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Stephen Stills is one of the last remaining music legends from the rock era without a biography. During his six-decade career, he has played with all the greats. His career sky-rocketed when Crosby, Stills & Nash played only their second gig together at Woodstock in 1969. With the addition of Neil Young, the band would go on to play the first rock stadium tour in 1974. Stephen Stills is the only person to have been inducted twice in one night into The Rock and Roll Hall of Fame.
A founding member of the bands Crosby, Stills, Nash & Young and the Hollies shares the story of his life from his youth in post-war England through his creative relationship with Joni Mitchell and his career as a solo musician and political activist
The first and most complete narrative biography of Crosby, Stills, Nash and Young, by acclaimed music journalist and Rolling Stone senior writer David Browne "Riveting." -People Magazine "This is one of the great rock and roll stories." -New York Times Book Review Even in the larger-than-life world of rock and roll, it was hard to imagine four more different men. Yet few groups were as in sync with their times as Crosby, Stills, Nash & Young. Starting with the original trio's landmark 1969 debut album, their group and individual songs-"Wooden Ships," "Ohio," "For What It's Worth" (with Stills and Young's Buffalo Springfield)-became the soundtrack of a generation. But their story would rarely be as harmonious as their legendary vocal blend. Over the decades, these four men would continually break up, reunite, and disband again-all against a backdrop of social and musical change, recurring disagreements, and self-destructive tendencies that threatened to cripple them as a group and as individuals. In Crosby, Stills, Nash & Young: The Wild, Definitive Saga of Rock's Greatest Supergroup, Rolling Stone senior writer David Browne presents the ultimate deep diveinto rock and roll's most musical and turbulent brotherhood. Featuring exclusive interviewswith band members, colleagues, fellow superstars, former managers, employees,and lovers-and with access to unreleased music and documents-this is the sweepingstory of rock's longest-running, most dysfunctional, yet pre-eminent musical family,delivered with the epic feel their story rightly deserves.
DeCurtis reveals his ongoing engagement with rock music as artistic forum, source of personal inspiration, and compelling site of cultural struggle in more than 20 years as a critic.
Set against a backdrop of world-changing historical and political events, Fire and Rain tells the extraordinary story of one pivotal year in the lives and music of four legendary artists, and reveals how these artists and their songs both shaped and reflected their times. Drawing on interviews, rare recordings, and newly discovered documents, acclaimed journalist David Browne “allows us to see—and to hear—the elusive moment when the '60s became the '70s in a completely fresh way” (Mark Harris, author of Pictures at a Revolution).
“Surely make you lose your mind…” So the Eagles warn us about the outrageous and ruthless lifestyle of the ambitious rock-n-roller. In fact, Don Henley could barely listen to the track “Life in the Fast Lane” when they were recording it. He was so high that it made him sick. The band that embodied the American dream with globe-straddling success, impossibly luxurious lives, and almost supernatural talent also descended into nightmare with bloodletting betrayal, hate-filled hubris, the skeletons of perceived enemies, brutally discarded lovers and former band mates left unburied in the road behind them. The Eagles’ story is a truly gothic American fable: one of ultimate power and rivers of money; of sex and drugs at a time when both were the lingua-franca of sophisticated So-Cal living; of a band who sang of peaceful easy feelings in public while threatening to kill each other in private. Now, legendary rock journalist Mick Wall delivers definitive insight into America's best-selling band of all time, a band that has sold more records than Led Zeppelin and the Rolling Stones combined, exploring their meteoric rise to fame and the hedonistic days of the 70s music scene in LA, when American music was taking over the world.
Analyses the recorded work of rock music icon Neil Young. The book follows the evolution of Young's musical work from the late 1960s to the present, with special focus on the enduring elements that have made his music successful. Neil Young cannot be simply labelled. He has recorded as a solo artist, as a member of a hard rock trio, and with numerous other musician configurations. He can move from the soft sounds of early 1970s acoustic folk to the distorted, fuzz guitar sound of Crazy Horse. And his compositions have responded to musical trends from punk rock to grunge, and to social issues like racism, the Vietnam War, and war in Iraq as well. Individual chapters cover Young's musical output album by album, and song by song - from his debut work with Buffalo Springfield, to his time with Crosby, Stills, Nash & Young, to his solo work within various genres and for various causes (some political, but all artistic). In his conclusion, Bielen sums up Neil Young's accomplishments and places his work in the context of contemporary culture. A discography and bibliography round out the work.
Detectives Price and McKeon are called to the scene -- a husband and wife found slumped in their car, parked sideways on a busy downtown on-ramp, a bullet in each of their heads. That's what's in the papers, and that's all the public sees. Toronto the Good, with occasional specks of random badness. But behind that disposable headline, Toronto's shadow city sprawls outwards, a grasping and vicious economy of drugs, guns, sex, and gold bullion. And that shadow city feels just like home for Get -- a Detroit boy, project-raised, ex-army, Iraq and Afghanistan, only signed up for the business opportunities, plenty of them over there. Now he's back, and he's been sent up here by his family to sell guns to Toronto's fast-rising biker gangs, maybe even see about a partnership. The man Get needs to talk to is Nugs, leader of the Saints of Hell. Nugs is overseeing unprecedented progress, taking the club national, uniting bikers coast-to-coast (by force if necessary), pushing back against the Italians, and introducing a veneer of respectability. Beards trimmed to goatees, golf shirts instead of leather jackets, and SUVs replacing the bikes. And now the cops can't tell the difference between bikers and bankers. Detectives Price and McKeon? All they can do is watch and grimace and drink, and sweep up the detritus left in crime's wake -- dead hookers, cops corrupted and discarded, anyone else too slow and weak to keep up, or too stupid not to get out of the way. This is Toronto's shadow city, and you won't recognize it. "Canada's answer to Elmore Leonard is going places . . ." -- Toronto Star.
FIELD & STREAM, America’s largest outdoor sports magazine, celebrates the outdoor experience with great stories, compelling photography, and sound advice while honoring the traditions hunters and fishermen have passed down for generations.