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"My guiltiest pleasure is Harry Stephen Keeler. He may been the greatest bad writer America has ever produced. Or perhaps the worst great writer. I do not know. There are few faults you can accuse him of that he is not guilty of. But I love him." -- Neil Gaiman What would you do if you were Angus MacWhorter, owner of the Biggest Little Circus on Earth, and you’d been offered $3000 for just ten minutes alone with the two-headed child who at one time was the star feature of the circus? Why, you'd send your right hand man, Brock Colburn, to Chicago to check up on the offering party. The trouble is, Brock is wanted in Chitown for an old felony he didn't commit, and any sleuthing he does is going to have to be under deep cover. If only Brock could meet some sympathetic person who could help him, someone like Ardis Waring -- Mrs. Ardis Waring. And let's not even mention the Chinese laundryman known as Ah Hell. Yes, Ah Hell. Let’s don't mention him.
In this collection, 26 stories chronicle deep metamorphosis, where by a lesson, a journey, discoveries, the confluence of ideas, an accident or some other more esoteric circumstances, we become more attuned to the connections - and distances - between the inner and outer worlds than perhaps we were at the beginning. We grow wings, take flight, and start all over again.
Stephen King's fiction has formed the basis of more motion picture adaptations than any other living author. His earliest short stories, collected in the Night Shift anthology, have been adapted into hit features including Creepshow, Children of the Corn, Cat's Eye, Maximum Overdrive, Graveyard Shift, Sometimes They Come Back, and The Mangler. Through his "Dollar Baby" program, King licensed several Night Shift stories to aspiring filmmakers for just one dollar each, resulting in numerous student film adaptations. This book critically examines and contextualizes adaptations of the Night Shift short stories, from big box office features to relatively unknown student films. It illuminates how each film is a uniquely and intricately collaborative endeavor, and charts the development of each adaptation from first option to final cut. Through old and new interviews with the creators, the work explores how filmmakers continue to reinvent, reimagine, remake and reboot King's stories.
“Extraordinary...beautifully precise...[an] earnestly ambitious debut.” —The New York Times Book Review “A wild, angry, and devastating masterpiece of a book.” —NPR “[A] descendent of the Dickensian ‘social novel’ by way of Jonathan Franzen: epic fiction that lays bare contemporary culture clashes, showing us who we are and how we got here.” —O, The Oprah Magazine “A book that has stayed with me ever since I put it down.” —Seth Meyers, host of Late Night with Seth Meyers One sweltering night in 2013, four former high school classmates converge on their hometown in northeastern Ohio. There’s Bill Ashcraft, a passionate, drug-abusing young activist whose flailing ambitions have taken him from Cambodia to Zuccotti Park to post-BP New Orleans, and now back home with a mysterious package strapped to the undercarriage of his truck; Stacey Moore, a doctoral candidate reluctantly confronting her family and the mother of her best friend and first love, whose disappearance spurs the mystery at the heart of the novel; Dan Eaton, a shy veteran of three tours in Iraq, home for a dinner date with the high school sweetheart he’s tried desperately to forget; and the beautiful, fragile Tina Ross, whose rendezvous with the washed-up captain of the football team triggers the novel’s shocking climax. Set over the course of a single evening, Ohio toggles between the perspectives of these unforgettable characters as they unearth dark secrets, revisit old regrets and uncover—and compound—bitter betrayals. Before the evening is through, these narratives converge masterfully to reveal a mystery so dark and shocking it will take your breath away.
Yours"re no idiot, of course. You know itrs"s important to get your affairs in order, and yours"re working on it. Really. But when you try to figure out how all the new tax laws affect you, you feel like yours"re headed for an early grave.... Take control of your financial life-and afterlife! Pick up The Complete Idiotrs"s Guidereg; to Wills and Estates, Second Edition, and discover how easy estate planning can be. In this newly updated and revised Complete Idiotrs"s Guidereg;, you get: --An idiot-proof introduction to recent changes in estate- planning rules and tax laws. --Practical advice on choosing whether a trust or will is better for you. --Simple strategies for navigating probate and the court system. --Information on planning for special situations such as minor children, bankruptcy, weddings, ex-spouses, grandchildren, college funds, and more!
For decades, movies and television shows have portrayed FBI agents as fearless heroes leading glamorous lives, but this refreshingly original memoir strips away the fantasy and glamour and describes the day-to-day job of an FBI special agent. The book gives a firsthand account of a career in the Federal Bureau of Investigation from the academy to retirement, with exciting and engaging anecdotes about SWAT teams, counterterrorism activities, and undercover assignments. At the same time, it challenges the stereotype of FBI agents as arrogant, case-stealing, suit-wearing stiffs with representations of real people who carry badges and guns. With honest, self-deprecating humor, Steve Moore's narrative details his successes and his mistakes, the trauma the job inflicted on his marriage, his triumph over the aggressive cancer that took him out of the field for a year, and his return to the Bureau with renewed vigor and dedication to take on some of the most thrilling assignments of his career. Steve Moore is a former agent of the Federal Bureau of Investigation who had assignments as a SWAT team operator, sniper, pilot, counterterrorist, and undercover agent. He received multiple awards from the Department of Justice before his retirement in 2008, has written two episodes for an FBI-themed TV series, and is a regular commentator for Headline News. He lives in Thousand Oaks, California.
Stephen Frears has a career approaching over half-a-century, directing films of astonishing variety, beauty, and daring, and yet many often have trouble remembering his name. The Ironic Filmmaking of Stephen Frears celebrates this great filmmaker, beginning with a short biography of Frears, general observations on unifying themes and styles in his oeuvre, and the characterization of his manner of directing. By focusing on 10 key films, Lesley Brill finds coherence in Frears' characteristic irony and in his concentration on many kinds of love. In movies such as My Beautiful Laundrette, Dangerous Liaisons, High Fidelity, The Queen, Philomena, and many others, Frears portrays widely varied situations and characters with a combination of insight, skepticism, and sympathy. He has the passionate, unjudgmental focus of an artist who stands simultaneously at a distance from his subjects and within their worlds. Through Frears' work is widely admired, Brill argues that he has attracted little scholarly writing because of a combination of the diffidence of his self-presentation and the difficulty of explicating the complex ideas and characters of his films. The Ironic Filmmaking of Stephen Frears is meant to inspire others to further examine his films individually and his career as a whole.
Oh I Do Like to Be Beside the Seaside - Christopher Fowler Christopher Fowler explains "'. . . Seaside' came about firstly because I was commissioned to write a story for the World Horror Convention souvenir book and, as the event was to take place in Brighton, it seemed logical to set a tale on the South coast of England. "I had written a fantasy novel, Calabash, some years earlier, hinting at the dark madness of such seaside towns, which are the antithesis of their Mediterranean counterparts. I thought of the depressing Morrissey song "Every Day is Like Sunday", which captures the awfulness of English resorts. "Coincidentally, Kim Newman and I were discussing the inherent creepiness of pantomime dames, and I decided it was time to give vent to my horror of these coastal pleasure domes. I wish I'd thought to include screaming gangs of hen-nighters as well. And I thought it was a nice touch to have everyone in the story telling the hero to 'fuck off' until he finally does." Featherweight - Robert Shearman "I don't like writing at home much," admits the author. "Home is a place for sleeping and eating and watching afternoon game shows on TV. There are too many distractions. So, years ago, I decided I'd only write first drafts in art galleries. "And the best of them all is the National Gallery, in London, a pigeon's throw from Nelson's Column. I can walk around there with my notebook, thinking up stories - and if I get bored, there are lots of expensive pictures to look at. Perfect. "A lot of those paintings, however, have angels in them. They're all over the place, wings raised, halos gleaming - perching on clouds, blowing trumpets, hovering around the Virgin Mary as if they're her strange naked childlike bodyguards. And I began to notice. That, whenever the writing is going well, the angels seemed happy, and would smile at me. And whenever the words weren't coming out right, when I felt sluggish, when I thought I'd rather take off and get myself a beer, they'd start to glare. "I wrote this story in the National Gallery. Accompanied by a lot of glaring angels. Enjoy." Lesser Demons - Norman Partridge "I was surprised to receive an invitation for S.T. Joshi's Black Wings," reveals Partridge, "an anthology of Lovecraftian fiction. Although I knew S.T. admired my work, I've never quite seen myself as a Mythos writer. "While I respect H.P. Lovecraft and his contribution to horror, I've never felt that his worldview (or maybe I should say universeview) meshed with mine. "In the end, that's what made the story work . . . at least for me. I concentrated on my differences with Lovecraft, and approached the material from a place where Jim Thompson would be more comfortable than HPL. And I'm delighted that so many people have enjoyed the tale - it was a lot of fun to write."
From Kevin Brockmeier, one of this generation's most inventive young writers, comes a striking new novel about death, life, and the mysterious place in between. The City is inhabited by those who have departed Earth but are still remembered by the living. They will reside in this afterlife until they are completely forgotten. But the City is shrinking, and the residents clearing out. Some of the holdouts, like Luka Sims, who produces the City’s only newspaper, are wondering what exactly is going on. Others, like Coleman Kinzler, believe it is the beginning of the end. Meanwhile, Laura Byrd is trapped in an Antarctic research station, her supplies are running low, her radio finds only static, and the power is failing. With little choice, Laura sets out across the ice to look for help, but time is running out. Kevin Brockmeier alternates these two storylines to create a lyrical and haunting story about love, loss and the power of memory.