunt for a wife but he has some demons he has to conquer before moving forth into yet another relationship. Sinclair Rogers was totally out of control in her life. She starts out a professional dancer and ends up a stripper. She wants out of the game but does not know how to let go the glamor and the money. She wants a normal life, children and a man who can truly love her. Will she find a life of love in the strip club or will she have to turn her life over to a higher power to get control of all the HELL thats showing up in her life. You shouldnt find someone else until you find yourself. - Will Koz
Interest in the practice of spiritual direction has grown in recent years. With the increased number of people seeking direction have come a number of new issues confronting spiritual directors. This volume of essays by seasoned spiritual directors from a variety of faith traditions addresses issues of concern to directors today such as direction with: abused persons, the poor, church drop-outs, and gays and lesbians. Other essays look at spiritual direction in new contexts, such as the congregational setting, the corporate arena, spiritual direction and generational issues, and direction at the turn of the century. The final section of the book addresses some specific circumstances: working with the addicted, with those who are dying, using art in spiritual direction, and direction and social justice. Contributors include: Joseph D. Driskill (Pacific School of Religion, Berkeley, CA); Juan Reed (Chicago, IL); Rich Rossiter (Oak Park, IL); Sandra Lommason (Davis, CA); Howard Rice (Santa Rosa, CA); Tom Cashman (Federal Way, WA); Steven Charleston, Episcopal Divinity School; Barry Woodbridge (Rancho Cucamonga, CA); Margaret Guenther (Washington, D.C.); Betsy Caprio Hedburg (Culver City, CA) and Kenneth Leech, (London), Janet Ruffing, and Norvene Vest. The Spiritual Directors International Series – This book is part of a special series produced by Morehouse Publishing in cooperation with Spiritual Directors International (SDI), a global network of some 6,000 spiritual directors and members.
Long before today’s culture wars, the “Third Great Awakening” rocked America. During the late nineteenth and early twentieth centuries, evangelists such as Dwight L. Moody and Billy Sunday roused citizens to renounce sin as it manifested in popular culture, moral ambiguity, and the changing role of women. Sin in the City examines three urban revivals in turn-of-the-century Chicago to show how revivalists negotiated that era’s perceived racial, sexual, and class threats. While most studies of this movement have focused on its male leaders and their interactions with society, Thekla Ellen Joiner raises new questions about gender and race by exploring Third Awakening revivalism as the ritualized performance of an evangelical social system defined by middle-class Protestant moral aspirations for urban America. Rather than approaching these events merely as the achievements of persuasive men, she views them as choreographed collective rituals reinforcing a moral order defined by ideals of femininity, masculinity, and racial purity. Joiner reveals how revivalist rhetoric and ritual shifted from sentimentalist identification of sin with males to a more hard-nosed focus on females, castigating “loose women” whose economic and sexual independence defied revivalist ideals and its civic culture. She focuses on Dwight L. Moody’s 1893 World’s Fair revival, the 1910 Chapman-Alexander campaign, and the 1918 Billy Sunday revival, comparing the locations, organization, messages, and leaders of these three events to depict the shift from masculinized to feminized sin. She identifies the central role women played in the Third Awakening as the revivalists promoted feminine virtue as the corrective to America’s urban decline. She also shows that even as its definition of sin became more feminized, Billy Sunday’s revivalism began to conform to Chicago’s emerging color line. Enraged by rapid social change in cities like Chicago, these preachers spurred Protestant evangelicals to formulate a gendered and racialized moral regime for urban America. Yet, as Joiner shows, even as revivalists demonized new forms of entertainment, they used many of the modern cultural practices popularized in theaters and nickelodeons to boost the success of their mass conversions. Sin in the City shows that the legacy of the Third Awakening lives on today in the religious right’s sociopolitical activism; crusade for family values; disparagement of feminism; and promotion of spirituality in middle-class, racial, and cultural terms. Providing cultural and gender analysis too often lacking in the study of American religious history, it offers a new model for understanding the development of a gendered theology and set of religious practices that influenced Protestantism in a period of enormous social change.
When you get up in the morning, open your soldier’s manual and let it serve as your guide throughout the day to instructions and directions on how to walk, how to talk, and how to cope with everyday situations. It is no secret what God can do. What he’s done for others, he’ll do for you. Be armed and dangerous; know your soldier’s manual. Don’t leave home without it. And never lend it out to anyone for any reason. Bedell Group Initiative
Long before folks had a television set and radio in every room, they sought entertainment by stepping out for a night on the town. The choices around Cincinnati were nearly limitless: live theater at the Cox; spectacular musicals at the Shubert; hotels featuring fine dining and dance orchestras; talking pictures at everyoneA[a¬a[s favorite movie palaceA[a¬athe Albee; burlesque and vaudeville shows at the Empress Theater on Vine Street; and gambling casinos were just a short drive across the river in Newport. All of the major entertainment venues in the Queen City during the first half of the 20th century are explored in Stepping out in Cincinnati. From saloons to ornate movie palaces and from the Cotton Club to the Capitol, you join those pleasure seekers, getting a real sense of what they saw: wonderful events and their countless imagesA[a¬athe things of which fond memories were made. Today, those memories have faded and virtually all of the once-glittering showplaces have been bulldozed into history. But within these pages, we get to experience first hand what it was like to be there. Unique among the many photographs featuring unforgettable movie houses and nightclub orchestras are never-before-published images of actual live vaudeville performances onstage at the Shubert, plus rare, clandestine pictures snapped inside the casinos in Newport. Also revealed are the locations of the better-known speakeasies during Prohibition; where the best halls to dance to live orchestras were; what the earliest movie houses were like; and what black Cincinnatians did for entertainment.