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Sterling Glass has built a nice appraisal business in her small Virginia town. She's sought after to examine antiques, research their history, present her clients with approximate values, and help them distinguish good antiques from not so good ones. And when family skeletons are unearthed among the heirlooms, she is the soul of discretion. It's a world she navigates with ease. But that's before she's called in to examine a diamond brooch found tucked inside an oven mitt over at the Salvation Army thrift store. And before the appraisal of an extremely modest estate turns up a tea urn—hidden inside a basket—worth at least fifty grand. Things aren't adding up, and Sterling, never one to let go of loose ends, starts asking questions. It's not long before she uncovers an intricate plot involving a slew of antique pieces, the oldest families in Leemont, some sophisticated scammers, crooked antiques dealers, and shifty people at the best New York auction houses. Add to that one elderly man who's just trying to preserve his family's treasured collection of bronze and ivory Art Deco sculptures, and suddenly Sterling finds herself ensnared in a mystery laced with greed, deceit, and danger. Stealing with Style, the first in the Sterling Glass series, introduces a writer of great wit who has a grand sense of the mystery hidden in our most treasured possessions.
A concise introduction to the genre about that one last big score, The Heist Film: Stealing With Style traces this crime thriller's development as both a dramatic and comic vehicle growing out of film noir (Criss Cross, The Killers, The Asphalt Jungle), mutating into sleek capers in the 1960s (Ocean's Eleven, Gambit, How to Steal a Million) and splashing across screens in the 2000s in remake after remake (The Thomas Crown Affair, The Italian Job, The Good Thief). Built around a series of case studies (Rififi, Bob le Flambeur, The Killing, The Lavender Hill Mob, The Getaway, the Ocean's trilogy), this volume explores why directors of such varied backgrounds, from studio regulars (Siodmak, Crichton, Siegel, Walsh and Wise) to independents (Anderson, Fuller, Kubrick, Ritchie and Soderbergh), are so drawn to this popular genre.
Encourages mothers to turn to their daughters for style advice in order to look current.
Kennedy's guide discusses the fashion and beauty secrets of 25 fabulously chic women (i.e., Audrey Hepburn, Brigitte Bardot, Jacqueline Kennedy Onassis, Twiggy, Marilyn Monroe, Grace Kelly, and others) and how the reader can adapt each icon's style to her own figure and taste.
Despite being the hottest new model around, all Axelle wants to do is solve mysteries. So when a fabulous diamond goes missing from a fashion shoot, the world's only undercover model slips on her sky-high heels to catch the culprit. Axelle thinks she's solved the crime until things take an unexpected turn... and her gorgeous sidekick Sebastian goes missing too. Axelle's feeling the heat in New York and not just because it's fashion week.
Europeans are in denial. Against a backdrop of Islamophobia, they are increasingly distancing themselves from their cultural debt to the Muslim world. But while the legacy of Islam and the Middle East is in danger of being airbrushed out of Western history, its traces can still be detected in some of Europe's most recognisable monuments, from Notre-Dame to St Paul's Cathedral. In this comprehensively illustrated book, Diana Darke sets out to redress the balance, revealing the Arab and Islamic roots of Europe's architectural heritage. She tracks the transmission of key innovations from the great capitals of Islam's early empires, Damascus and Baghdad, via Muslim Spain and Sicily into Europe. Medieval crusaders, pilgrims and merchants from Europe later encountered Arab Muslim culture in journeys to the Holy Land. In more recent centuries, that same route through modern-day Turkey connected Ottoman culture with the West, leading Sir Christopher Wren himself to believe that Gothic architecture should more rightly be called 'the Saracen style', because of its Islamic origins. Recovering this overlooked story within the West's long history of borrowing from the Islamic world, Darke sheds new light on Europe's buildings and offers rich insights into the possibilities of cultural exchange.
A funny autobiographical tale about growing up in the digital age, from a groundbreaking author whose writing is “reminiscent of early Douglas Coupland, or early Bret Easton Ellis” (The Guardian) This autobiographical novella is described by the author as “a shoplifting book about vague relationships,” and “an ultimately life-affirming book about how the unidirectional nature of time renders everything beautiful and sad.” From VIP rooms in hip New York City clubs to central booking in Chinatown, from New York University’s Bobst Library to a bus in someone’s backyard in a Floridian college town, from Bret Easton Ellis to Lorrie Moore, and from Moby to Schumann, Shoplifting from American Apparel explores class, culture, and the arts in all their American forms through the funny, journalistic, and existentially-minded narrative of someone trying to both “not be a bad person” and “find some kind of happiness or something.” “Tao's writing . . . has the force of the real.” —Ben Lerner, author of The Topeka School
Hoyt and Mazie Wyndfield were the sort of couple that everyone admired. Charming and elegant, they'd furnished their Virginia manor house, Wynderly, with beautiful antiques and rare treasures from their exotic travels. So it was natural that after their death Wynderly would become a treasured museum. But a burglary exposed more than a simple theft. Hired to assess the value of the broken and missing antiques, intrepid appraiser and amateur sleuth Sterling Glass finds that her job is more complicated than she'd anticipated. Why would this well-heeled couple have so many fakes among the extremely valuable antiques? Working her way through uncovered diaries, old receipts, and one hidden room after another, Sterling finds the plot - and the players - ever-expanding in this mystery of provenance and deception.
Chad Walker may be a take-no-chances man with a plan, but there's no way Amelia Snyder is going to let her best bud marry Mean Girl #1—even if the wedding is solely so he can secure the controlling shares in his family's company. But free-spirited Amelia's at-the-altar groomnapping scheme takes a surprising turn when she ends up as the blushing bride instead. Suddenly, with Amelia living in her handsome husband's home—in his bedroom, no less—she starts to reconsider their strictly platonic arrangement. But Chad's always been strictly anti-risk and definitely anti-love, and betting a lifetime of best friendship on the chance at forever might be the biggest gamble of all. Each book in the Stealing the Heart series is a standalone, full-length story that can be enjoyed out of order. Series Order: Book #1 Stealing the Groom Book #2 Resisting Her Rival Book #3 Stealing the Bachelor
A fascinating chronicle of how celebrity has inundated the world of fashion, realigning the forces that drive both the styles we covet and the bottom lines of the biggest names in luxury apparel. From Coco Chanel’s iconic tweed suits to the miniskirt’s surprising comeback in the late 1980s, fashion houses reigned for decades as the arbiters of style and dictators of trends. Hollywood stars have always furthered fashion’s cause of seducing the masses into buying designers’ clothes, acting as living billboards. Now, forced by the explosion of social media and the accelerating worship of fame, red carpet celebrities are no longer content to just advertise and are putting their names on labels that reflect the image they—or their stylists—created. Jessica Simpson, Jennifer Lopez, Sarah Jessica Parker, Sean Combs, and a host of pop, sports, and reality-show stars of the moment are leveraging the power of their celebrity to become the face of their own fashion brands, embracing lucrative contracts that keep their images on our screens and their hands on the wheel of a multi-billion dollar industry. And a few celebrities—like the Olsen Twins and Victoria Beckham—have gone all the way and reinvented themselves as bonafide designers. Not all celebrities succeed, but in an ever more crowded and clamorous marketplace, it’s increasingly unlikely that any fashion brand will succeed without celebrity involvement—even if designers, like Michael Kors, have to become celebrities themselves. Agins charts this strange new terrain with wit and insight and an insider’s access to the fascinating struggles of the bold-type names and their jealousies, insecurities, and triumphs. Everyone from industry insiders to fans of Project Runway and America's Next Top Model will want to read Agins’s take on the glitter and stardust transforming the fashion industry, and where it is likely to take us next.