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Over thirty years ago, historian Marion Stell tracked down the women who played in the inaugural international Test cricket series against England in the summer of 1934–1935. Their stories and this extraordinary time in Australian sport are told here for the first time. After the contentious 'bodyline' mens' series in 1932–1933, sporting relations between Australia and England were at an all-time low. The long traditions built on fair play and sportsmanship had been shattered and controversy raged in the media. At the same time, a group of talented young women were invited to play for their country. Hailing from all classes and backgrounds, these exceptional players defied social and family expectations to pursue the sport they loved, gaining recognition and celebrity in Test series here and abroad. Drawing from rare source material, photos and interviews with the original players, The Bodyline Fix shines a long-overdue light on gender, race and class in 1930s Australia. The impact and legacy of these early sportswomen lives on to inspire current generations.
In his important contribution to the growing field of sports literature, Anthony Bateman traces the relationship between literary representations of cricket and Anglo-British national identity from 1850 to the mid 1980s. Examining newspaper accounts, instructional books, fiction, poetry, and the work of editors, anthologists, and historians, Bateman elaborates the ways in which a long tradition of literary discourse produced cricket's cultural status and meaning. His critique of writing about cricket leads to the rediscovery of little-known texts and the reinterpretation of well-known works by authors as diverse as Neville Cardus, James Joyce, the Great War poets, and C.L.R. James. Beginning with mid-eighteenth century accounts of cricket that provide essential background, Bateman examines the literary evolution of cricket writing against the backdrop of key historical moments such as the Great War, the 1926 General Strike, and the rise of Communism. Several case studies show that cricket simultaneously asserted English ideals and created anxiety about imperialism, while cricket's distinctively colonial aesthetic is highlighted through Bateman's examination of the discourse surrounding colonial cricket tours and cricketers like Prince Kumar Shri Ranjitsinhji of India and Sir Learie Constantine of Trinidad. Featuring an extensive bibliography, Bateman's book shows that, while the discourse surrounding cricket was key to its status as a symbol of nation and empire, the embodied practice of the sport served to destabilise its established cultural meaning in the colonial and postcolonial contexts.
From the moment he first stepped onto a test pitch, cricket fans around the world were dazzled by Doug Walters' red-blooded strokes, his immaculate timing and his great enjoyment of the game. But they also loved him because he refused to be a star. He drank, he smoked, he loved a punt. The boy from Dungog was one of us. In One of a Kind, the ma...
A great depression, worsening Anglo-Australian relations, the declining British Empire and the challenge from an Australia striving to find a national identity are the context which explain bodyline and its repercussions. Bodyline was a watershed in the history of cricket and politics were publicly seen as part of sport. This book offers a radical reappraisal of bodyline which challenges the official interpretations of the events, and places them in a unique social and political context. .