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This technical report reviews the use of statistics in art conservation research. Its aim is to examine how statistical analyses have been handled in published conservation research studies and to suggest alternative approaches. All components of data analysis—including experimental design, data organization, and statistical techniques—are evaluated.
Principles of Experimental Design for Art Conservation Research, by Terry J. Reedy and Chandra L. Reedy, covers both practical and statistical aspects of experimental design, as well as laboratory experiments on art materials and clinical experiments with art objects. The material should be useful to working conservators and conservation scientists.
One of the challenges in protecting and displaying environmentally sensitive objects is preventing deterioration caused by the presence of oxygen. This volume describes the design and construction of an oxygen-free, hermetically sealed, display and storage case developed by the Getty Conservation Institute for the long-term protection of such objects. The case was originally designed as a collaborative project between the Egyptian Antiquities Organization and the GCI to conserve the Royal Mummy Collection at the Egyptian Museum in Cairo. Seven chapters cover the protection of cultural objects from environmental deterioration by reducing exposure to oxygen and by using inert gases for biodeterioration control. Also included are details on how the design and construction of the oxygen-free case has been adapted for other applications, specifically for the original documents of the Constitution of India in New Dehli and for the mummy collections at the Egyptian Museum and at the Museu Victor Balaguer in Vilanova i la Geltru, Spain. The Research in Conservation reference series presents the findings of research conducted by the Getty Conservation Institute and its individual and institutional research partners, as well as state-of-the-art reviews of conservation literature. Each volume covers a topic of current interest to conservators and conservation scientists.
A serious problem facing museum professionals is the protection of collections from damage due to insects. This book describes successful insect eradication procedures developed at the Getty Conservation Institute and elsewhere, whereby objects are held in an atmosphere of either nitrogen or argon containing less than 1000 ppm of oxygen—a process known as anoxia—or in an atmosphere of more than 60 percent carbon dioxide. Techniques, materials, and operating parameters are described in detail. The book also discusses adoption of this preservation technology, presenting the development of these methods and instructions for building and upgrading treatment systems, as well as recent case histories. The Research in Conservation reference series presents the findings of research conducted by the Getty Conservation Institute and its individual and institutional research partners, as well as state-of-the-art reviews of conservation literature. Each volume covers a topic of current interest to conservators and conservation scientists.
This series presents current research being conducted under the auspices of the Getty Conservation Institute.An overview of research from 1984 to 1994, including environmental controls in museums, the use of protective materials and analyses in the conservation of cultural objects and archaeological sites, and the use of new technologies for monitoring, documentation, and analysis.
Examines the application of scientific methods to the study and conservation of art and cultural properties. This work addresses scientific topics of broad interest, cutting across the boundaries of traditional disciplines and attracting up to 250 leadingresearchers in the field.
Electrochemistry plays an important role in preserving our cultural heritage. For the first time this has been documented in the present volume. Coverage includes both electrochemical processes such as corrosion and electroanalytical techniques allowing to analyse micro- and nanosamples from works of art or archaeological finds. While this volume is primarily aimed at electrochemists and analytical chemists, it also contains relevant information for conservators, restorers, and archaeologists.
In the archaeological reconstruction of prehistoric production and exchange systems, the use of provenience techniques has assumed a high profile. The primary aim of such archaeometric work has been the objective identification of non-local materials, and the isolation or elimination of specific stone, metal or clay sources. However, the important step of specifying and examining critically the relationships between archaeological data, human action, analytical results, and cultural interpretation has seldom been taken.
This is a unique volume in the history of rock art studies, meant at once for the advanced scholar, serious student and the curious but conscientious layman, co-authored by K.K. Chakravarty and R.G. Bednarik, who co-chaired the Rock Art session of the World Archaeological Congress 3 at Delhi in 1994. It is a synoptic but comprehensive survey, illustrated by 221 photographs and sketches, including 172 photographs in colour. The two scholars have not only described the latest state of research on rock art, but also transported rock art studies into the realm of interdisciplinary, inter-cultural analysis. Buttressed by an indicative map of the rock art regions, a list of major up to date direct dating results on rock art, a glossary of keywords related to spatial, temporal, technological, managerial categories, and an index, this volume blends precise, dispassionate descriptions with eloquent evocations. It blends conclusions distilled from rigorous, hard headed field research with penetrating criticism and assessment of the evidence. It combines a ruthless brevity and density with extraordinary felicity and clarity of language. Above all, it is an wonderful attempt at dealing with the problems of understanding, which dog human attempts to comprehend the meaning and shape of human creativity.