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It's a familiar story: a beautiful woman is abducted and her husband journeys to recover her. This story’s best-known incarnation is also a central Greek myth—the abduction of Helen that led to the Trojan War. Stealing Helen surveys a vast range of folktales and texts exhibiting the story pattern of the abducted beautiful wife and makes a detailed comparison with the Helen of Troy myth. Lowell Edmunds shows that certain Sanskrit, Welsh, and Old Irish texts suggest there was an Indo-European story of the abducted wife before the Helen myth of the Iliad became known. Investigating Helen’s status in ancient Greek sources, Edmunds argues that if Helen was just one trope of the abducted wife, the quest for Helen’s origin in Spartan cult can be abandoned, as can the quest for an Indo-European goddess who grew into the Helen myth. He explains that Helen was not a divine essence but a narrative figure that could replicate itself as needed, at various times or places in ancient Greece. Edmunds recovers some of these narrative Helens, such as those of the Pythagoreans and of Simon Magus, which then inspired the Helens of the Faust legend and Goethe. Stealing Helen offers a detailed critique of prevailing views behind the "real" Helen and presents an eye-opening exploration of the many sources for this international mythical and literary icon.
For 3,000 years, the woman known as Helen of Troy has been both the ideal symbol of beauty and a reminder of the terrible power beauty can wield.In her search for the identity behind this mythic figure, acclaimed historian Bettany Hughes uses Homer’s account of Helen’s life to frame her own investigation. Tracing the cultural impact that Helen has had on both the ancient world and Western civilization, Hughes explores Helen’s role and representations in literature and in art throughout the ages. This is a masterly work of historical inquiry about one of the world’s most famous women.
What the ancient Greeks thought and believed about Egypt and what this tells us about them.
V. 12 contains: The Archer...Christmas, 1877.
The beautifully written story of shells and their makers, and our relationships with them. Seashells are the sculpted homes of a remarkable group of animals: the molluscs. These are some of the most ancient and successful animals on the planet. But watch out. Some molluscs can kill you if you eat them. Some will kill you if you stand too close. That hasn't stopped people using shells in many ways over thousands of years. They became the first jewelry and oldest currencies; they've been used as potent symbols of sex and death, prestige and war, not to mention a nutritious (and tasty) source of food. Spirals in Time is an exuberant aquatic romp, revealing amazing tales of these undersea marvels. Helen Scales leads us on a journey into their realm, as she goes in search of everything from snails that 'fly' underwater on tiny wings to octopuses accused of stealing shells and giant mussels with golden beards that were supposedly the source of Jason's golden fleece, and learns how shells have been exchanged for human lives, tapped for mind-bending drugs and inspired advances in medical technology. Weaving through these stories are the remarkable animals that build them, creatures with fascinating tales to tell, a myriad of spiralling shells following just a few simple rules of mathematics and evolution. Shells are also bellwethers of our impact on the natural world. Some species have been overfished, others poisoned by polluted seas; perhaps most worryingly of all, molluscs are expected to fall victim to ocean acidification, a side-effect of climate change that may soon cause shells to simply melt away. But rather than dwelling on what we risk losing, Spirals in Time urges you to ponder how seashells can reconnect us with nature, and heal the rift between ourselves and the living world.
The national bestselling author presents a high society murder mystery... At Snapdragon, a high-end designer consignment shop, Helen is at the beck and call of snobby- yet frugal-customers. That alone is a deadly combination, especially with Chrissy, a drool-worthy fashionista who walks in with a purse to sell, and ends up screaming at her husband and another customer. Helen is used to dealing with snobby women, controlling husbands, and fashionable politicians. But she's about to have to handle a brand new type of unsatisfied customer-a murderer. Chrissy is found dead in Snapdragon's dressing room, with the hand-painted scarf Helen was just holding tied around her neck. And Helen goes from being low on society's totem pole to high on the police's suspect list.
Homeless teen Chris certainly isn't the most reliable of witnesses. And so no one takes her seriously when she walks into a police station and claims that her boyfriend Max, nicknamed Zorro, has been kidnapped. Detective Inspector Helen Shepherd is initially inclined to dismiss Chris as well. But then Chris mentions a ransom demand, a mysterious phone call demanding an envelope in exchange for the safe return of Max. Chris claims she has no idea what the kidnappers are talking about. But when Helen and her team investigate the abandoned warehouse that Max and Chris have made their home, she notices unusual activities in the area. But what precisely do the kidnappers want? And whatever happened to Max? This is a mystery novelette of 8700 words or approximately 28 print pages in the Helen Shepherd Mysteries series, but may be read as a standalone.