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A world-class colorist of international standing in modern glass, Stephen Rolfe Powell creates his work in a quiet outpost of rural Kentucky. His art and his life bridge other such divides. The radiant murrini skins of his glass vessels have an old Italian pedigree, yet his making techniques are radically American in their dramatic individuality. He is an award-winning classroom professor and a generous ambassador for glass, yet he is at the same time so uncompromising in his dedication to his creative work that he stands among modern glass's most nuanced seekers after the eternally sensual and elusive mysteries of light and color. An illustrated chronicle of Powell's glass-blowing career, this book charts the evolution of Powell's remarkable body of work. Dazzling photographic close-ups detail the luminous murrini patterns that have become Powell's signature and reveal new ways of appreciating the complex interplay of color and texture in his art. Biographical and analytical essays by Mark Lucas, Laurie Winters, and James Yood explore such topics as the teamwork that is critical to Powell's unique glass making process; his teaching and learning experiences on the road, from the former Soviet Union to Salt Lake City during the Olympics; and the story of the two freak injuries that deeply affected his work and how he thinks about it. Reflections by Kenn Holsten, Marvin Lipofsky, Dante Marioni, Bonnie Marx, John Roush, and Lino Tagliapietra further supplement the book. The book's stunning photographs encourage the viewer to see Powell's work from different viewpoints, highlighting the unique interactions of transparent, opaque, and translucent glass and Powell's bold color combinations. Stephen Rolfe Powell: Glassmaker vividly portrays the tension and excitement involved in the artist's nontraditional, team approach to working with molten glass.
Holistic nutritionist and highly-regarded blogger Sarah Britton presents a refreshing, straight-forward approach to balancing mind, body, and spirit through a diet made up of whole foods. Sarah Britton's approach to plant-based cuisine is about satisfaction--foods that satiate on a physical, emotional, and spiritual level. Based on her knowledge of nutrition and her love of cooking, Sarah Britton crafts recipes made from organic vegetables, fruits, whole grains, beans, lentils, nuts, and seeds. She explains how a diet based on whole foods allows the body to regulate itself, eliminating the need to count calories. My New Roots draws on the enormous appeal of Sarah Britton's blog, which strikes the perfect balance between healthy and delicious food. She is a "whole food lover," a cook who makes simple accessible plant-based meals that are a pleasure to eat and a joy to make. This book takes its cues from the rhythms of the earth, showcasing 100 seasonal recipes. Sarah simmers thinly sliced celery root until it mimics pasta for Butternut Squash Lasagna, and whips up easy raw chocolate to make homemade chocolate-nut butter candy cups. Her recipes are not about sacrifice, deprivation, or labels--they are about enjoying delicious food that's also good for you.
A highly illustrated,important volume inspired by the way craft artists have unitedduring the COVID pandemic and engaged in artistic conversations about race,gender, and inclusivity. During thesummer of 2020, the space outside the Renwick Gallery--the Smithsonian AmericanArt Museum's dedicated museum for contemporary craft and decorative arts--becamehome to a new discussion about racial justice on Black Lives Matter Plaza. Thecurators at the Renwick Gallery felt the need to align themselves with what wasgoing on right outside the Gallery's door, the organizing rationale forunderstanding the objects presented in this volume, many of which are newacquisitions. The title istaken from Alicia Eggert's 2019-2020 eponymous neon work, and the 85 objects inthe main plates section lead the reader from the idea of shelter, throughlayers of expanding spaces to the vast expanses of the universe. The volume looksat contemporary American craft "in the whirlwind of now" revealingpossibilities for contemporary makers to respond to a more empathetic future.
"This book takes you through the collection gallery by gallery, illuminating the art and installations in each room"--From preface.
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When a culture reawakens, that renewal can come in many forms. This book is part of the Myaamia community's ongoing cultural revitalization and aims to educate about the rich history of Miami patterns and their application to ribbonwork beginning in the late 1700s. Myaamia people used the geometric ribbonwork to adorn clothing for special occasions for both men and women, especially leggings, skirts and moccasins.This text is designed to assist in the reawakening of ribbonwork among the Miamis and includes:A history of Miami ribbonwork showing how the geometric patterns were used with other materials as well.Instructions for 3 ribbonwork projects, along with a list of necessary supplies and illustrated explanations of the various stitches used.Images of historic Miami ribbonwork found in North American collections.Examples of contemporary uses for ribbonwork patterns to help inspire community members to find ways to bring ribbonwork patterns into their daily lives.
Chihuly is a supremely imaginative master of technique and bravura. Extraordinary, magical glass is his stock-in-trade, and the Silvered series is among the most technically ambitious and aesthetically adventurous art of his career so far. Jennifer Opie, from the introduction Though Chihuly first experimented with the effects of silvered glass in 1996, it wasn't until 2009 that he began to explore the full range of possibilities that silvering glass could have for his work, in particular in his Cylinder and Venetians series. The Silvered series that emerged from this experimentation is remarkably striking and singular for its stunning use of color and light. By using silvered glass Chihuly is able to extend the reflective quality of the glass to manipulate the colors in the works and, in some cases, to magnify the dimensionality and articulation of form. With an introduction by Jennifer Opie that places Chihuly's silvered glass in its broader historical context, Chihuly Silvered is the first comprehensive survey of Dale Chihuly's work using silvered glass showcasing the unique beauty of his newest series.
Bushido: the samurai code of Japan is one of the most influential books ever written on "the way of the warrior." A classic study of Japanese culture, the book outlines the moral code of the samurai way of living and the virtues every warrior holds dear. In Bushido, Nitobe points out similarities between Western and Japanese history and culture. He argues that "no matter how different any two cultures may appear to be on the surface, they are still created by human beings, and as such have deep similarities." Nitobe believed that connecting Bushido with greater teachings could make an important contribution to all humanity, that the way of the samurai is not something peculiarly Japanese, but of value to the entire human race.