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The definitive collection of speeches and writings of one of America's most important social reformers Celebrated as the most famous woman in America at the time of her death in 1898, Frances E. Willard was a leading nineteenth-century American temperance and women's rights reformer and a powerful orator. President of Evanston College for Ladies (before it merged with Northwestern University) and then professor of rhetoric and aesthetics and the first dean of women at Northwestern, Willard is best known for leading the Woman's Christian Temperance Union (WCTU), America's largest women's organization. The WCTU shaped both domestic and international opinion on major political, economic, and social reform issues, including temperance, women's rights, and the rising labor movement. In what Willard regarded as her most important and far-reaching reform, she championed a new ideal of a powerful, independent womanhood and encouraged women to become active agents of social change. Willard's reputation as a powerful reformer reached its height with her election as president of the National Council of Women in 1888. This definitive collection follows Willard's public reform career, providing primary documents as well as the historical context necessary to clearly demonstrate her skill as a speaker and writer who addressed audiences as diverse as political conventions, national women's organizations, teen girls, state legislators, church groups, and temperance advocates. Including Willard's representative speeches and published writings on everything from temperance and women's rights to the new labor movement and Christian socialism, Let Something Good Be Said is the first volume to collect the messages of one of America's most important social reformers who inspired a generation of women to activism.
Whether one thinks of the modern world or of more remote times, both seem to have been affected – if not moulded – by the interaction between the concepts of authority and displacement. Indeed, political and social sources of authority have often been the causes of major geographical displacements, as can be illustrated by the numerous waves of migration which have been observed in the past and which are still present today, such as the transportation of slaves from African to American coasts in colonial times. If displacement can often be understood as spatial displacement, it can also be synonymous with psychological, social, and even aesthetic displacement, for instance through different artistic means or through the use of stylistic discursive devices. Displacement also entails dis-placement, dis-location, as well as dislocation, or chaos. This suggests that the etymological meaning of the term authority, auctoritas, has to be highlighted, thus referring to the author of a particular work and to the different manifestations of the authorial persona in a work of art. This collection of essays in two volumes examines the relationships between the concepts of authority and displacement in the English-speaking world, without restricting the analysis to a particular area, or to the field of literature. Some essays do, indeed, deal with literature, from different spatial areas and temporal eras, while others look into these concepts from a more cultural or aesthetic point of view. Volume Two, Exploring American Shores, includes essays on the place of famous fugitives in American culture (notably through the story of Bonnie and Clyde) as well as on the links between displacement, authority and sculpture on the one hand (Placing and Replacing the Capitol Sculptures), and on the links between displacement and photography on the other, through a study of Joel Sternfeld’s Walking the High Line. In addition to investigations of Louise Erdrich’s novel Books and Islands in Ojibwe Country, Canadian “landscapes in transit” will be studied to highlight the displacement of the Western landscape tradition in English Canada. The volume concludes with a study of some literary works by several writers of Guyanese origin – first with an essay comparing Martin Carter’s and Léon-Gontran Damas’s literary productions, and then with an essay devoted to Fred D’Aguiar’s novel, The Longest Memory (1994).
Time capsules offer unexpected insights into how people view their own time, place, and culture, as well as their duties to future generations. Remembrance of Things Present traces the birth of this device to the Gilded Age, when growing urban volatility prompted doubts about how the period would be remembered—or if it would be remembered at all. Yablon details how diverse Americans – from presidents and mayors to advocates for the rights of women, blacks, and workers – constructed prospective memories of their present. They did so by contributing not just written testimony to time capsules but also sources that historians and archivists considered illegitimate, such as photographs, phonograph records, films, and everyday artifacts. By offering a direct line to posterity, time capsules stimulated various hopes for the future. Remembrance of Things Present delves into these treasure chests to unearth those forgotten futures.
A world list of books in the English language.