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Stephane Beel made his surprising debut in 1985 with a house in Zoersel, in which he brilliantly transformed all the details of the site to create an extraordinary home. Since then he has pulled off several similar feats. At Villa M. in Zedelgem, he converted an overgrown farmhouse garden into an inhabitable enclosed structure, and in 1996, he transformed a dairy farm in Eekio, Belgium into an office building. This book includes an essay by Bekaert, a conversation between Beel, Mil de Kooning, and Verschaffel, and a complete list of Beel's work.
This is the long-awaited overview of the recent works of architect Stéphane Beel. As productive and
As cities evolve architects are constantly searching for appropriate architectonic solutions, and in this book the authors present a systematic examination of innovative single-family houses and residential buildings in the context of presentday cities. The latest developments are reviewed in essays and thematic chapters discuss such topics as lowenergy building, the use of prefabricated materials, or low-budget building. A range of international examples from architects such as Wiel Arets, Shigeru Ban, Ben van Berkel, Kees Christiaanse, Philippe Gazeau, Frank O. Gehry, Steven Holl, Hans Kollhoff, Morger & Degelo, MVRDV, Jean Nouvel, Kas Oosterhuis, illustrate the subjects discussed. "Housing" and "Single-Family Housing" were previously published separately, each proving hugely popular. Now both volumes have been incorporated into a single, lowpriced edition.
How might we develop products made with and by disabled users rather than for them? Could we change living and working spaces to make them accessible rather than designing products that "fix" disabilities? How can we grow our capabilities to make designs more “bespoke” to each individual? After Universal Design brings together scholars, practitioners, and disabled users and makers to consider these questions and to argue for the necessity of a new user-centered design. As many YouTube videos demonstrate, disabled designers are not only fulfilling the grand promises of DIY design but are also questioning what constitutes meaningful design itself. By forcing a rethink of the top-down professionalized practice of Universal Design, which has dominated thinking and practice around design for disability for decades, this book models what inclusive design and social justice can look like as activism, academic research, and everyday life practices today. With chapters, case studies, and interviews exploring questions of design and personal agency, hardware and spaces, the experiences of prosthetics' users, conventional hearing aid devices designed to suit personal style, and ways of facilitating pain self-reporting, these essays expand our understanding of what counts as design by offering alternative narratives about creativity and making. Using critical perspectives on disability, race, and gender, this book allow us to understand how design often works in the real world and challenges us to rethink ideas of "inclusion" in design.
Michel Desvigne is no doubt the most high-profile French landscape architect working today. This thematic monograph documents the key elements of Desvigne’s work in individual chapters: processes of transformation, geography, territory, urban structures, and public squares.
"How can architecture contribute to society? By delivering projects that are tailor-made, and through designs that reveal a cultural and social purpose. ... Recent developments in architecture are covered in thirteen essays. Under four main headings - life, city, scale and form - they deal with comtemporary issues regarding communal space, reuse and repurposing, the status of the public domain, and a visual language for large-scale interventions in the city."--Back cover.
Michel Desvigne is no doubt the most high-profile French landscape architect working today. He collaborates with architects like Richard Rogers, Norman Foster, Renzo Piano, Ieoh Ming Pei, Herzog and de Meuron, and Jean Nouvel, and his projects are synonymous with a strong strategic and conceptual component, influenced by insights from geography. Traffic projects also play an important role in his work – they underscore the competence of landscape architecture in matters of city planning. This thematic monograph documents the key elements of Desvigne’s work in individual chapters: processes of transformation, geography, territory, urban structures, and public squares. Each of these themes is vividly illustrated by selected projects, including the Walker Art Center in Minneapolis, the Dallas Center for the Performing Arts, the French Ministry of Culture in Paris, and Keio University in Tokyo.